ActNow Theatre

From Wikipedia, the free encyclopedia

Actors and musician rehearsing a theatre project in MakeSpace

ActNow Theatre is a theatre company based in Adelaide, South Australia. Founded in 2007, it is a community-based company whose work focuses on social justice issues and techniques. From 2007 until 2020, the artistic director was Edwin Kemp Attrill.

ActNow Theatre worked with Very Theatre in Taiwan over three years to develop a work called "Virtual Intimacy". Another notable project was undertaken during the COVID-19 pandemic in Australia in 2020, called "Decameron 2.0". This comprised a series of monologues delivered online, written and performed in conjunction with the State Theatre Company of South Australia.

History[]

The company was founded in 2007 by three high school friends, including former artistic director Edwin Kemp Attrill. The company initially created street theatre performances, on political issues such as the incarceration of Adelaide-born Guantanamo Bay detainee David Hicks. Initial ensemble members were drawn from the Adelaide branch of Amnesty International Australia and local youth theatre company Urban Myth Theatre of Youth.[1]

Initially the company was located in co-working spaces in UrText Studios and Format Collective.[citation needed]. The company was then supported by Carclew[2] through a base at Fifth Quarter,[3] a co-working space in Brompton, an inner-western suburb of Adelaide.

In 2018 the company established a city-based rehearsal studio, office and small arts venue called MakeSpace.[4][2][5]

Description[]

ActNow is a community-based theatre company.[6][7] The company is controlled by a Board of Management and is registered as a charity with Australian Charities and Not-for-profits Commission.[8]

The company creates “devised, interactive and issue-based”[9] theatre projects focused on social justice[10] using techniques such as Augusto Boal's Forum Theatre[10][11] and principles of Community Arts and Community Cultural Development.[12][13] It has been described as "one of the most innovative, inclusive and dynamic companies in Australia".[14] The company's projects focus on communities of LGBTIQ+, First Nations Australians, and culturally and linguistically diverse communities, including a number of programs in schools or for young people.[15] It has been compared to former theatre companies such as Melbourne Workers Theatre and Junction Theatre Company as an arts organisations working across multiple communities.[16]

Company activity[]

Examples of projects include school safety program "Expect Respect" with the Legal Services Commission of South Australia,[17][18] the anti-racism education program "Responding to Racism" with Reconciliation South Australia,[19][20] Queer Youth Theatre workshops,[21][22] the Game Makers program for kids and dads,[23] and workshop program for culturally diverse artists, the Theatre of the Global Majority (2018-2019).[24][25][26][27] The projects involve participatory theatre techniques, which empower audiences to change aspects of the performances and be active contributors and commentators to broader social movements.[28]

"ActNow creates participatory theatre, not just to engage our audience but also to empower them to be agents of social change within a project and in their own lives. We don’t want our audience to sit quietly in the dark. We want them active as contributors and commentators. Our work finds new ways to engage with our audiences, through technology and a deep relationship between artists and audiences. The simple act of storytelling can engage audiences and create positive social change. As such, our aesthetic is typically paired back and raw, using everyday environments and technologies to create life changing experiences." - Former Artistic Director Edwin Kemp Attrill[29]

Artists involved in the company include former Artistic Director Edwin Kemp Attrill,[30][31] singer/songwriter , poet/writer/performer [20][32] and Associate Director .[33] Kemp Attrill left the company as Artistic Director/CEO in December 2020.[34] In January 2021, Associate Director Yasmin Gureeboo was announced as the new Artistic Director and co-CEO.[35]

Notable Projects[]

Virtual Intimacy (虛擬親密)[]

Over three years,[when?] ActNow Theatre worked with Very Theatre in Taiwan to develop a new work called Virtual Intimacy, commissioned by Arts Centre Melbourne's Asia TOPA Festival and . The project explored how people’s relationships with technology are changing the relationships between people.[36] The project was developed through collaboration with queer communities and artists in Taipei, Sydney, Melbourne and Adelaide.[36] The basis of the production was the difference between the two Co-Directors, Tung-Yen Chou and Attrill:

