Céline Gittens

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Céline Gittens
Born
Trinidad
NationalityTrinidadian
EducationGoh Ballet Academy, Vancouver, British Columbia, Canada
Occupationballerina
Known forprincipal dancer, Birmingham Royal Ballet, Birmingham, England
Spouse(s)Kit Holder

Céline Gittens is a Trinidadian ballerina. She is a principal dancer at the Birmingham Royal Ballet, in Birmingham, England.[1]

Life[]

Gittens was born in Trinidad, where her mother was a ballet teacher;[2][3] her father was an accountant.[4] She began dancing when she was three years old.[5] The family went to Canada when Gittens was nine, and from 2001 she trained at the Goh Ballet Academy in Vancouver, British Columbia.[2][3] Seeking a dance career in the United Kingdom,[4] she joined the Birmingham Royal Ballet, in Birmingham in the West Midlands of England, in 2006.[2] There she was made first artist in 2009, soloist in 2011, first soloist in 2015,[3] and principal in July 2016.[1] A photograph of her performance opposite Tyrone Singleton in Faster by David Bintley, director of the Birmingham company, appeared on the cover of magazine in the summer of 2012.[6]

On 5 October 2012, at the Birmingham Hippodrome in the Chinese Quarter of Birmingham, Gittens became the first black ballerina to dance the twin rôles of Odette and Odile in Swan Lake in the United Kingdom.[2][7]

Gittens completed a Master of Philosophy degree at the University of Birmingham in 2012.[3] In the summer of 2014 she married Kit Holder, a soloist with the Birmingham company.[8][9]

Gittens performed The Sleeping Beauty Grand pas de deux and the Romeo and Juliet balcony pas de deux at the International Festival of Miami in 2018. She also performed the Queen of Hearts in Christopher Wheeldon's Alice's Adventures in Wonderland with The Australian Ballet.[10]

Reception[]

Gittens won the Solo Seal award of the Royal Academy of Dance in 2004,[3] and in 2005 was gold medallist and "audience choice" in the Adeline Genée awards at the Genée International Ballet Competition of the academy in London.[11] In 2006 she was a finalist in the annual Prix de Lausanne dance competition in Lausanne, in Switzerland.[3]

In 2010 a Daily Telegraph reviewer noted her "exceptional poise and spirit" in Prokofiev's Romeo and Juliet.[12] In 2012 The Observer wrote of her "beautifully fluent technique" and "strong dramatic presence".[2] A Guardian reviewer spoke of her "regal amplitude and attack" in the Serenade by George Balanchine at the London Coliseum in 2015.[13]

Of her performance at Sadler's Wells as Odette, the lead rôle in Tchaikovsky's Swan Lake, in 2015, The Times wrote that her dancing was "frail and beautiful and ... completely alluring", while her technique was "a fabulous combination of control and flamboyance";[14] the Daily Telegraph called it "a lovely legato performance".[7]

Selected repertoire[10][]

References[]

  1. ^ Jump up to: a b End of Season Announcements.... Birmingham Royal Ballet. Archived 8 July 2016.
  2. ^ Jump up to: a b c d e Luke Jennings (23 September 2012). Céline Gittens and Tyrone Singleton – interview. The Observer. Accessed May 2016.
  3. ^ Jump up to: a b c d e f Master Classes. Vancouver Ballet Society. Accessed April 2016.
  4. ^ Jump up to: a b Deborah Weiss (December 2007). Céline Gittens' first year with the Company. Dance Europe (113): 57. Reprinted with permission, Birmingham Royal Ballet, 1 July 2015. Accessed May 2016.
  5. ^ Céline Gittens: First Soloist. Birmingham Royal Ballet. Archived 27 April 2016.
  6. ^ [front matter] (August/September 2012). Contents. Dance Europe (165): 3–5.
  7. ^ Jump up to: a b Mark Monahan (15 October 2015). Seductive Swan Lake takes flight; Ballet Swan Lake BRB, Sadler's Wells. London: Daily Telegraph, page 27. From Infotrac Newsstand. (subscription required)
  8. ^ November/December 2014 newsletter. The Ballet Association. Accessed May 2016
  9. ^ Kit Holder: Soloist. Birmingham Royal Ballet. Accessed May 2016.
  10. ^ Jump up to: a b Celine Gittens: Principal. Birmingham Royal Ballet. Accessed April 2020.
  11. ^ Past winners of the Genée International Ballet Competition. Royal Academy of Dance. Accessed April 2016.
  12. ^ Mark Monahan (14 October 2010). Romeo and Juliet, BRB, Sadler’s Wells, review: A strong corps and fierce sword-fight make this 'Romeo' good where you least expect it.. The Telegraph. Accessed April 2016.
  13. ^ Judith Mackrell (20 March 2015). Birmingham Royal Ballet review – religion, fate and fleshly temptation. The Guardian. Accessed April 2016.
  14. ^ Debra Craine (15 October 2015). Vibrant mix of magic and drama keeps old favourite flying high; Dance. London: The Times, page 15. From Academic OneFile. (subscription required)
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