Anne Kahane

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Anne Kahane
Born (1924-03-01) 1 March 1924 (age 97)
Vienna, Austria
NationalityCanada
EducationÉcole des Beaux-Arts, Montreal (night school) (1940); Valentine's School of Commercial Art (1942); Cooper Union, New York (1945–1947)
AwardsInternational competition, London, 1953 for Unknown Political Prisoner; Concours artistique, Quebec, 1956; Canada Council grant 1961
ElectedA.R.C.A., S.S.C.

Anne Kahane (born 1 March 1924) is a Canadian artist. Best known for her figures carved in wood, Kahane began her career as a printmaker and commercial artist.[1]

Early life[]

Kahane was born in Vienna, Austria March 1, 1924.[2] In 1925, she and her family moved to Canada, and settled in Montreal.[3] In Montreal, Kahane attended high school at Strathcona Academy where no art course was taught. The absence of these studies influenced her to seek extra-curricular activities related to art.[4]

Upon enrolling in night classes at the École des Beaux-Arts in Montreal (1940), she furthered her studies in traditional sculpture, commercial art, industrial design, and architecture.[5] In the fall of 1942 Kahane began training as a commercial artist at Valentine's School of Commercial Art.[6] She was part of a 2-year intensive program while also working at a commercial engraver's studio.[5]

Kahane lived with her mother, using the home of her friends as studio space, and obtained planks of wood for her art from the local lumberyard.[5]

In 1945 she went to New York to study at the Cooper Union Art School. It was there that she discovered the art of woodcarving, the technique that would later shape her career.[7]

Career[]

Emerging Recognition[]

In 1953, Kahane's maquette for The Unknown Political Prisoner Monument was the only Canadian entry to take a prize in the international sculpture competition organized by the Institute of Contemporary Arts of London, England.[5][8] In the same year, Kahane had her first solo exhibition at the Galérie Agnès Lefort.[9] She received no financial prize from her London competition, but as a result, in 1952, was asked to join the Sculptors Society of Canada.[5] At the 1956 Concours Artistique de la province au Quebec, Kahane won the grand prize for her work Ball Game.[10] As an associate member of the Royal Canadian Academy, Kahane exhibited with them between 1964 and 1976, and with the Art Association of Montreal from 1957 to 1965.[11]

Mature Artist[]

Kahane received public and private commissions, notably her sculpture for the Winnipeg airport (1963) and a piece for Montreal's Place des Arts (1963–1964).[12] Her work was internationally celebrated, representing Canada with James Wilson Morrice, Jacques de Tonnancour, and Jack Nichols at the Canadian Pavilion at the Venice Biennale (1958),[13] at Expo 67 in Montreal and at the Brussels World's Fair (1968).[14]

She taught fine arts at Concordia University from 1965 to 1980.[5] Later, as a resident sculptor, she taught at McMaster University in Hamilton (1980–1982), where she explored flat structural techniques using flexible materials to depart from traditional three-dimensional structures.

Media[]

In addition to her work in sculpting using wood, brass, and aluminum, Kahane's artistic repertoire also included drawing and printmaking.[11]

Selected Exhibits[]

  • Sculpture by Anne Kahane, Galerie Agnès Lefort, Montreal, 1953
  • International Sculpture Competition 'The Unknown Political Prisoner', National Gallery of Canada, Ottawa, 1952.
  • XXIX Biennale D'Arte, Canadian Pavilion Venice, Italy, 1958[15]
  • 41st Pittsburgh International Exhibition of Painting and Sculpture. Carnegie Institute, Pittsburgh, Pennsylvania, 1958-1959
  • A Trio of Canadian Sculptors, National Gallery of Canada, Ottawa, 1964-1966
  • Royal Canadian Academy 84th Exhibition, National Gallery of Canada, Ottawa, 1964 and 1976
  • 300 Years of Canadian Art, National Gallery of Canada, Ottawa, 1967
  • 3-D into the 70s: Aspects of Sculpture, Art Gallery of Ontario, Toronto,1970
  • Spectrum Canada, held in conjunction with the Montreal Olympics, 1979
  • Artists Drawn to Wood, McMaster Museum of Art, 2011 [16]

Public artworks[]

  • Mother and Child (1959) for Montreal's Rockland Plaza.[17][18]
  • Captain F.J. Stevenson for the Winnipeg International Airport (1963-1964)[10]
  • Chant de la Terre for Place des Arts in Montreal (1963)[19]
  • Man on His Head for Expo '67 in Montreal[20]
  • La Mer for the Canadian Embassy in Islamabad, Pakistan (1972-1973)[10]
  • The Forest for Environment Canada Forestry Service, Great Lakes Forest Research Centre (GLFRC), Sault Ste. Marie, Ontario (1975) for the official opening of the GLFRC, 25 April-1 May 1976.

References[]

  1. ^ Art Gallery of Ontario: the Canadian Collection. McGraw-Hill Company of Canada. 1970. p. 225. ISBN 9780070925045. Retrieved 9 March 2021.
  2. ^ "Anne Kahane". www.gallery.ca.
  3. ^ "Anne Kahane - The Canadian Encyclopedia". www.thecanadianencyclopedia.ca.
  4. ^ Sylvia, Antoniou (1992). "The sculpture of Anne Kahane". spectrum.library.concordia.ca. Retrieved 2018-03-26.
  5. ^ Jump up to: a b c d e f Lambton, Gunda (1994). "Anne Kahane:Humour and the Human Condition". Stealing the Show: Seven Women Artists in Canadian Public Art. pp. 34–49. ISBN 0773511881.
  6. ^ https://spectrum.library.concordia.ca/6091/1/MM80995.pdf
  7. ^ Tippett, Maria (2017-11-11). Sculpture in Canada: A History. Douglas and McIntyre (2013) Limited. ISBN 9781771620949.
  8. ^ https://150ans150oeuvres.uqam.ca/en/artwork/1953-model-for-the-monument-to-the-unknown-political-prisoner-by-anne-kahane/#description
  9. ^ Carney, Lora Senechal (2017). Canadian Painters in a Modern World, 1925-1955: Writings and Reconsiderations. McGill-Queen's University Press. ISBN 9780773551145.
  10. ^ Jump up to: a b c Heller, Jules; Heller, Nancy G. (December 19, 2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. ISBN 9781135638894 – via Google Books.
  11. ^ Jump up to: a b "Kahane, Anne". Canadian Women Artists History Initiative.
  12. ^ https://www.thecanadianencyclopedia.ca/en/article/anne-kahane
  13. ^ "Venice Biennial, 1972". National Gallery of Canada. Archived from the original on 2013-10-13. Retrieved 2021-05-11.
  14. ^ Heller, Jules; Heller, Nancy G. (2013-12-19). North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. ISBN 9781135638894.
  15. ^ "National Gallery of Canada resumes state-of-the-art restoration of the Canada Pavilion at the Venice Biennale". Retrieved 2018-03-26.
  16. ^ "Artists Drawn to Wood". Retrieved 2018-03-26.
  17. ^ Lambton, Gunda (August 17, 1994). Stealing the Show: Seven Women Artists in Canadian Public Art. McGill-Queen's Press - MQUP. ISBN 9780773511897 – via Google Books.
  18. ^ https://www.ville.mont-royal.qc.ca/sites/default/files/documents/politique_culturelle_eng.pdf
  19. ^ "Les chants de la terre (1963) - Anne Kahane". Place des Arts. July 3, 2018.
  20. ^ http://ccca.concordia.ca/artists/work_detail.html?languagePref=en&mkey=50434&title=Man+On+His+Head&artist=Anne+Kahane&link_id=5441
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