Edwin and Yen come from distinctly different backgrounds and experiences. Yen, based in Taiwan and coming from a background of film and theatre, is creating highly visual and technical work. Edwin, based in Adelaide, is creating community-based and participatory storytelling projects with a focus on social justice.[37]

The performance explored themes such as queer hook-up culture, identities of gay men and their relationship with technology. Community members were integral to the performances, sharing their own experiences alongside the professional actors in the work. The work also involved direct communication with the audience during the show, asking them to anonymously answer questions on their phones such as “when did you last have sex?”, “when do you get lost online?” and “what’s the best thing about being single?”.[36]

“The performance asks the audience to use their phones to answer questions anonymously, in that way we have made a representation of the internet within the theatre, where everyone is able to comment and contribute to the show. It keeps the audience active, but it also asks them to reflect on their own experiences, even if they haven’t used dating or hook-up apps before, they’re still able to reflect on the way that the online world has affected their lives.” - Co-director Edwin Kemp Attrill[38]

Virtual Intimacy was the last performance of Arts Centre Melbourne before the COVID lockdown during the COVID-19 pandemic in Australia.[39]

Decameron 2.0[]

In 2020, when the state was under COVID pandemic restrictions, ActNow Theatre partnered with State Theatre Company of South Australia to create Decameron 2.0,[40] a project inspired by 14th-century Italian writer Giovanni Boccaccio's Decameron.[41] The original novellas encompassed 100 stories told by 10 young people and their servants who fled to the countryside of Florence, Italy, to escape the Plague. In Decameron 2.0, 100 stories of contemporary South Australian characters were commissioned and filmed over 10 weeks in Adelaide.[42] It was possibly the largest new work from theatre-makers globally in response to the COVID-19 pandemic [43] and was described as " a COVID-19 masterpiece which one dares to assert remains unparalleled in the world".[44]

The process of creating Decameron 2.0 consisted of a meeting each week between 10 writers, including five core writers: , Ben Brooker, Emily Steel, Alex Vickery-Howe, and Sally Hardy;[45] and five guest or community-based writers. In each week's meeting they would be given a theme such as fortune, fate, love and virtue.[46] Each writer had one day to write it, then it was filmed and edited and delivered digitally at the end of that week.[47]

The project received significant praise for its involvement of diverse stories and storytellers, including cultural diversity, sexuality, disability, age and professional status. Of the core writers Alexis West is a First Nations artist, and was joined by two emerging First Nations writers Kiara Milera and Kyron Weetra, who alternated each week.[48] These monologues by First Nations writers included West’s Teahrnah, played by Elaine Crombie, about a mother being pulled over by the police while driving to the supermarket, making references to the killing of George Floyd with the line “I can’t breathe”.[49]

Other notable artists involved in Decameron 2.0 included Mitchell Butel, Elena Carapetis, Kate Cheel, Yasmin Gurreeboo, Teddy Hodgeman, Matt Hyde, Trevor Jamieson, Carmel Johnson, Phillip Kavanagh, Edwin Kemp Attrill, Finegan Kruckenmeyer, , Martha Lott, Sarah Peters, Jacqy Phillips, Susan Prior, Rory Walker, and Manal Younus.

Awards and Recognition[]

ActNow Theatre received a Governor's Award for Multiculturalism in 2014 [50] and again in 2021 as joint award winner.[51]

In both 2017 and 2018, ActNow, together with Reconciliation South Australia, was a finalist in the Australian Human Rights Commission's Racism. It Stops With Me Award, for the programs jointly developed for schools.[52][53]

The company has been shortlisted for several additional South Australian Ruby Awards, including the prestigious Outstanding Contribution by an Organisation or Group Award.[54]

While Artistic Director of the company, Kemp Attrill received the 2013 Channel 9 Young Achievers Proteus Career Leadership Award,[55] the 2015 Arts South Australia Geoff Crowhurt Memorial Award,[56] the 2018 Australia Council Kirk Robinson Award for Community Arts and Cultural Development,[57] and the 2020 Channel 7 Carclew Creative Achievement Award.[58]

References[]

