27 Club graffiti in Tel Aviv
27 Club Graffiti | |
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![]() The work as seen from the street | |
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Artist | John Kiss |
Year | 2014 |
Medium | Graffiti |
Movement | Street art |
Dimensions | 300 cm × 1000 cm (120 in × 390 in) |
Location | Haim Ben Atar St 3, Tel Aviv, Israel |
32°03′21″N 34°46′06″E / 32.0559°N 34.7683°ECoordinates: 32°03′21″N 34°46′06″E / 32.0559°N 34.7683°E |
The 27 Club graffiti is a mural in Tel Aviv, Israel painted by John Kiss, with the assistance of Itai Froumin and Roman Kozhokin.[1] The work depicts, from left to right, Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Jean-Michel Basquiat, Kurt Cobain, Amy Winehouse and an unknown figure, "believed to be the artist."[2]
Background[]
The artwork is 3 m (9.8 ft) high by 7 m (23 ft) wide, and depicts seven artists from the "27 Club", a list of popular musicians or artists who died at the age of 27.
The work was created by John Kiss, an Israeli street artist and peace activist.[3][4][5] Known previously as Jonathan Kis-Lev,[6] His graffiti work, political installations, community-based projects and public artworks have granted him the title the “Israeli Banksy.”[7][8][2]
Development[]
Kiss enjoyed creating large murals corresponding with the art of graffiti, and drawing references to tales and legends.[9] However, he also wished to discuss deeper messages in his work, and to lead viewers to existential contemplation and even cathartic experiences.[10] One such existential contemplation which highly engrossed Kiss in his twenties came as a result of his commercial success as an artist. Beginning to sell his art in galleries around the world, he was often uncomfortable with his success, the perception of his success, and the "price of fame."[10] The more well known Kiss had become in the art world, the more he found the attention addictive: "It was easy to indulge in the attention, in the admiration and the external validation. Yet it left me altogether more lonely,"[10] and was followed by "emptiness."[11]
Kiss became obsessed with what he called "the price of fame," being the success of people won public acclaim at an early age.[10] He was intrigued by artists who died early after achieving great fame, and, in particular, he was drawn to the life of Jean-Michel Basquiat. Basquiat, a contemporary of Andy Warhol, was famous by age twenty, selling his street-art paintings in auctions for great sums.[12] Basquiat's success came, however, at a price. He died at age 27 of a heroin overdose.[13][14]
Kiss became obsessed with Basquiat beginning in his early twenties. Since Basquiat was a graffiti artist, and since Kiss as well was a graffiti artist, and since both of them won relative success in their early twenties, Kiss felt that Basquiat's death at age 27 was an ominous, foreboding warning.[10]
Kiss was 26 years old when English singer Amy Winehouse died. She, like Basquiat, also died at the age of 27. The approaching 27th birthday for Kiss the following year felt "seriously threatening" for the artist.[10]
Veering away from the whimsicality of some of his previous work, Kiss began researching other well-known artists who died at that age, and to find the causes for their death, hoping to somehow learn how to save himself from that fate.[10] The list was exhaustingly long, comprising the infamous "27 Club". Kiss began sketching portraits of artists who died at that age: Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain, Amy Winehouse, and Jean-Michel Basquiat, among others. The theme soon began occupying Kiss' time to an extent verging on obsession.[10]
Constantly preoccupied with the 27 Club, Kiss decided to paint a large scale mural showing portraits of key figures who died at 27. Remarkably, he also decided to include a portrait of himself in the mural, with the intention of erasing his own portrait when—and if—he would turn 28.[10] "Erasing myself was to be my victory of survival," he explained.[10]
Kiss planned the mural for months as he wished to execute it "perfectly."[10] He painted sketches repeatedly, never truly becoming ready to paint the mural. He later said, "I think it was a delay mechanism, a way to protect myself. I was not ready."[10] It was only after Kiss turned 28 that he set to finally create the mural.[10]
