A Page of Madness
This article is missing information about the film's production, theatrical/home media releases, and initial reception.(July 2018) |
A Page of Madness | |
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Japanese | 狂った一頁 |
Hepburn | Kurutta Ichipeiji |
Directed by | Teinosuke Kinugasa |
Written by | |
Produced by | Teinosuke Kinugasa |
Starring | |
Cinematography | Kôhei Sugiyama |
Production companies |
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Distributed by | New Line Cinema (United States) |
Release date |
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Running time | 71 minutes[2] |
Country | Japan |
A Page of Madness (Japanese: 狂った一頁, Hepburn: Kurutta Ippēji or Kurutta Ichipeiji) is a 1926 Japanese silent film directed by Teinosuke Kinugasa. Lost for forty-five years until being rediscovered by its director in his storehouse in 1971,[3][4]: 42 the film is the product of an avant-garde group of artists in Japan known as the Shinkankakuha (or School of New Perceptions) who tried to overcome naturalistic representation.[4]: 12 [5][6]: 59
Yasunari Kawabata, who would win the Nobel Prize for Literature in 1968, was credited on the film with the original story. He is often cited as the film's screenwriter, and a version of the scenario is printed in his complete works, but the scenario is now considered a collaboration between him, Kinugasa, Banko Sawada, and Minoru Inuzuka.[4]: 26–33 Eiji Tsuburaya is credited as an assistant cameraman.
Plot[]
The film takes place in an asylum in the countryside. Amid a torrential rainstorm, a janitor wanders through the halls revealing the various patients suffering from mental illnesses. The next day, a young woman arrives and is surprised to see her father, the janitor, working there. Her mother is an inmate in the asylum and had gone insane due to the cruelty of her husband, the janitor, when he was a sailor. The husband, feeling guilty, took a job at the asylum to care for her. The daughter announces that she is soon to marry a fine young man, but the janitor begins to worry since society at the time still maintained the prejudiced view that mental illness was inherited. If the young man's family were to learn of the mother’s illness, the marriage might be called off.
At work the janitor's relationship with his wife, unknown to the asylum, interferes with his job. He gets into a fight with some male inmates when his wife is hit, and he is sternly scolded by the head doctor. These events cause the janitor to experience a number of fantasies, as he slowly loses control of the border between dreams and reality. He first has a daydream about winning a chest of drawers in a lottery that he could give to his daughter as part of her dowry. When his daughter comes to tell him that her marriage is in trouble, he thinks about taking his wife away from the asylum to hide her existence. He also fantasizes about killing the head doctor, but the vision gets out of hand as a bearded inmate is seen marrying his daughter. The janitor finally dreams of distributing masks to the inmates, providing them with happy faces. He returns to work mopping the floors, no longer able to visit his wife's ward because he lost the keys (picked up by the doctor). He sees the bearded inmate pass by, who bows to him for the first time, as if bowing to his father-in-law.
Cast[]
Actor | Role |
---|---|
Masao Inoue | the custodian |
Ayako Iijima | the custodian's daughter |
Yoshie Nakagawa | the custodian's wife |
Hiroshi Nemoto | the fiancé |
Misao Seki | the chief doctor |
Minoru Takase | patient A |
Eiko Minami | the dancer |
Kyosuke Takamatsu | patient B, the bearded inmate |
Tetsu Tsuboi | patient C |
Shintarō Takiguchi | the gateman's son |
Release[]
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Initial release[]
A Page of Madness was first screened in Tokyo on 10 July 1926.[4]: 116 Screenings would have included live narration by a storyteller or benshi (弁士) as well as musical accompaniment. The famous benshi Musei Tokugawa narrated the film at the Musashinokan theater in Shinjuku in Tokyo.[4]: 45
21st-century screenings[]
The film was screened at the 2018 Ebertfest, on 20 April.[7] It has also screened at the Lincoln Center in New York City featuring a live accompaniment with the Alloy Orchestra[2] and the Eastman Museum in Rochester, New York.[8]
Reception[]
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Modern assessments[]
Reception of the film since its rediscovery has been mostly positive. Dennis Schwartz from Ozus' World Movie Reviews awarded the film a grade A, calling it "a vibrant and unsettling work of great emotional power".[9] Time Out Magazine, praised the film, writing, "A Page of Madness remains one of the most radical and challenging Japanese movies ever seen here."[10] Panos Kotzathanasis from Asian Movie Pulse.com called it "a masterpiece", praising the film's acting, music, and imagery.[11] Jonathan Crow from Allmovie praised its "eerie, painted sets", lighting, and editing, calling it "a striking exploration of the nature of madness".[12] Nottingham Culture's BBC preview of the film called it, "a balletic musing on our subconscious nightmares, examining dream states in a way that is both beautiful and highly disturbing."[13] Jonathan Rosenbaum of The Chicago Reader praised the film's expressionist style, imagery, and depictions of madness as being "both startling and mesmerizing".[14]
It was later included at number 50 in Slant Magazine's "100 Best Horror Movies of All Time", citing the film's visuals and atmosphere as 'lingering long after the film ends'.[15]
See also[]
References[]
- ^ Hortelano, Lorenzo J. Torres, ed. (2017). Dialectics of the Goddess in Japanese Audiovisual Culture. Lexington Books. p. xix. ISBN 978-1498570145.