  1. ^ "Our History | ActNow Theatre". Retrieved 25 July 2019.
  2. ^ Jump up to: a b "'Space is political': ActNow opens its doors with MakeSpace". The Adelaide Review. 7 January 2019. Retrieved 1 July 2019.
  3. ^ Russell, David (27 August 2015). "The co-working space transforming artistic flair into viable businesses". Brand SA News. Archived from the original on 26 April 2018.
  4. ^ "ICYMI: A wrap of this week's arts news". ArtsHub. 14 December 2018. Retrieved 1 July 2019.
  5. ^ "TNA E-News Dec 2018 | Theatre Network Australia". www.tna.org.au. Retrieved 1 July 2019.
  6. ^ Kuppers, Petra (2019). Community Performance An Introduction. New York: Routledge. p. 68. ISBN 9780367184360.
  7. ^ The Hon. T.A. Jennings, Member of Parliament (23 June 2010). "CABARET FRINGE FESTIVAL". Parliamentary Debates (Hansard). Parliament of South Australia: Legislative Council. col. 23–34.
  8. ^ acnc_charity_api_user (2 October 2019). "ActNow Theatre Incorporated". www.acnc.gov.au. Retrieved 8 October 2019.
  9. ^ "RealTime Arts - Magazine - issue 125 - In-theatre, online, public, private". www.realtimearts.net. Retrieved 1 July 2019.
  10. ^ Jump up to: a b "Rehearsing for the Real World with ActNow Theatre". The Adelaide Review. 30 August 2016. Retrieved 1 July 2019.
  11. ^ Kuppers, Petra. Community performance : an introduction (Second ed.). Abingdon, Oxon. ISBN 9780367184315. OCLC 1080248489.
  12. ^ "Community Arts and Cultural Development | Australia Council". www.australiacouncil.gov.au. Retrieved 1 July 2019.
  13. ^ Cabinet, Department of the Premier and (26 June 2019). "Community Arts and Cultural Development". Department of the Premier and Cabinet. Retrieved 1 July 2019.
  14. ^ "100 SA tales to be shared in a bold new form of theatrical storytelling". InDaily. 10 June 2020. Retrieved 23 June 2020.
  15. ^ "Our Artists | ActNow Theatre". Retrieved 25 July 2019.
  16. ^ Brooker, Ben. "All at sea: the cannibalisation of the Australian arts industry". ArtsHub Australia. Retrieved 25 July 2019.
  17. ^ S.G. Wade, Member of Parliament (26 May 2010). Parliamentary Debates (Hansard). Parliament of South Australia: Legislative Council.
  18. ^ "Legal Services Commission of South Australia - LSCSA Expect Respect!: 2010 Premier's Award Finalist". web.archive.org. 22 April 2011. Retrieved 1 July 2019.
  19. ^ Cetta, Luca (30 October 2018). "Ceduna students get racism message". West Coast Sentinel. Retrieved 1 July 2019.
  20. ^ Jump up to: a b "Poet Manal Younus Tells it like it is". The Adelaide Review. 5 October 2016. Retrieved 1 July 2019.
  21. ^ BWW News Desk. "ActNow Theatre Announces New Season Of Queer Youth Theatre Workshops". BroadwayWorld.com. Retrieved 1 July 2019.
  22. ^ "TNA E-NEWS FEB 2019 | Theatre Network Australia". www.tna.org.au. Retrieved 1 July 2019.
  23. ^ "Blanket approach to old-school fun". www.adelaidenow.com.au. 14 May 2016. Retrieved 2 July 2019.
  24. ^ Pickup, Jo. "Assembling the next generation of diverse theatre-makers". ArtsHub Australia. Retrieved 1 July 2019.
  25. ^ "TNA E-News July 2018 | Theatre Network Australia". www.tna.org.au. Retrieved 1 July 2019.
  26. ^ "theatre of the global majority". www.frankie.com.au. Retrieved 1 July 2019.
  27. ^ "An accessible guide to celebrating Pride Month in Adelaide". The Adelaide Review. 20 June 2019. Retrieved 2 July 2019.
  28. ^ "About | ActNow Theatre". Retrieved 25 July 2019.
  29. ^ "About | ActNow Theatre". Retrieved 8 October 2019.
