Assumption of the Virgin Mary (Rubens)

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations. (January 2020) (Learn how and when to remove this template message)

Assumption of the Virgin
Artist	Peter Paul Rubens
Year	1626
Medium	Oil on panel
Dimensions	490 cm × 325 cm (190 in × 128 in)
Location	Cathedral of Our Lady, Antwerp

The Assumption of the Virgin Mary or Assumption of the Holy Virgin, is a painting by Peter Paul Rubens, completed in 1626 as an altarpiece for the high altar of the Cathedral of Our Lady, Antwerp, where it remains.

In Rubens' depiction of the Assumption of Mary, a choir of angels lifts her in a spiraling motion toward a burst of divine light. Around her tomb are gathered the 12 apostles — some with their arms raised in awe; others reaching to touch her discarded shroud. The women in the painting are thought to be Mary Magdalene and the Virgin Mary's two sisters. A kneeling woman holds a flower, referring to the lilies that miraculously filled the empty coffin.

The Antwerp Cathedral of Our Lady opened a competition for an Assumption altar in 1611. Rubens submitted models to the clergy on 16 February 1611. In September 1626, 15 years later, he completed the piece.

There is a smaller studio version, with some differences, in the National Gallery of Art, Washington, D.C.

Another version hangs on the right side altar of the castle church St. Peter and Paul in Kirchheim in Schwaben, Germany.

See also[]

• Marian art in the Catholic Church
• Assumption of the Virgin Mary in art

References[]

External links[]

Wikimedia Commons has media related to The assumption of Mary by Peter Paul Rubens.

• National Gallery of Art page about the painting.