- ^ Jump up to: a b "A Page of Madness".
- ^ Sharp, Jasper (7 March 2002). "Midnight Eye feature: A Page of Madness". Midnight Eye. Retrieved 17 April 2007.
- ^ Jump up to: a b c d e Gerow, Aaron (2008). A Page of Madness: Cinema and Modernity in 1920s Japan. Center for Japanese Studies, University of Michigan. ISBN 978-1-929280-51-3.
- ^ Gardner, William O. (Spring 2004). "New Perceptions: Kinugasa Teinosuke's Films and Japanese Modernism". Cinema Journal. 43 (3): 59–78. doi:10.1353/cj.2004.0017.
- ^ Lewinsky, Mariann (1997). Eine Verrückte Seite: Stummfilm und filmische Avantgarde in Japan. Chronos. ISBN 3-905312-28-X.
- ^ Galassi, Madeline (23 April 2018). "Ebertfest 2018: Nine Things I Learned About A Page of Madness". RogerEbert.com. Roger Ebert Website. Retrieved 23 April 2020.
- ^ "A Page of Madness | George Eastman Museum".
- ^ Schwartz, Dennis. "kurutta". Sover.net. Dennis Schwartz. Retrieved 2 July 2018.
- ^ "A Page of Madness, directed by Teinosuke Kinugasa". Time Out.com. TR. Retrieved 2 July 2018.
- ^ Kotzathanasis, Panos (19 May 2018). "Film Review: A Page of Madness (1926) by Teinosuke Kinugasa By Panos Kotzathanasis". Asian Movie Pulse.com. Panos Kotzathanasis. Retrieved 2 July 2018.
- ^ Crow, Johnathan. "A Page of Madness (1926) - Teinosuke Kinugasa". Allmovie.com. Johnathan Crow. Retrieved 2 July 2018.
- ^ "BBC - Nottingham Culture - NOW Festival : A Page Of Madness". BBC.com. Nottingham Culture. Retrieved 2 July 2018.
- ^ Rosenbaum, Johnathan. "A Page of Madness". ChicagoReader.com. Retrieved 23 April 2020.
- ^ "The 100 Best Horror Movies of All Time". SlantMagazine.com. Slant Magazine. 25 October 2019. Retrieved 22 March 2020.
External links[]
- A Page of Madness at AllMovie
- A Page of Madness at IMDb
- A Page of Madness at Rotten Tomatoes
- A Page of Madness at the TCM Movie Database
- A Page of Madness at SilentEra
- A Page of Madness: The Lost, Avant Garde Masterpiece from Early Japanese Cinema (1926) in Film | January 17th, 2019
- Midnight Eye Entry
- 1926 films
- 1975 films
- 1920s horror films
- 1920s Japanese films
- Japanese films
- Japanese avant-garde and experimental films
- Japanese black-and-white films
- Japanese silent films
- Japanese horror films
- Films directed by Teinosuke Kinugasa
- Films without speech
- 1920s rediscovered films
- 1920s avant-garde and experimental films
- Rediscovered Japanese films