Born to Dance

From Wikipedia, the free encyclopedia
For the 2015 New Zealand film, see Born to Dance (2015 film). For the TV series, see Born to Dance (TV series).

Born to Dance
Born to Dance - 1936- Poster.png
theatrical release poster
Directed byRoy Del Ruth
Screenplay byJack McGowan
Sid Silvers
Story byJack McGowan
Sid Silvers
Buddy G. DeSylva
Produced byJack Cummings
StarringEleanor Powell
James Stewart
Virginia Bruce
CinematographyRay June
Edited byBlanche Sewell
Music byCole Porter
Production
company
Distributed byLoew's Inc.
Release date
November 27, 1936 (US)
Running time
106 minutes
CountryUnited States
LanguageEnglish

Born to Dance is an American musical film starring Eleanor Powell and James Stewart, directed by Roy Del Ruth and released in 1936 by Metro-Goldwyn-Mayer. The score was composed by Cole Porter.

Plot summary[]

While on leave, sailor Ted Barker (played by James Stewart) meets Nora Paige (Eleanor Powell) at the Lonely Hearts Club, which is owned by Jenny Saks (Una Merkel), the wife of fellow sailor Gunny Saks (Sid Silvers). Ted instantly falls in love with Nora.[1][2][3]

Ted later meets Broadway star Lucy James (Virginia Bruce) aboard a submarine while she's on a publicity tour. Her Pekingese falls overboard, Ted rescues it, and Lucy falls in love with him. Though Ted has already scheduled a date with Nora, he is ordered by his captain, Dingby (Raymond Walburn), to meet Lucy in a nightclub.[2][3]

Nora, who lives with Jenny and her daughter, Sally (Juanita Quigley), aspires to become a Broadway dancer. However, her newfound career is in serious jeopardy when she inadvertently comes between Lucy and her boss McKay (Alan Dinehart). Nora distances herself from Ted after seeing pictures of him and Lucy in a newspaper the next morning.[1][2][3]

Lucy convinces McKay to stop the press campaign, threatening to leave the Broadway production if any more photos or articles about her and Ted are published. Nora becomes Lucy's understudy and thinks about her behavior towards Ted. Nora gets fired suddenly after McKay tells her to perform a dance that Lucy considers undanceable. But Ted knows exactly what to do after he's told the whole story.[2][3]

Cast[]

Soundtrack[]

Unless otherwise noted, Information is taken from IMDb's soundtrack section for this movie[5]

  • Rolling Home (1936)
  • Rap, Tap on Wood (1936) (Also called "Rap-Tap on Wood")
    • Music and Lyrics by Cole Porter
    • Danced by Eleanor Powell and The Foursome
    • Sung by Marjorie Lane and The Foursome
    • Also danced by Eleanor Powell at a rehearsal
  • Hey, Babe, Hey (1936)
    • Music and Lyrics by Cole Porter
    • Danced by Eleanor Powell, James Stewart, Sid Silvers, Buddy Ebsen, Una Merkel, Frances Langford and The Foursome
    • Sung by Marjorie Lane, James Stewart, Sid Silvers, Buddy Ebsen, Una Merkel, Frances Langford and The Foursome
    • Hummed by Una Merkel
    • Played also as background music
  • Entrance of Lucy James (1936)
  • Love Me, Love My Pekinese (1936)
    • Music and Lyrics by Cole Porter
    • Sung by Virginia Bruce and male chorus
    • Danced by Eleanor Powell
  • Easy to Love (1936)
    • Music and Lyrics by Cole Porter
    • Played during the opening credits and as background music
    • Sung by Marjorie Lane and James Stewart, Frances Langford, danced by her and Buddy Ebsen
    • Eleanor Powell - visual performance
    • Mock conducted by Reginald Gardiner as the Central Park Policeman, who spoofs conductor Leopold Stokowski, incorporating his long hair and dramatic gestures[1][6]
    • Reprised by the cast at the end
  • I've Got You Under My Skin (1936)
    • Music and Lyrics by Cole Porter
    • Danced by Georges and Jalna
    • Sung by Virginia Bruce
    • Played also as background music
  • Swingin' the Jinx Away (1936); (Also called "Swinging the Jinx Away")
    • Music and Lyrics by Cole Porter
    • Played during the opening credits
    • Sung by Frances Langford, Buddy Ebsen, The Foursome and male chorus
    • Danced by Buddy Ebsen and Eleanor Powell
  • Sidewalks of New York (1894)
    • Music by Charles Lawlor
    • Lyrics by James W. Blake
    • In the score during the "Rolling Home" number
  • Columbia, the Gem of the Ocean (1843)
    • Written by David T. Shaw
    • Arranged by Thomas A. Beckett
    • In the score during the "Rolling Home" number; Also in the score during the "Swingin' the Jinx Away" number and partially sung by the chorus
  • The Prisoner's Song (If I Had the Wings of an Angel) (1924)
    • Music and Lyrics by Guy Massey
    • In the underscore when 'Gunny' Saks is shown in the brig