  30. ^ "Edwin Kemp Attrill". Edwin Kemp Attrill. Retrieved 1 July 2019.
  31. ^ Rodda, Paul. "Interview: Edwin Kemp Attrill". www.thebarefootreview.com.au. Retrieved 1 July 2019.
  32. ^ "Australian of the Year Awards". www.australianoftheyear.org.au. Retrieved 1 July 2019.
  33. ^ "Introducing Theatre of the Global Majority". CityMag. 29 July 2018. Retrieved 1 July 2019.
  34. ^ "Corporate Ladder: your weekly guide to executive appointments". InDaily. 1 November 2020. Retrieved 2 November 2020.
  35. ^ BWW News Desk. "ActNow Theatre Appoints New Artistic Director, Yasmin Gurreeboo". BroadwayWorld.com. Retrieved 7 April 2021.
  36. ^ Jump up to: a b c "Asia TOPA Connected". Asia TOPA. Retrieved 24 September 2020.
  37. ^ BWW News Desk. "Arts Centre Melbourne Presents Asia TOPA Public Program". BroadwayWorld.com. Retrieved 24 September 2020.
  38. ^ Lewis, About the Author Jessi (10 March 2020). "Queer hook-up culture under the microscope". Star Observer. Retrieved 24 September 2020.
  39. ^ "Update: Coronavirus (COVID-19)". Arts Centre Melbourne. Retrieved 24 September 2020.
  40. ^ "From a Nick Cave gig to soothing art and stand-up comedy: What to stream this week". www.abc.net.au. 20 July 2020. Retrieved 22 September 2020.
  41. ^ "100 SA tales to be shared in a bold new form of theatrical storytelling". InDaily. 10 June 2020. Retrieved 22 September 2020.
  42. ^ "Event: Stream: Decameron 2.0". The Adelaide Review. 8 July 2020. Retrieved 22 September 2020.
  43. ^ "Decameron 2.0". State Theatre Company. Retrieved 22 September 2020.
  44. ^ "Shutdown artists and companies make the world their stage". InDaily. 16 February 2021. Retrieved 9 April 2021.
  45. ^ "Event: Stream: Decameron 2.0". The Adelaide Review. 8 July 2020. Retrieved 22 September 2020.
  46. ^ "STCSA and ActNow collaborate on new online project, Decameron 2.0". www.ampag.com.au. Retrieved 22 September 2020.
  47. ^ Blake, Elissa (15 June 2020). "Zoom fatigue and an awkward in-between: theatre can't wait to be back onstage". The Guardian. ISSN 0261-3077. Retrieved 22 September 2020.
  48. ^ "Decameron 2.0 Is A Digital Theatre Project for the Pandemic". Broadsheet. Retrieved 22 September 2020.
  49. ^ Harris, Samela. "Decameron 2.0". www.thebarefootreview.com.au. Retrieved 22 September 2020.
  50. ^ Cabinet, Department of the Premier and (28 March 2019). "Multicultural affairs". Department of the Premier and Cabinet. Retrieved 1 July 2019.
  51. ^ "Adelaidenow.com.au | Subscribe to The Advertiser for exclusive stories". www.adelaidenow.com.au. Retrieved 7 April 2021.
  52. ^ "2017 Human Rights Medal and Awards Winners". Human Rights Awards. 17 May 2018. Retrieved 26 July 2020.
  53. ^ "2018-human-rights-medal-and-awards-winners". Human Rights Awards. 16 October 2018. Retrieved 26 July 2020.
  54. ^ Marsh, Walter (3 November 2018). "Meet the finalists for the 2018 Ruby Awards". The Adelaide Review. Retrieved 22 September 2020.
  55. ^ "People- Salzburg Global Seminar". sgs.salzburgglobal.org. Retrieved 22 September 2020.
  56. ^ "Adelaidenow.com.au | Subscribe to The Advertiser for exclusive stories". www.adelaidenow.com.au. Retrieved 7 April 2021.
  57. ^ Office of the Arts, Department of Infrastructure (8 March 2018). "Australia Council Awards". www.arts.gov.au. Retrieved 22 September 2020.
  58. ^ "Current Winners | Awards Australia". awardsaustralia.com. Retrieved 17 October 2020.
Retrieved from ""