American Me

American Me
Theatrical release poster
Directed by	Edward James Olmos
Screenplay by	Floyd Mutrux Desmond Nakano
Story by	Floyd Mutrux
Produced by	Edward James Olmos Robert M. Young Sean Daniel
Starring	Edward James Olmos William Forsythe Pepe Serna Evelina Fernández
Cinematography	Reynaldo Villalobos
Edited by	Richard Candib Arthur Coburn
Music by	Claude Gaudette Dennis Lambert
Production companies	YOY Productions[1] Olmos Productions[1] The Sean Daniel Company[1]
Distributed by	Universal Pictures[1]
Release date	March 13, 1992 (1992-03-13)
Running time	126 minutes[1]
Country	United States[1]
Languages	English Spanish
Budget	$16 million[2]
Box office	$13 million

American Me is a 1992 American crime drama film produced and directed by Edward James Olmos, his first film as a director, and written by Floyd Mutrux and Desmond Nakano. Olmos also stars as the film's protagonist, Montoya Santana, loosely based on mob boss Rodolfo Cadena.^[3] Executive producers included record producer Lou Adler, screenwriter Mutrux, and Irwin Young. It depicts a fictionalized account of the founding and rise to power of the Mexican Mafia in the California prison system from the 1950s into the 1980s.

Plot[]

The film depicts 30 years of Chicano gang life in Los Angeles. The story opens up with the Zoot Suit Riots of 1943, depicting a young Latino couple Esperanza and Pedro Santana being racially targeted by sailors. Pedro is taken out to the streets and beaten alongside other Latin-Americans having their clothing ripped and torn, while Esperanza is gang raped by the sailors. The story transitions to years later and focuses on the Santana family's eldest son Montoya, a teen who forms a gang along with his friends J.D. and Mundo. They soon find themselves committing crimes and are arrested.

In juvenile hall, Santana murders a fellow inmate who had raped him, and as a result has his sentence extended into Folsom State Prison after he turns 18.

Years later, Santana has becomes the leader of a powerful prison gang, La Eme. Upon his release he tries to relate his life experiences to the society that has changed so much since he left. La Eme has become a feared criminal organization beyond Folsom, selling drugs and committing murder. Santana begins a romantic relationship with a woman named Julie, but she becomes repulsed by his violent tendencies and La Eme's negative influence on their community. This becomes evident when a drug lord who refused to give control of distribution to La Eme retaliates against them when they take things too far and have “Puppet” assisted by other members brutally rape his son in prison to send a message. The drug lord targets Santana's community by distributing pure heroin to local users which leads to mass overdoses, including Julie's young brother. Santana visits his mother's grave, where Pedro reveals he always resented him because he might have been the result of the rape of his mother, thereby serving as a constant reminder of his mother's ordeal.

Santana starts to see the error of his ways, but before he can take action he is sent back to Folsom for drug possession. When J.D. visits, Santana tells him that he is no longer interested in leading La Eme. However, following a precedent set by Santana himself earlier in the film, his men, including Mundo, murder him to show the other prison gangs that despite having no leader La Eme is not weak, and will not tolerate anyone leaving the gang. He is fatally stabbed and thrown off the balcony to his death. Elsewhere Puppet is released from prison and picked up my his little brother and fellow gang member “Little Puppet”. As they make a stop to urinate, Little Puppet mentions he has a baby on the way, but as he tells his older brother, Puppet then reluctantly strangles him to death, having been ordered to since Little Puppet was openly disrespectful towards La Eme following his own release from prison earlier.

Julie receives a letter from Santana thanking her for opening his eyes and his necklace of St. Dismas. Julie gives the necklace to Santana's teen brother Paulito, who then inducts a young boy into La Eme by having them commit a drive-by shooting.

Cast[]