While the subject matter of the mural could be depressing—the early death of highly talented individuals—Kiss wished to portray an "uplifting" portrait of theses individuals and their lives. "I wanted to do something that would celebrate their creative life rather than lament their early death. For that I needed colors."[10] Kiss decided to give each character three unique colors: first a light background, then a darker color for the shades, and finally a dark color for the eyes, nostrils and tiny facial features. Each figure was to have its own set of colors, and the colors for all the figures had to "harmonize together to a complete piece."[10] As to the figures' expression, Kiss wished to depict each figure directly facing the viewer, staring into the viewer with a blank, powerful stare.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/0/01/Graffiti_in_Tel_Aviv_by_Street_Artist_Kis-Lev16.jpg/220px-Graffiti_in_Tel_Aviv_by_Street_Artist_Kis-Lev16.jpg)
Kiss chose a prominent wall in the heart of Tel Aviv, on Haim Ben Atar Street.[15] Unlike previous pieces Kiss created, he knew this piece, due to its size and intricate usage of colors and layers, could not be completed quickly, and that the police was bound to come and arrest him. Apart from heavy fines, the penalty in Israel for anyone who paints, writes, engraves or draws on private walls is up to a one-year prison sentence.[15]
To avoid getting arrested Kiss created an elaborate cover story to explain to police officers that the work was "commissioned" by the Tel Aviv city hall's public art department.[10] Kiss chose the holiday of Rosh Hashana, when city hall workers were in their annual vacation, as the time to execute the work and ensure that the police would be unable to reach the public art department in the city hall. To convince police that the large work was indeed commissioned, he made himself and the team wear yellow vests and yellow helmets like city hall workers.[1][10] He also rented a private crane and prepared special signs to be pasted on the crane stating: "Property of the Tel Aviv Municipality."[16]
Art journalist Zipa Kampinski of Israel's largest newspaper, Yedioth Ahronoth,[17][18] was privy to the story and covered the mural's secretive creation process.[1]
Kiss was assisted by fellow artists Itai Froumin and Roman Kozhokin to execute the piece.[1] The police came immediately after work began on the large wall. Kiss argued convincingly, and the work was not stopped nor was the team arrested although the police arrived several times to the scene.[10] The work took 24 hours for the team to complete.[1] The large painting attracted an enthusiastic audience to the spot where the graffiti was created[1] which confused the police officers.[10]
Like in previous works, Kiss included his signature drips at the bottom of the mural.[10] He painted the portraits of the famous artists in colors, but left his own portrait at the far right in gray.[15][19]
The result, 3 m (9.8 ft) high by 7 m (23 ft) wide,[20] depicted seven artists from the "27 Club".[21] The work depicts, from left to right: Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Jean-Michel Basquiat, Kurt Cobain, Amy Winehouse and the figure of the artist.[10] Soon after the completion of the work, Kiss' portrait was vandalized with pink paint thrown at it.[10] Kiss did not supply the press with details about his own figure, which was left for many to guess, believing the figure "to be the artist".[22][19][23]
Reception[]
In an article in The Mediterranean Observer, it was stated that:
Located at Haim Ben-Atar Street in Tel Aviv, local artist John Kiss shows the most popular members from the fictitious “27 Club.” The piece depicts Jimi Hendrix, Janis Joplin, Jim Morrison, Brian Jones, Jean-Michel Basquiat, Kurt Cobain, Amy Winehouse; all of whom died tragically at the age of 27. To the far right, there is an 8th unknown man believed to be the artist himself. As the story goes at the time, Kiss was dealing with drug and alcohol addiction, including himself in this piece was seen as some sort of self-fulfilling prophecy in his own eyes. One day, someone painted over his face, causing many to speculate on the art work’s new meaning. Some say that the artists’ enemies covered his face in an act of pettiness; others noted that either the artist or his sister came to cover his face after he successfully lived to 28, beating his own prophecy.[2]
Kiss' portrait was covered by pink paint, and "there is some argument as to whether or not the pink paint over Kiss’s face was done by Kiss himself or another artist. One rumor is that Kiss was so disappointed in all that he hadn’t accomplished by the age of 27, that he included paint to cover his face."[24] Another was that he was proud he had made it to age 28, which was why he included his face, and then erased it himself.[25]
