Ainmanes

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Kodagu: home of the Kodavas shown above in the map of Karnataka,India (in orange)

The people of Kodagu are Hindus; they believe in reincarnation, revere the cow and originally worship the natural elements (revering the Sun, the Moon, the Earth, water and fire) and their ancestors. The reverence of various spirits in addition to the established gods of Hinduism is also part of their religion. Each village has a Bhagwathi (Mahalakshmi) temple, each lane has a snake deity and each nad(region) had an Aiyappa temple. The people worship Mahadeva as well. Comparatively liberal in their beliefs, the consumption of soma and pork is permitted during their ceremonies (except during Kaveri Sankramana when they have to be on a vegetarian, non-alcoholic diet). However like other Hindus, the consumption of beef is strictly prohibited. They maintain sacred groves on their public village lands from ancient times, hunting is prohibited in these woods called the Devakadu. They believe in astrology as well. Generally they don't follow idol worship but believe in nature worship.

People settlements in Coorg are in the form of Okka family groups that are scattered across agricultural and forested holdings, where traditional ainemane houses form focal meeting points in the rural landscape. It is a joint patrilineal clan with males of common ancestry. The male members of an okka share an okka name. Currently there are about 1000 okka names and families in Kodagu. Traditionally all the members of an okka lived in a large ancestral Ainemane house (ayyangada mane – House of the Elders). The emergence of townships, as such, has been a relatively recent phenomenon and many of the main towns in Kodagu are inhabited by recent migrants. This cluster of homes and property form the nucleus of a village called ur.

The spirits of departed souls who were prominent figures in the community and had done good deeds while they were alive were worshipped. These spirit gods do not have a set form of physical representation. Symbolically a piece of rock is sanctified and considered as such a spirit deity. The founder of each clan (Okka), the Guru Karana, is worshipped by the members of that particular clan. On their ancestral clan lands they have a shrine (Kaimada), which is the shrine of the clan's first ancestor (Guru Karana), where they offer prayers and obeisance. A number of weapons, made of wood or metal, are kept in the Kaimadas. The shrine is usually made of clay or wood or covered with sheet metal, and housed within a roofed structure built near the entrance to the ain-mane. Sometimes it is simply located on a platform under a sap-exuding tree near the entrance of ainemane. Some clans conduct a karana kola, a dance of the ancestral spirit during which a Malayalee migrant dresses in elaborate colourful clothing and dances in a trance and acts as an oracle. During this ceremony he is symbolically possessed by the karana, the original founder of the particular clan. In every home a lamp called Nellakki Deepa is lit in honour of the Guru Karana. The lamp in the central hall is lit by the embers of the kitchen hearth every day. Fire of the kitchen hearth is especially sacred.

On the day of Huttari (the rice harvest festival celebrated in around November–December), the whole family assembles in their ain mane (the common family house), which is decorated with flowers and green mango and banana leaves. Specific foods are prepared: thambuttu, puttari, kari and poli poli. Then the eldest member of the family hands a sickle to the head of the family and one of the women leads a procession to the paddy fields with a lit lamp in her hands. The path leading to the field is decorated. A gunshot is fired to mark the beginning of the harvest, with chanting of "Poli Poli Deva" (prosperity) by all present. Then the symbolic harvesting of the crop begins. The rice is cut and stacked and tied in odd numbers and is carried home to be offered to the gods. The younger generation then lite fire crackers and revel, symbolising prosperity. Groups of youngsters visit neighbouring houses and show off their dancing skills and are given monetary gifts. A week later, this money is pooled and the entire village celebrates a communal dinner. All family members gather for this meal.

The Pattole Palame Connection[]

The Pattole Palame was written using the Kannada script originally; it has been translated into English by Boverianda Nanjamma and Chinnappa, grandchildren of Nadikerianda Chinnappa, and has been published by Rupa & Co., New Delhi.[1] The translators’ introduction explains: "Since the Kodava language does not have a script, he used the Kannada script that has been in vogue since the 17th century, when the Lingayat Rajas ruled Kodagu and Kannada was their court language."

Chinnappa's daughter married into the Boverianda clan. His son and daughter-in-law were both teachers. Their daughter Nanjamma and Chinnappa's daughter's son, also called Chinnappa, cross-cousins, got married. In the 1970s, Boverianda Chinnappa, Nanjamma's mother and Nanjamma began to copy out the Pattole Palome in longhand over almost three years.[2]

While they were searching for copies of the original edition of the Pattole Palome, a ninety-year-old farmer and self-taught folk artist, Bacharaniyanda Annaiah, responded to their advertisement. During his youth unable to afford the book he had copied out the entire text word by word under a kerosene lamp. This hardcover book he gifted to the Chinnappas. Nanjamma's parents assisted in translating and interpreting the text.[2]

After retirement they settled down in Bangalore in 1995 and began to realise his cherished dream. Finally in 2003, they completed the work and it has been published by Rupa & Co., New Delhi. That same year it was released in Madikeri (Mercara). This book has become the chief text for the Coorgs.[3][4]

The Ainmanes Project[]

Nalnad Palace built in the style of an Ainmane

Coordinates: 12°14′34.8″N 75°42′5.8″E / 12.243000°N 75.701611°E / 12.243000; 75.701611

Boverianda Nanjamma and Chinnappa had undertaken a project to collect information regarding each and every Ainmane found in Kodagu, irrespective of the community or caste of the clan members residing in them. They visited many of them in the period between April 2003 and May 2008. They also collected oral legends and traditional information from the occupants of each of these functional Ainemanes. Along with this they also researched about the concerned clans from previously published written material, wherever possible. The information thus collected are now available on the Ainmanes website. They have also provided a glossary for the Kodava thakk words used in the site.

Ainmanes of Kodagu (Book)[]

In 2014, Niyogi books has published their work titled 'Ainmanes of Kodagu'.[5]

References[]

  1. ^ "Books: Pattole Palame ~ A love song to Kodagu". Google blogger - Aditi De. Retrieved 1 December 2012.
  2. ^ a b "It's story time, folks". The Hindu. 16 October 2003. Archived from the original on 22 November 2003. Retrieved 1 December 2012.
  3. ^ M N Venkatesha (2004). "Book Review: Pattole Palame: Kodava Culture - Folksongs and Traditions". Indian Folklore Research Journal. 1 (4): 124–129. Archived from the original on 3 August 2019. Retrieved 13 September 2018.
  4. ^ "Ainmanes". Chinshai technologies. Retrieved 1 December 2012.
  5. ^ Bopanna, P T. "KODAGU AINMANES BOOK HITS THE STANDS". Coorg Tourism Info. Bopanna. Retrieved 25 August 2014.
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