• Edward James Olmos as Montoya Santana, based on Rudy "Cheyenne" Cadena, a notorious La Eme mob boss. Cheyenne died in 1972 after being stabbed to death by members of the Mexican Mafia's bitter rival, Nuestra Familia.
  • Panchito Gomez as Young Montoya Santana
• William Forsythe as J.D, based on Joe "Pegleg" Morgan. Morgan became a member of the Mexican Mafia in 1968 while doing time in San Quentin State prison. He died in 1993 due to cancer.
  • Steve Wilcox as Young J.D.
• Pepe Serna as "Mundo", based on Ramon "Mundo" Mendoza. According to 'Mundo', he was not a founding member of La eMe and he didn't become a member shortly after his arrival to San Quentin State prison in 1968. He went on to add further he never even murdered 'Cheyenne' Cadena after he saw the film's depiction.
  • Richard Coca as Young "Mundo"
• Daniel A. Haro as "Huero". Based on Luis "Huero Buff" Flores, who was the founder of the Mexican Mafia while doing time for murder in 1957 at the Deuel Vocational Institution.
• Sal Lopez as Pedro Santana
• Vira Montes as Esperanza Santana
• Danny De La Paz as "Puppet"
• Daniel Villarreal as "Little Puppet"
• Evelina Fernández as Julie
• Roberto Martín Márquez as Acha
• Dyana Ortelli as Yolanda
• Jacob Vargas as Paulito Santana
• Eric Close as Juvie Hall Attacker
• Rigoberto Jimenez as "Big Happy"
• Cary-Hiroyuki Tagawa as "El Japo" based on Mike "Jap Mike" Kudo.
• Robby Robinson as Drug Thief
• Ron Thompson as Junkie
• Rafael H. Robledo as "El Chucko" Pena
• William Smith as Deacon

Production[]

Parts of the film were shot in Folsom State Prison and California Institution for Men. Shooting lasted for three weeks and included 800 inmates and guards, who appeared as extras. Scenes shot in Los Angeles included gang members as extras.^[1]

Reception[]

Critical response[]

Roger Ebert of the Chicago Sun-Times liked the reality that came through in the film and that it rang true: "What I felt watching American Me, however, is that it is based on a true situation—on the reality that street gangs and prison, mixed with the drug sales that finance the process, work together to create a professional criminal class."^[4]

Janet Maslin writes in The New York Times, "But Mr. Olmos's direction...is dark, slow and solemn, so much so that it diverts energy from the film's fundamental frankness. Violent as it is, American Me is seldom dramatic enough to bring its material to life."^[5]

Marjorie Baumgarten, a film critic for The Austin Chronicle, wrote, "American Me is crafted with heart and conviction and intelligence. It demands no less of its audience. It insists that there are no quick fixes, but that solutions are of the utmost urgency."^[6]

The film was screened in the Un Certain Regard section at the 1992 Cannes Film Festival.^[7]

On Rotten Tomatoes the film has an approval rating of 73% based on reviews from 11 critics.^[8] On Metacritic the film has a score of 66% based on reviews from 11 critics, indicating "generally favorable reviews".^[9]

Box office[]

The film opened in wide release in the United States on March 13, 1992 (830 screens). The opening weekend's gross was $3.4 million, and the total receipts for the first three weeks were $9.1 million. The film was in wide release for three weeks (seventeen days). In its widest release the film was featured in 830 theaters across the country. The final box office gross amounted to $13.1 million.^[10]

Mexican Mafia reaction[]

Segments of the Mexican Mafia were enraged by the film, specifically the lead character's rape as a juvenile and his death at the hands of his own followers at the end of his criminal career. Whether as retaliation over their depiction in the film, or as a routine criminal racket, Mexican Mafia member Joe "Pegleg" Morgan, who served as the inspiration for the character of J.D.,^[3] allegedly attempted to extort money from Olmos. Court documents show that Olmos was a victim in one extortion count contained in a 33-count federal indictment. According to reportage by CBS News weekly 60 Minutes, three consultants on this film were later murdered because of the depiction of a homosexual rape scene which offended the Mexican Mafia gangsters' machismo.^[11]

Actor Danny Trejo said in an interview that he was aware of 10 people having been murdered for their involvement with the film.^[12] The first killing occurred 12 days after the film's premiere when one of the film's consultants, Charles "Charlie Brown" Manriquez, a member of La Eme, was killed in Ramona Gardens, L.A.'s oldest public housing project.^[13]

Another consultant to the film, 49-year-old grandmother Ana Lizarraga, commonly known as "The Gang Lady", was murdered when she was gunned down in her East Los Angeles driveway while unloading groceries. A federal indictment accused La Eme of ordering the 1992 murder of Lizarraga.^[14] Lizarraga was a former gang member who was, by the time she was killed, an anti-gang counselor. She played a grandmother in the film. Her murder occurred eight months after American Me was completed.

Soundtrack[]

Since the film deals with a Latino subculture, the music included in the soundtrack was Latino oriented—late 1970s urban sounds and oldies from the 1950s.

The original soundtrack was released on April 28, 1992, by Virgin Records.

The CD contains ten tracks and includes songs performed by various artists including: Los Lobos, Santana, Ike & Tina Turner, Bobby Day, Kid Frost, War, and other performers.

References[]

External links[]

Wikiquote has quotations related to: American Me

• American Me at IMDb
• American Me at the TCM Movie Database
• American Me at AllMovie