Production[]

The film stars dancer Eleanor Powell and was a follow-up to her successful debut in Broadway Melody of 1936. The film co-stars James Stewart as Powell's love interest and Virginia Bruce as the film's resident femme fatale and Powell's rival. Powell's Broadway Melody co-stars Buddy Ebsen and Frances Langford return to provide comedy and musical support. Highlights of the film include a rare musical number by Stewart (which the actor later poked fun at in the That's Entertainment! retrospective), and a bombastic finale called "Swingin' the Jinx Away". Set amidst a pre-Second World War naval backdrop, the Depression-era "feel good" number (which runs nearly 10 minutes) makes topical references to the economy and political leaders (with a "shout out" to Cab Calloway thrown in for good measure) sung by Powell, adds in an eccentric dance routine by Ebsen, and ends in a flurry of tap dancing by Powell culminating in a patriotic salute, and finally a blast of cannon fire. This finale was also lifted in its entirety and re-used in another Powell film, I Dood It, co-starring Red Skelton. Although considered one of Powell's (and MGM's) most memorable musical numbers, and often featured in retrospectives such as That's Entertainment!, musical director Roger Edens was often quoted as being embarrassed by the segment.

The film introduced the Porter standards "You'd Be So Easy to Love" (performed by Stewart and Marjorie Lane, dubbed for Powell) and "I've Got You Under My Skin" (performed by Bruce), which was nominated for the Academy Award for Best Original Song. It was the first film in which Stewart sang.

Some of the musical numbers were recorded in stereophonic sound, making this one of the first films to utilize multi-channel technology. Rhino Records included the stereo tracks in its soundtrack album, released on CD, including Jimmy Stewart's and Marjorie Lane's performance of "You'd Be So Easy to Love."[7]

Accolades[]

The film was nominated for two Academy Awards; Cole Porter was nominated for Best Song for "I've Got You Under My Skin," and Dave Gould was nominated for Best Dance Direction.

The film is recognized by American Film Institute in these lists:

References[]

  1. ^ a b c Rotten Tomatoes Staff. "Born to Dance (1936)". Rotten Tomatoes. Retrieved October 20, 2019.
  2. ^ a b c d "Born to Dance (1936)". Hometowns to Hollywood. Retrieved October 20, 2019.
  3. ^ a b c d Eichenberg, Stephan. "Born to Dance (1936): Plot Summary". IMDb. Retrieved October 20, 2019.
  4. ^ George and Jalna Toregas (January 14, 2019). "I've Got You Under My Skin". YouTube: John LeGear.
  5. ^ Born to Dance (1936) - Soundtracks
  6. ^ "Born to Dance (1936): Trivia". IMDb. Retrieved October 20, 2019.
  7. ^ "Born to Dance (1936 Movie Soundtrack) (Rhino Handmade): Cole Porter, Eleanor Powell: Music". Retrieved January 17, 2012.
  8. ^ "AFI's 100 Years...100 Songs Nominees" (PDF). Retrieved July 30, 2016.
  • Green, Stanley (1999) Hollywood Musicals Year by Year (2nd ed.), pub. Hal Leonard Corporation ISBN 0-634-00765-3 page 63

External links[]

Retrieved from ""