The artist received "much criticism" for including his own portrait among the 27 club members.[15] The criticism focused on adding his portrait alongside great artists who have not crossed the age of 27.[15][26] According to this view, if indeed it was not Kiss himself who mysteriously covered his face, the covering of his face by an anonymous vandal was therefor "just."[27][28] Some interpret the work as depressing, and see a morbid quality to it.[29] Others note the "pain which follows the disappearance of the sudden gratification of fame and the dangerous emptiness that follows."[11]
Over the years since its creation in 2014 the work has become known as one of Israel's must-see street artworks,[24][30][31] and according to From the Grapevine Magazine "the most popular in Florentin."[32] Some locals define it as "sensational,"[33] and as their superior version of a local "museum,"[1] demanding the municipality to "preserve it."[27]
The work was featured in the Israeli street art documentary The Streets Are Ours ("HaRehovot Hem Shelanu").[34][35] It also appeared in books,[36] magazines,[37][38] newspapers,[39][40] online journals,[41][42] and praised as being an incident in which the "greatest art is actually on the street,"[43] and in which "graffiti manages to be graffiti, in the good sense of the word."[1]
Outside of Israel, the work became a symbol of the 27 club. It was featured in universities,[44] news sites,[45][46] travel magazines,[47] as well as was being parodied often.[48] It appeared in articles in Polish,[49] Italian,[50][51] Spanish,[52][53] French,[54] Indonesian,[55] Russian,[56] and others.
Prints of it appeared in international museum exhibits.[57] It is considered one of the top graffiti works in Israel.[58]
As of April 2021, the work is still visible and remains intact.[59] The spot where it was painted had become a meeting point for tours to convene in, and the wall right underneath it is today filled with dozens of graffiti works by multiple artists from around the world.[60][59] It became a symbol of the gentrification process in South Tel Aviv,[61][62] as well as an icon of the city.[22][19][23] Time Out Magazine cited this work among "The most beautiful in Tel Aviv."[63]
See also[]
External links[]
- "6 Incredible Street Art Pieces in Tel Aviv, Israel". The Mediterranean Observer. May 1, 2021.
- Peterson, Sydney. "12 Must-See Works Of Israeli Street Art". The Forward, March 8, 2017.
- 27 Club Graffiti Explained (video in Hebrew), Zahi Shaked,
References[]
- ^ a b c d e f g h Kampinski, Zipa (26 September 2014), Sparkle on Frenkel Street (in Hebrew), Yedioth Ahronoth's Xnet
- ^ a b c "Walls With Stories In Every Crack". The Mediterranean Observer. 2021-05-01. Retrieved 2021-07-26.
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: CS1 maint: url-status (link) - ^ Kiner, Saloma (21 November 2016). "A Tel Aviv, une méthode pour apprendre l'hébreu". L'Obs (in French). Retrieved 2021-07-06.
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: CS1 maint: url-status (link) - ^ Imagining Collective Futures : Perspectives from Social, Cultural and Political Psychology. Constance De Saint-Laurent, Sandra Obradović, Kevin R. Carriere. Cham. 2018. ISBN 978-3-319-76051-3. OCLC 1040613419.
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: CS1 maint: others (link) - ^ "Awards". Combatants For Peace. Retrieved 2021-07-06.
- ^ "About Kis-Lev". Jonathan Kis-Lev Official Website. Retrieved 2021-10-09.
In 2020 Kiss officially changed his name from Jonathan Kis-Lev to John Kiss.
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: CS1 maint: url-status (link) - ^ Fishman, Daniella (2021-04-30). "6 Incredible Street Art Pieces To Find In Tel Aviv". Jetset Times. Retrieved 2021-06-02.
- ^ "Not your normal tour of Tel Aviv | Hamilton Jewish News". hamiltonjewishnews.com. Retrieved 2021-06-02.
- ^ Ramsaier, Annika (March 2017). "Vielfältige Urban Art in den Straßen Tel Avivs (Diverse Urban Art in the Streets of Tel Aviv)". Goethe-Institute Magazine. March 2017: 12–13.
- ^ a b c d e f g h i j k l m n o p q r s t u v Giat, Galit. "Weekend Activities: Jonathan Kis-Lev about Street Art (beginning at 33 min.)" (in Hebrew). Nana 10. See also here: http://10tv.nana10.co.il/Article/?ArticleID=1006332
- ^ a b Dotan, Dana (2019-03-20). "On the Walls of Tel Aviv". Limonchello (in Hebrew). Retrieved 2021-10-11.
