Adam Zero

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Adam Zero
ChoreographerRobert Helpmann
MusicArthur Bliss
Premiere8 April 1946
Royal Opera House, Covent Garden, London
Original ballet companyThe Sadler’s Wells Ballet
CharactersThe Stage Director
The Choreographer (‘Creator and Destroyer’
The Principal Dancer ‘Adam Zero’
The Designer, Wardrobe Mistress, Dresser (‘His fates’)
The Ballerina (‘His first love, wife and mistress’)
The Understudies (‘His son and daughter’)
The Character Dancers (‘His cat and dog’)
The Mime (‘His spiritual adviser’)
GenreNeoclassical ballet

Adam Zero is a ballet with music composed by Arthur Bliss and choreographed by Robert Helpmann in 1946.

Background[]

After World War I, Bliss developed an interest in ballet after seeing the Ballets Russes of Sergei Diaghilev in London. Bliss composed Adam Zero for the Sadler's Wells Ballet, in collaboration with Michael Benthall[1] and Robert Helpmann, with whom he had seen success with Miracle in the Gorbals. The first performance at the Royal Opera House, Covent Garden in London on 6 April 1946 was conducted by Constant Lambert.[2] The premiere dancers included the following:

Bliss considered Adam Zero his "most varied and exciting ballet score; the music is instinctively theatrical and strongly characterized."[4] The orchestra is augmented by cor anglais, saxophone, tuba, two standard percussionists and two dance band percussionists, plus celesta and harp.

It was revived as a ballet with choreography by Sergei Vanaev and conducted by Marc Niemann at the Stadttheater Bremerhaven in 2016.[5]

Sections[]

  • Fanfare Overture: Allegro Molto[6]
  • The Stage: Andante sostenuto [7]
  • Birth of Adam: Molto sostenuto
  • Adam’s Fates: Allegro moderato
  • Dance of Spring: Allegro spirito
  • Awakening of Love: Andante grazioso
  • Bridal Ceremony: Moderato ma tranquillo
  • Adam Achieves Power: Allegro spiritoso
  • Re-entry of Adam’s Fates: Allegro moderato
  • Dance of Summer: Allegro maestoso
  • Approach of Autumn: Larghetto
  • Night Club Scene: Moderato
  • Destruction of Adam’s World: Allegro molto
  • Approach of Winter: Andantino
  • Dance with Death: Largo maestoso
  • Finale – the stage is reset for the next life-cycle: Allegro moderato

The complete ballet runs for around 40 minutes.

Synopsis[]

The ballet is an allegory of the cycle of man’s life; the world in which he lives is represented by a stage on which a ballet is being created: Adam is cast as the principal dancer, Omnipotence is represented by the Stage Director and Adam’s Fates by the Designer, Wardrobe Mistress and Dresser.

Adam falls in love, marries, and achieves power, but his triumph is brief; his world crumbles about him, he is stripped of his glory, and a new generation (Understudy) takes his place. He seeks distraction in dissipation but everyone deserts him and he is left alone to face Death.[2]

Recordings[]

  • Naxos 8.553460: English Northern Philharmonia; David Lloyd-Jones, conductor (complete ballet). 1995.

References[]

  1. ^ Bliss A. Adam Zero – A Ballet. Piano Score. Novello, London, 1946.
  2. ^ a b Bliss A. Adam Zero – A Ballet. Piano Score. Novello, London, 1946.
  3. ^ After a few performances Helpmann injured himself on stage and had to retire from the role. Burn A. Liner notes to Naxos CD 8.553460.
  4. ^ Burn A. Liner notes to Naxos CD 8.553460.
  5. ^ Stadttheater Bremerhaven website page about Adam Zero / Die vier Jahreszeiten Archived 2016-05-13 at the Wayback Machine accessed 26 April 2016.
  6. ^ When the curtain rises and again at the very end, the stage is completely bare with a view of the back stage wall. Bliss A. Adam Zero – A Ballet. Piano Score. Novello, London, 1946.
  7. ^ This section is prefaced by a quote from Shakespeare: "All the world’s a stage..." from As You Like It.
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