Anastasia Taylor-Lind

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Anastasia Taylor-Lind (born 1981) is an English/Swedish photojournalist.[1][2] She works for leading editorial publications globally on issues relating to women, population and war. She has lived in Damascus, Beirut, Kiev and New York City and is now based in London. As a photographic storyteller, Taylor-Lind's work has focused on long-form narrative reportage for monthly magazines.

Life and work[]

Taylor-Lind was born in Swindon in 1981.[2] and completed degrees in documentary photography from the University of Wales, Newport, (BA) and the London College of Communication (MA). In 2003 whilst studying for her degree she spent a month in Iraqi Kurdistan photographing female Peshmerga fighters, the Peshmerga Force for Women.[3]

As a photographic storyteller, Taylor-Lind's work has focused on long-form narrative reportage for monthly magazines. She is a National Geographic contributor,[4][5] and other clients include Vanity Fair,[6] The New Yorker,[7] Time,[8] The New York Times,[9] British Journal of Photography,[10] 6 Mois,[11] Bloomberg Businessweek,[12] The Telegraph,[13][14][15] Human Rights Watch,[16] Wired,[17] and Nieman Reports[18]

Taylor-Lind has been engaged with education, teaching at leading universities around the world. She is a TED fellow[19] and gave a talk at the 2014 TED conference[20] in Rio De Janeiro. Taylor-Lind is also Harvard Nieman fellow 2016,[21][22] where she spent a year researching war, and how we tell stories about modern conflict. She is also a Logan fellow 2017 at the Carey Institute for Global Good.[23]

Her first book Maidan: Portraits from the Black Square, which documents the 2014 Ukrainian uprising in Kiev, was published by GOST books the same year, reviewed in the British Journal of Photography and The Guardian. The Guardian's Sean O'Hagan wrote of the book[24]

Maidan – Portraits from the Black Square is a powerfully concentrated statement, both about the nature and cost of violent protest. It eschews the familiar route of visceral, on-the-ground reportage for something more restrained and considered. You look into the faces of these ordinary people and you cannot help but wonder what it took to bring them to this point and what has happened to them since.[24]

She published her second monograph, The Devil's Horsemen, in September 2018.[25]

A wide variety of organizations have recognized and supported her projects through awards such as the Pictures of the Year International,[26] Sony World Photography Awards,[27][28] Royal Photographic Society Bursaries and the FNAC Grant at Visa pour l'Image.[29]

In 2016, Taylor-Lind served on the World Press Photo jury.[30]

Together with journalist Alisa Sopova, Taylor-Lind has been documenting the war in eastern Ukraine since it began. Her work has been published in The New York Times,[31] Time[32] the Associated Press[33] and the BBC World Service.[34]

In 2019 Taylor-Lind documented New York City's childcare crisis for Time magazine. An exhibition of the work will be shown as one of Fotografiska's inaugural exhibitions opening in 2020.[35]

Publications[]

Publications by Taylor-Lind[]

  • Maidan: Portraits from the Black Square. London: GOST, 2014. ISBN 978-0-9574272-8-0. 160 pages. Edition of 750 copies. With an interview with Taylor-Lind by Gordon MacDonald.
  • "In the Picture with Anastasia Taylor-Lind: Maidan – Portraits from the Black Square". Frontline Club. London, July 2014.
  • The Devil's Horsemen. London. Published September 2018. ISBN 978-1-9164150-03 368 pages. Edition of 3000 copies.

Publications with contributions by Taylor-Lind[]

Awards[]

References[]

