Abigail Child

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Abigail Child is a filmmaker, poet, and writer who has been active in experimental writing and media since the 1970s.[1] She has completed more than thirty film and video works and installations, and six books. Child's early film work addressed the interplay between sound and image through reshaping narrative tropes, prefiguring many concerns of contemporary film and media.

Academics[]

In 1968, Abigail Child graduated from Radcliffe College in Harvard University with a degree in history and literature.[1] She has received a Guggenheim Fellowship in Film.[2] She has taught at several universities, including New York University, Massachusetts College of Art, and Hampshire College.[3] She has been the chair of Film and Animation department at the School of the Museum of Fine Arts, Boston since 2000[3] and was appointed to a fellowship at the Radcliffe Institute for Advanced Study.[1] In 2009, she was awarded the Rome Prize.[4]

Career in film, writing, and poetry[]

Child began making films in the 1970s, producing seven independent documentaries shot on 16mm.[1] From the middle of the 70s she turned to experimental montage and in the 80s her work explores gender and strategies for remaking narrative.[5] Is This What You Were Born For? is a major, seven-part experimental work from this period, completed over nine years, which included the cult classics Mayhem and Covert Action.[6][7] In the 90s, Child poetically envisioned and interrogated public spaces in such films as B/side (1996), about urban homelessness on the Lower East Side of New York city,[8][9] and Below the New: A Russian Chronicle (1999), filmed in St. Petersburg.[10][11]

In the 21st century, Child's film and video has explored history, memory, and cultural experiences—the politics of place and identity. Digital works like Cake + Steak (2004) and The Future Is Behind You (2005)[12] investigate the awkward drama of the everyday, often utilizing found material to examine the past. Mirror World (2006) is a multi-screen installation that incorporates parts of Child's “foreign film” series to explore narrative excess. Key works include Surface Noise (2000), Dark Dark (2001), Where The Girls Are (2002), Cake and Steak (2004), The Future Is Behind You (2004), To and No Fro (2005), and Mirror World (2006). Her feature video documentary On The Downlow (2007)), is an exploration of bisexuality and an intimate look at a little-viewed underground scene.

In 2012, Child completed a feature film, Shape of Error, an imaginary “home movie” based on the diaries of Mary Shelley during her marriage with Percy Shelley.

Child is also the author of five books of poetry (published between 1983 and 2012) [2][3] and a book of critical writings: This Is Called Moving: A Critical Poetics of Film (2005).

A collection of writings by various authors on Is This What You Were Born For?, including a DVD of the film series, was published in 2011.[6]

Filmography[]

  • Acts and Intermissions (2017)[13]
  • Salome (2014)[13]
  • ELSA merdelamerdelamer (2012)[13]
  • Unbound (2012)[13]
  • A Shape Of Error (2011) feature film on Mary and Percy Shelley[13]
  • The Suburban Trilogy (2011) film and digital
  • Riding the Tiger: Letters from Capitalist China (2010-2014)
  • Hacking Empire (2010) single screen version of L'Impero Invertito
  • If I Can Sing A Song About Ligatures (2009) w/ Nada Gordon, Foreign Film Series
  • Surf And Turf (2008-2011) 16mm/digital, The Suburban Trilogy, part 3
  • On The Downlow (2007) Digital feature documentary, dir. by Child; ed: Yael Bitton; Camera: Arthur Jafa[13]
  • Mirror World (2006) 16mm to digital, w/ Gary Sullivan Foreign Film Series[13]
  • To And No Fro (2005) 16mm to digital, w/ Monica de la Torre. Foreign Film Series
  • Blonde Fur (2004) Loop from Cake and Steak
  • The Party (2004)
  • The Future Is Behind You (2004) film/digital, The Suburban Trilogy, Part 2[13]
  • Cake and Steak (2003–04) film/digital, The Suburban Trilogy, Part 1[13]
  • The Milky Way (2003) Installation version of Dark Dark
  • Subtalk (2002) digital, w/ Benton C Bainbridge and Eric Rosenzveig [14]
  • Dark Dark (2001) film, How the World Works, Part 2[13]
  • Surface Noise (2000) film, How the World Works, Part 1
  • Below the New (1999)
  • Her Thirteenth Year (screenplay) (1998)
  • B/Side (1996)[13]
  • Dinkinsville (1994)
  • Through The Looking Lass w/ L. Champagne & Songs (1993) interactive video performance
  • Songs (1993) interactive video performance w/Benton C Bainbridge, Vicky Funari and Ikue Mori
  • 8 Million (1992) video album w/ Ikue Mori)
  • Swamp (1990–91) w/ S. Schulman
  • Mercy (1989) Is This What You Were Born For? Part 7[13][6]
  • Both (1988) Is This What You Were Born For? Part 3[13][6]
  • Mayhem (1987) Is This What You Were Born For? Part 6[13][6]
  • Perils (1985–86) Is This What You Were Born For? Part 5[13][6]
  • Covert Action (1984) Is This What You Were Born For? Part 4[13][6]
  • Mutiny (1982–83) Is This What You Were Born For? Part 2[13][6]
  • Prefaces (1981) Is This What You Were Born For? Part 1[13][6]
  • Ornamentals (1979)
  • Pacific Far East Line (1979)
  • Peripeteia II (1978)
  • Daylight Test Section (1978)
  • Peripeteia I (1977)
  • Some Exterior Presence (1977)
  • Tar Garden (1975)[15]
  • Mother Movie (1973)
  • Game (1972) w/Jon Child
  • Except The People (1970) w/Jon Child

