This article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages)
The topic of this article may not meet Wikipedia's notability guideline for biographies. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: – ···scholar·JSTOR(December 2017) (Learn how and when to remove this template message)
This article includes a list of general references, but it remains largely unverified because it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations.(December 2017) (Learn how and when to remove this template message)
This biography of a living personneeds additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. Find sources: – ···scholar·JSTOR(December 2017) (Learn how and when to remove this template message)
(Learn how and when to remove this template message)
Alejandro Moya (born 1969), commonly nicknamed Iskander, is one of the merging figures of the contemporary independent Cuban cinema. Director and scriptwriter of series for Cuban television, Moya directed his first feature film entitled Mañana (Tomorrow) in 2006, casting Rafael E. Hernández, Enrique Molina, Hugo Reyes, Violeta Rodriguez and Adria Santana. Mañana (Tomorrow) has been presented by the ICAIC (Cuban Institute of Arts and Cinematographic Industry) which registered it as a competition movie in the 2006 Festival of the New Latin American Cinema of Havana.
As a multi-faceted artist, Iskander is not only a cinema director, but he is also a TV director, a scriptwriter and a poet.
When Alejandro Moya was a child, his father – one of the most renowned directors of the last 50 years’ Cuban TV - gave him the nickname of "Iskander", which was actually the Persian name of Alexander the Great. Since then, Alejandro kept it as his artist pseudonym.
Always having considered esthetism as the supreme expression of art, Iskander regarded the 7th art as the better way to convey the social dimension of his message.
As an independent filmmaker, financially supported by non-etatic[check spelling] funds, Moya directed his first movie in 2006. The film, entitled Mañana (Tomorrow), was produced with a very low budget and with the support of several Cuban artists – such as Silvio Rodríguez, Juan Formell, Ernesto Rancaño, Carlos Guzmán and Kcho - as well as of the own stars of the movie and the ICAIC.
Mañana (Tomorrow) can be defined as a critical trip to the interior of a Cuban family that lives with some economic comfort. In other words, the movie features a new artistic but realistic vision of today's Cuba : its conflicts, its human miseries, its tolerances, its excesses... and Cuban people's wish of living "above the reality".
The movie was successful, and made Alejandro Moya recognised as one of the merging talents of Cuba cinematography.
Alejandro Moya is currently working on his next movie, which theme will center around the Cuban diaspora.
Filmography[]
Mañana (Tomorrow) – 2006
Director : Alejandro Moya
Scriptwriter : Alejandro Moya
Format : High Digital Video Definition / Celluloid
Producer : Adriana Moya (Alejandro Moya's sister)
Photography : Angel Alderete
Editor : Carlos Alberto Carnero / Alejandro Moya
Soundtrack : Esteban Vásquez
Cast : Rafael E. Hernández, Enrique Molina, Hugo Reyes, Violeta Rodriguez, Adriá Santana