Alex Burtzos

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Alex Burtzos (born 1985 in Denver, Colorado, United States) is an American composer living in New York City.

Life and career[]

Alex Burtzos was born in Denver, Colorado, and grew up in nearby Colorado Springs.^[1] He studied music at Loyola University New Orleans before moving to New York City in 2010, where he earned his doctorate in composition from Manhattan School of Music in 2016.^[2][3] His primary teachers include James Paton Walsh, J. Mark Stambaugh, and Reiko Fueting.^[4] Burtzos' music has been performed across four continents, and has received awards from numerous organizations within the United States.^[5][6] He has received particular attention for his compositions for authentic baroque-era instruments.^[7][8][9] Other of Burtzos' compositions utilize rappers, metal guitar, and other sounds drawn from popular music.^[10]

Burtzos is the founder of ICEBERG New Music, a composers collective based in New York City.^[11][12][13] In 2018, he was named Assistant Professor of Composition at The University of Central Florida.^[10][14]

Compositions[]

Solo[]

• Football in Marja (2011) for Piano Solo
• He Never Heard That Fleshless Chant (2011) for Solo Oboe
• Wilfred Owen at the Gates (2015) for Piano Solo
• Should the Wide World Roll Away (2018) for Piano Solo
• Perforation (2018) for Piano Solo

Chamber[]

• R A G E . (2018) for ensemble
• pOwer trIo (2018) for saxophone, piano, percussion
• The Birth of Dangun (2018) for piano trio
• we ain't got no $$$ honey but DAMN we got _____ (2017) for percussion quartet
• Megalopolis (2017) for saxophone ensemble
• The Hourglass Equation (2017) for flute, violin, bassoon, and harpsichord
• The F Word (2016) for amplified ensemble with MC
• SONATA/SONARE (2016) for trio sonata
• The Rembrandt of Avenue A (2015) for amplified ensemble with MC
• X Codes (2015) for violin, clarinet, and piano
• Alice and Zoltan 4ever (2014) for saxophone, bass trombone, and piano
• One Final Gyre (2014) for two saxophones
• OMAHA (all the things you could be you are you were) (2014) for string quartet
• The Impossible Object (2014) for violin and piano
• SXTG >;-) (2013) for clarinet, cello, and guitar
• Teach the Torches to Burn Bright (2013) for violin, clarinet, and piano
• 12.14.12 (2013) for ensembles
• Prince Prospero (2013) for soprano, flute, oboe, saxophone, guitar, piano, and percussion
• A Country of Vast Designs (2012) for string quartet
• The Revivalist (2012) for saxophone quartet
• March the Twenty-Fifth (2011) for woodwind quartet
• The Outlaw in the Gilded Age (2010) for violin, clarinet, saxophone, horn and piano

Choral and vocal[]

• Many Worlds I (2016) for baritone, trumpet, bass clarinet, and trombone
• The Explosion, and Other Tales (2016) for mezzo-soprano and piano
• Gursky Songs (2015) for baritone and piano trio
• Love and Loss and Loathing and Lizards (2015) for soprano, MC, and amplified ensemble
• Come Away Death (2012) for Countertenor and Harp with SATB Chorus
• The Hill Wife (2012) for mezzo-soprano with ensemble
• Days Into Days (2011) for soprano with large ensemble

Electronic and mixed media[]

• LEGION (2017) for flute, piano, and electronics
• When He First Appears (2017) for soprano, viola, harp, and electronics
• MASKS (2016) for baritone, guitar, piano, and electronics
• In a Cool, Green Hall (2010) for Fixed Media

Large ensemble[]

• The Black Riders (2013) for Orchestra
• Sky Above Clouds (2011) for Orchestra
• In Search of a Bird (2011) for Chamber Orchestra
• The Conqueror (2009) for Wind Ensemble
• Psyche (2009) for Wind Ensemble
• Colorado (2008) for Wind Ensemble
• Colorado (2007) for Orchestra

References[]