Amanda Petrusich

Amanda Petrusich is an American music journalist, a staff writer at The New Yorker and the author of three books: Pink Moon (2007), It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music (2008), and Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records (2014).

Early life[]

Petrusich grew up in the New York area,^[2] the child of two public school teachers.^[3] Her paternal grandparents are Croatian immigrants.^[4] She attended the College of William & Mary, where she was co-editor-in-chief of the William and Mary Review and a reviewer for The Flat Hat, the college's campus newspaper.^[5] She graduated with a B.A. in English and film studies in 2000,^[6] then earned a master's in nonfiction writing from Columbia University in 2003.^[6][7]

Career[]

Petrusich has written for The New York Times, Pitchfork Media and Paste.^[8] Petrusich has been a staff writer at Pitchfork since 2003,^[9] and is a staff writer at The New Yorker.^[10] She is the author of Pink Moon, a book on Nick Drake's album of the same name for the 33 1/3 music series,^[8] and a 2008 book called It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music, which Joe Boyd described in The Guardian as "a terrific piece of travel writing...a tour through the roots of American rural music".^[11] Petrusich also wrote a book on record collecting called Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records.^[12]

Petrusich serves as clinical assistant professor at the Gallatin School of Individualized Study at NYU.^[12] She began teaching at NYU in 2010 and joined the full-time faculty in 2015.^[3]

Naming her to its 2016 list of "100 Most Influential People in Brooklyn Culture," Brooklyn Magazine described Petrusich as "a towering force of grace and encouragement in New York music and criticism circles. Between mentoring emerging voices and writing with discernment about music’s most important figures, Petrusich is helping shape Brooklyn culture from the ground up."^[13]

Petrusich won a Guggenheim Fellowship in 2016.^[12]

In 2019, she was nominated for a Grammy Award for the album notes she wrote for Bob Dylan’s Trouble No More box set.^[2]

Bibliography[]

This list is incomplete; you can help by . (December 2017)

Books[]

• Petrusich, Amanda (2007). Pink moon. New York: Continuum.
• — (2008). It still moves : lost songs, lost highways, and the search for the next American music. New York: Faber.
• — (2014). Do not sell at any price : the wild, obsessive hunt for the world's rarest 78rpm records.

Essays and reporting[]

• Petrusich, Amanda (March 13, 2017). "All in : Maggie Rogers's collection of influences". The Critics. Pop Music. The New Yorker. 93 (4): 110–111.^[14]
• — (August 21, 2017). "Think pieces : the meticulous rock of Adam Granduciel and The War on Drugs". The Critics. Pop Music. The New Yorker. 93 (24): 78–79.^[15]
• — (October 30, 2017). "Plenty more : Viceland's visceral gastronomy". The Critics. On Television. The New Yorker. 93 (34): 76–77.^[16]
• — (December 4, 2017). "Mining gold : how shows about our hidden heirlooms tell us our worth". The Critics. On Television. The New Yorker. 93 (39): 78–79.^[17]
• — (May 27, 2019). "Hardcore history : Rammstein's heavy and cathartic camp". The Critics. Pop Music. The New Yorker. 95 (14): 63–65.^[18]
• — (November 18, 2019). "Slippery". The Talk of the Town. Listening Dept. The New Yorker. 95 (36): 23.^[19]

Culture Desk columns on newyorker.com[]

• Petrusich, Amanda (September 1, 2015). "Miley Cyrus's quest for realness". The New Yorker.

Postscript columns on newyorker.com[]

• Petrusich, Amanda (January 13, 2020). "The misfit awesomeness of Neil Peart and Rush". The New Yorker.

Notes[]

External links[]

• Writer profile from Macmillan website
• Articles by Amanda Petrusich in The Village Voice