[16]

Publications[]

  • Is this what you were born for? (MetisPresses, 2011)[17]
  • This is Called Moving: A Critical Poetics of Film (University of Alabama Press, 2005)[18]
  • Counter Clock (Tout Court Editions, Mermaid Tenement Press, 2009)[19]
  • Artificial Memory (Belladonna Press, 2001)[20]
  • Flesh poems for Sarah Shulman by Abigail Child (Published by ZET Amsterdam - New York 1990)[21]
  • Scatter Matrix (Roof Books, 1996)[22]
  • Mob (O Books, 1994)[23]
  • A Motive for Mayhem (Potes & Poets, 1989)[24]
  • Climate Plus (Coincidence Press: Second Season, 1986)[15]
  • From Solids (Roof Books, 1983)[25]

References[]

  1. ^ Jump up to: a b c d Abbott, J. Samuel (2005-11-03). "Alumni Watch: Abigail Child '68". The Harvard Crimson. Archived from the original on 2013-02-21. Retrieved 2008-10-20.
  2. ^ Jump up to: a b Petrolle, Jean; Wexman, Virginia (2005). Women and Experimental Filmmaking. University of Illinois Press. pp. 20–21. ISBN 0-252-03006-0. Archived from the original on 2021-07-25. Retrieved 2020-10-21.
  3. ^ Jump up to: a b c Marchessault, Janine; Lord, Susan (2007). Fluid Screens, Expanded Cinema. University of Toronto Press. p. 341. ISBN 978-0-8020-9297-7. Archived from the original on 2021-07-25. Retrieved 2020-10-21.
  4. ^ "Abigail Child". American Academy in Rome. 2009. Archived from the original on 2010-07-03. Retrieved 2010-06-09.
  5. ^ "Query: Abigail Child". Walker Art Center. February 2006. Archived from the original on 2007-07-21. Retrieved 2008-10-20.
  6. ^ Jump up to: a b c d e f g h i Supanick, Jim. "Is this What You Were Born For?". Brooklyn Rail. Archived from the original on February 2, 2021. Retrieved March 27, 2021.
  7. ^ Foster, Gwendolyn Audrey (1995). Women Film Directors. Greenwood Publishing Group. p. 74. ISBN 0-313-28972-7. Perils Abigail Child.
  8. ^ "Films - B/Side". Abigail Child. Archived from the original on 2016-11-15. Retrieved 2021-07-25.
  9. ^ Skoller, Jeffrey (1998-11-01). "Home sweet home.(Abigail Child's 1996 documentary film 'B/side')". Afterimage. Archived from the original on 2021-07-25. Retrieved 2008-10-20.
  10. ^ "Films - BELOW THE NEW: A RUSSIAN CHRONICLE (1999)". Abigail Child. Archived from the original on 2016-11-15. Retrieved 2021-07-25.
  11. ^ "SMFA Boston - Abigail Child". School of the Museum of Fine Arts, Boston. Archived from the original on 11 October 2008. Retrieved 2008-10-20.
  12. ^ These artworks can be found in "The repository of the Experimental Television Center". Cornell University Library. hdl:1813.001/8946249a. Cite journal requires |journal= (help)
  13. ^ Jump up to: a b c d e f g h i j k l m n o p q r "Abigail Child - Director, Editor, Producer". MUBI. Archived from the original on August 21, 2018. Retrieved March 18, 2021.
  14. ^ MacDonald, Scott (2005). A Critical Cinema 4: Interviews with Independent Filmmakers. ISBN 9780520242715. Archived from the original on 2021-07-25. Retrieved 2020-10-21.
  15. ^ Jump up to: a b "Climate/Plus: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  16. ^ "Filmography: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  17. ^ "Is This What You Were Born For?: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  18. ^ "This is Called Moving: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  19. ^ "Counter Clock: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  20. ^ "Artificial Memory: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  21. ^ "Flesh: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  22. ^ "Scatter Matrix: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  23. ^ "Mob: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  24. ^ "A Motive for Mayhem: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.
  25. ^ "From Solids: Abigail child". abigailchild.com. Archived from the original on 2017-07-18. Retrieved 2018-03-26.

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