  1. ^ Anastasia, Taylor-Lind. "Anastasia Taylor-Lind". Anastasia Taylor-Lind.
  2. ^ Jump up to: a b Andreasson, Karin (23 January 2014). "Anastasia Taylor-Lind's best photo: A wedding in Nagorno-Karabakh". The Guardian. Retrieved 30 November 2017.
  3. ^ "Student snaps war rebels in Iraq". BBC News. 18 February 2004. Retrieved 30 November 2017.
  4. ^ "Return to River Town". National Geographic. March 2013.
  5. ^ "Anastasia Taylor-Lind: The Most Frightening Thing About War". National Geographic. 24 September 2014.
  6. ^ "Did Israel Avert a Hamas Massacre?". Vanity Fair. 21 October 2014.
  7. ^ Steavenson, Wendell (12 November 2012). "Two Revolutions: What has Egypt's transition meant for its women?". The New Yorker.
  8. ^ "Anastasia Taylor-Lind". Time. Retrieved 29 June 2021.
  9. ^ "Opinion: Portraits from Kiev". The New York Times.
  10. ^ "Anastasia Taylor-Lind shows Rohingya women's dignity amid horror". British Journal of Photography. 16 January 2018.
  11. ^ "Les Demoiselles Cosaques". 6 Mois.
  12. ^ "These Women Are Paying the Price for Our Digital World". Bloomberg Businessweek. 15 June 2017.
  13. ^ Brown, Mick. "India 2.0". The Telegraph.
  14. ^ Brown, Mick. "India 2.0 Part Two". The Telegraph.
  15. ^ Brown, Mick. "India 2.0 Part Three". The Telegraph.
  16. ^ "Photographing Massacre Survivors as Individuals, not Statistics: Anastasia Taylor-Lind". Nieman. Nieman Foundation.
  17. ^ Matthieu, Aikins. "Surge". Wired.
  18. ^ Taylor-Lind, Anastasia. "Sharing the Viewfinder: Instagram as a Medium for Documentary Photography". Nieman Reports. Nieman Foundation.
  19. ^ "Ordinary people in an extraordinary moment: A TED Fellow shoot portraits of the men + women caught up in revolution in Ukraine". TED Blog. Retrieved 21 October 2014.
  20. ^ "Fighters and Mourners of the Ukrainian Revolution". Ted Talks.
  21. ^ "About Anastasia Taylor-Lind". Nieman Foundation.
  22. ^ "#WelcomeToDonetsk: Photojournalist Anastasia Taylor-Lind Presents Her Work at HURI". Harvard Ukrainian Research Institute. Archived from the original on 9 December 2019.
  23. ^ "Anastasia Taylor-Lind". Carey Institute for Global Good.
  24. ^ Jump up to: a b "Maidan, Portraits from the Black Square Review". The Guardian. 20 July 2014.
  25. ^ "The Devil's Horsemen". The Devil's Horsemen.
  26. ^ "First Place". Pictures of the Year International.
  27. ^ "Anastasia Taylor Lind, UK". World Photography Organisation.
  28. ^ "3rd place, Anastasia Taylor-Lind, UK". World Photography Organisation.
  29. ^ "Interviews: Anastasia Taylor-Lind". Canon Inc.
  30. ^ "A closer look at judging the 2016 World Press Photo Contest". Canon Inc.
  31. ^ "Where There Are Fish in the Tap Water and Women's Uteruses Fall Out". The New York Times.
  32. ^ "The Strange Unreality of Life During Eastern Ukraine's Forgotten War". Time.
  33. ^ Kole, William J. (30 January 2017). "From Ukraine with love: Postcards pay tribute to war dead". Associated Press.
  34. ^ BBC World Service (26 August 2015). "Remembering Ukraine Conflict's Victims". BBC World Service.
  35. ^ "Anastasia Taylor Lind: Fotografiska For Life X Time". Fotografiska. Archived from the original on 4 August 2020.
  36. ^ "Photographic storytelling with Sebastian Meyer". The Guardian. London. 21 November 2012. Retrieved 29 November 2017.
  37. ^ "Top prize for student's war photo". BBC News. Retrieved 29 November 2017.
  38. ^ Cheesman, Chris (10 April 2006). "16-year-old among Guardian winners". Amateur Photographer. Retrieved 29 November 2017.
  39. ^ "Picture of woman Peshmerga wins Guardian photography prize". Kurdistan Regional Government. 9 April 2006. Retrieved 29 November 2017.
  40. ^ solutions, martin weise // absoluto - beautiful web. "Deutsche Bank - ArtMag - 55 - news - Deutsche Bank Awards 2009". db-artmag.com. Retrieved 25 April 2018.
  41. ^ World Press Photo. "Anastasia Taylor-Lind". YouTube. World Press Photo.
  42. ^ "3rd place, Anastasia Taylor-Lind, UK - World Photography Organisation". www.worldphoto.org. Retrieved 25 April 2018.
  43. ^ Sony World Photography Awards. "Anastasia Taylor-Lind". World Photography Organisation.
  44. ^ TED Blog. "Ordinary people in an extraordinary moment: A TED Fellow shoot portraits of the men + women caught up in revolution in Ukraine". Ted Blog.
  45. ^ Nieman Foundation. "About Anastasia Taylor-Lind". Nieman Foundation. Nieman Foundation.

External links[]

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