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: CS1 maint: url-status (link) - ^ Basquiat, Jean-Michel; Buchhart, Dieter; Keller, Sam; O'Brien, Glenn (2010) Jean-Michel Basquiat. Hatje Cantz. ISBN 978-3-7757-2593-4
- ^ Haden-Guest, Anthony (November 1988). "Burning Out". Vanity Fair. Vanity Fair. Retrieved November 16, 2017.
- ^ Dowd, Vincent (2017-09-25). "Jean-Michel Basquiat: The neglected genius". BBC News. Retrieved 2020-10-03.
- ^ a b c d e Yam, Shir (2020-02-22). "Graffiti in Florentin, The Graffiti Capital of Israel". Check In/Out (in Hebrew). Retrieved 2021-07-26.
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: CS1 maint: url-status (link) - ^ Graffiti Lecture (in Hebrew), 27 December 2018, retrieved 2021-08-10
- ^ The Israeli Press Jewish Virtual Library
- ^ "The press in Israel". BBC. May 8, 2006. Retrieved April 25, 2019.
- ^ a b c Kogot, Rotem (2019-04-21). "Notable Graffiti Works". Frogi Magazine (in Hebrew). Retrieved 2021-06-02.
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: CS1 maint: url-status (link) - ^ Herzl, Israel (2021-04-22). "Graffiti Tour in Florentin Neighborhood". Hasharon Post (in Hebrew). Retrieved 2021-06-02.
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: CS1 maint: url-status (link) - ^ "12 Must-See Works Of Israeli Street Art". www.masaisrael.org. Retrieved 2021-06-02.
{{cite web}}
: CS1 maint: url-status (link) - ^ a b Peterson, Sydney, 12 Must-See Works Of Israeli Street Art, Forward Magazine, retrieved 1 October 2017
- ^ a b "Street art in Tel Aviv". La Muse Blue. 2019-12-03. Retrieved 2021-06-04.
- ^ a b Peterson, Sydney, 12 Must-See Works Of Israeli Street Art, Forward Magazine, retrieved 1 October 2017
- ^ Israel Hayom, Street Art at Your Home: Join a Graffiti Tour אמנות רחוב אצלכם בבית: הצטרפו לסיור גרפיטי בסמטאות תל אביב הצבעוניות (in Hebrew), 29 September 2020, retrieved 2021-08-10
- ^ Brestovitsky, Boris. "27... из серии "кама зман ата бе арец"". Livejournal (in Russian).
{{cite web}}
: CS1 maint: url-status (link) - ^ a b Shacham, Stav, The Tel Aviv Street Museum with Stav Shachaf, retrieved 2021-08-10
- ^ Beginning at minute 15:25, Virtual Graffiti/Street Art tour through Tel Aviv with Niro Trip, retrieved 2021-08-10
- ^ Malitz, Dudi (2015). "Living in Florentin: A night journey filmed in the neighborhood". Ynet (in Hebrew).
- ^ Tel Aviv Street Art, Street Art NYC, 4 February 2017, retrieved 1 October 2017
- ^ "Graffiti wall art Tel Aviv". photostock-israel.photoshelter.com. Retrieved 2018-04-21.
- ^ "Take a walk through one of the world's most interesting neighborhoods". From the Grapevine. Retrieved 2018-04-21.
- ^ Ko, Evgeny (12 March 2015). "Up We Go". Look At Israel (in Russian). Retrieved 2021-08-08.
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: CS1 maint: url-status (link) - ^ At minute 07:18, 17:37, in the movie "HaRehovot Hem Shelanu"
- ^ HaRehovot Hem Shelanu (2015) - IMDb, retrieved 2021-08-10
- ^ See, for example, Street Art Tel Aviv: In a Time of Transition. Lois Stavsky, 2021 Sussex Academic Press ISBN 978-0764354731
- ^ "Buchszene III/2020 - Das Magazin für Bücherfreunde". Issuu. Retrieved 2021-08-01.
- ^ "When the Music's Over". Buchszene - Das Magazin für Bücherfreunde (in German). III: 7. 2020.
- ^ Horvitz, Ariel (27 Feb 2018). "In our streets: the proof that graffiti can turn a troubled neighborhood into a tourist destination". Makor Rishon. Retrieved 2021-08-11.
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: CS1 maint: url-status (link) - ^ "i24NEWS". www.i24news.tv. Retrieved 2021-08-05.
- ^ "ALASKA SNACK TIME: "E grozav când aducem prieteni și colegi la studio și improvizăm împreună"". Inertia Movement - 100% Independent. We write the stories. (in Romanian). Retrieved 2021-10-12.
- ^ See for example, minute 1:28 in Florentin Tel Aviv - The Street is your gallery, retrieved 2021-08-10
- ^ Nica, Ioana (16 February 2018). "Alaska Snack Time Interview". Inertia Movement. Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Brito, Natalia (28 March 2020). "Forever 27: Un misterio en la industria del cine y la música". Catholic University of Pereira (in Spanish). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Cova, Ernesto (2021-05-11). "The 27 Club: Music Legends Gone Way Too Soon". Daily Amazing Things. Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Kuroski, John (2018-09-01). "The 27 Club: Tragic Stories Of Stars Who Died Too Young". All That's Interesting. Retrieved 2021-10-12.
- ^ Levatic, Katie (2017-09-14). "7 Days in Israel and Jordan". The Reset Ritual. Retrieved 2021-10-12.
{{cite web}}
: CS1 maint: url-status (link) - ^ Bleis, Dotan (10 December 2020). "Marc Márquez and the 27 Club". Doogigim Online Magazine. Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Rynkiewicz, Alek (5 July 2017). "Tel-Awiw: białe i tęczowe miasto - Poznaj nieoficjalną stolicę Izraela - Alek Rynkiewicz". Queer (in Polish). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Senin, Budi Prasetyo Harsono (2021-01-18). "Bukan Hanya Musisi, Ada 5 Atlet yang Masuk 27 Club". Bolaskor Magazine (in Italian). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Horizons (2018-12-13). "Il Club 27 torna protagonista con una mostra a Bologna". Ultima Voce (in Italian). Retrieved 2021-10-12.
{{cite web}}
: CS1 maint: url-status (link) - ^ Perozo, Kiko (8 April 2021). "La Inteligencia Artificial "revive" a Kurt Cobain, Jim Morrison y otros del Club de los 27". FayerWayer (in Spanish). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Serrano, Nacho (2020-10-03). "El Club de los 27, abierto hasta el amanecer". ABC (in Spanish). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Mauro, Benjamin; Célières, Dominique (3 May 2020). "Le mystère du Club des 27". Vivre FM (in French). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Katondio Bayumitra, Wedya (22 May 2020). "George Best dan Klub 27". kumparan (in Indonesian). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ "Клуб 27 - Интересные Факты". postfactum.
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: CS1 maint: url-status (link) - ^ "They Died Too Early". Ragnarock Museum (in Danish). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Ben Avraham, Samantha (2018-12-12). "Top 10 Graffiti Art in Israel". Samantha Israel Tours. Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ a b Watch beginning at minute 1:37, Florentin Tel Aviv 4K Walking in Israel 2021, retrieved 2021-08-10
- ^ See for example the opening of this walking tour film, Tel Aviv, Walking in FLORENTIN District, GRAFFITI, retrieved 2021-08-10
- ^ Jinwei Chan, Tristan (2017-10-10). "Seven gentrification success stories from cities around the world". South China Morning Post. Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ Navot, Tal. "Gentrification - It's Not a Foul Word". The Urban Blog (in Hebrew). Retrieved 2021-10-12.
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: CS1 maint: url-status (link) - ^ "מרוססים עליהם: הגרפיטי #הכי_יפה_בעיר". טיים אאוט (in Hebrew). 2018-07-05. Retrieved 2021-06-02.
- Graffiti and unauthorised signage
- Culture in Tel Aviv
- 2014 paintings
- Cultural aspects of death
- Amy Winehouse
- Cultural depictions of Janis Joplin
- Cultural depictions of Jimi Hendrix
- Cultural depictions of Kurt Cobain