Cedar Walton

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Cedar Walton
Cedar Walton Dachau 2001.JPG
Background information
Birth nameCedar Anthony Walton, Jr.
BornJanuary 17, 1934
Dallas, Texas, United States
DiedAugust 19, 2013(2013-08-19) (aged 79)
Brooklyn, New York, United States
GenresJazz, Hard bop
Occupation(s)Musician
InstrumentsPiano

Cedar Anthony Walton, Jr. (January 17, 1934 – August 19, 2013) was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Fantasy in D".[1]

Early life[]

Walton was born and grew up in Dallas, Texas.[2] His mother Ruth, an aspiring concert pianist, was his first teacher,[3] and took him to jazz performances around Dallas. Walton cited Nat King Cole, Bud Powell, Thelonious Monk and Art Tatum as his major influences on piano.[4] He began emulating these artists' recordings from an early age.

After briefly attending Dillard University in New Orleans,[2] he entered the University of Denver as a composition major, but was encouraged to switch to a music-education program with the goal of a career in the local public school system. This later proved extremely useful, as he learned to play and arrange for various instruments, a talent he honed with Art Blakey's Jazz Messengers.

Walton was tempted by the promise of New York City through his associations with John Coltrane, Charlie Parker, and Richie Powell, whom he met at after-hours sessions around Denver, Colorado. In 1955, he decided to leave school and drove with a friend to New York City. He quickly got recognition from Johnny Garry, who ran Birdland at the time.

Later life and career[]

Walton was drafted into the U.S. Army and stationed in Germany, cutting short his rising status in the after-hours jazz scene. In the Army he played with musicians Leo Wright, Don Ellis and Eddie Harris. On his discharge after two years, he picked up where he left off, playing as a sideman with Kenny Dorham, on whose 1958 album This Is the Moment! he made his recording debut.[5] He joined the Jazztet led by Benny Golson and Art Farmer and played with them from 1958 to 1961. In April 1959 he recorded an alternate take of "Giant Steps" with John Coltrane, though he did not solo.

In the early 1960s Walton joined Art Blakey's Jazz Messengers as a pianist-arranger (on the same day Freddie Hubbard joined the group), where, for the next three years, he wrote and arranged such originals as "Ugetsu" and "Mosaic".

He left the Messengers in 1964 and by the late 1960s was part of the house rhythm section at Prestige Records. In addition to releasing his own recordings there, he recorded with Sonny Criss, Pat Martino, Eric Kloss, and Charles McPherson. For a year, he was Abbey Lincoln's accompanist, and recorded with Lee Morgan from 1966 to 1968. In the mid-1970s he led the funk group Mobius. He arranged and recorded for Etta James from the mid-1990s on, helping her win a Grammy Award for Best Jazz Vocal Album for Mystery Lady: Songs of Billie Holiday (RCA Victor) in 1994.[6]

Many of Walton's compositions have become jazz standards, including "Firm Roots", "Bolivia" (perhaps his best known), "Holy Land", "Mode for Joe" and "Cedar's Blues". One of his oldest compositions is "Fantasy in D", recorded as "Ugetsu" by Art Blakey in 1963,[7] and as "Polar AC" by Freddie Hubbard, first in 1971.

In January 2010, Walton was inducted as a National Endowment for the Arts Jazz Master.[8]

After a brief illness, he died on August 19, 2013 at his home in Brooklyn, New York at the age of 79.[9]

Billy Higgins partnership and The Magic Triangle[]

Walton played and recorded with drummer Billy Higgins from the mid-1960s through the 1990s. Higgins and Walton first recorded together in 1965 for Eddie Harris's The In Sound LP, and Higgins played on Walton's first album, Cedar! (1967). They continued to play and record together regularly through the 1970s and '80s. In the early 1970s, bassist Sam Jones formed a working trio, The Magic Triangle, with Walton and Higgins.[10] They recorded albums under both Walton's and Jones's leadership, and played on several 1970s albums by Art Farmer and Clifford Jordan (including Jordan's Glass Bead Games and Farmer's Art Farmer Quintet at Boomers). Though they did not record as The Magic Triangle, Jordan's albums Clifford Jordan and the Magic Triangle on Stage, Firm Roots, and The Highest Mountain cited the trio's informal name. They also backed up Hank Mobley, Gene Ammons and Sonny Stitt, and Idrees Sulieman in the 1970s on live and studio recordings. Drummer Louis Hayes sometimes replaced Higgins during this period for recordings and live performances. In 1975, The Magic Triangle became the core of the Eastern Rebellion jazz collective, which featured (at different times) saxophonists George Coleman, Bob Berg and Ralph Moore, trombonist Curtis Fuller, and trumpeter Alfredo "Chocolate" Armenteros. Eastern Rebellion released seven albums between 1975 and 1994, all featuring Walton and Higgins.

Sam Jones died in late 1981, and Walton and Higgins carried on with bassist David "Happy" Williams, who also joined them on the four final Eastern Rebellion recordings. Walton, Williams, and Higgins recorded regularly throughout the 1980s and early 1990s under Walton's leadership. Walton and Higgins also appeared on recordings by Freddie Hubbard, Stanley Turrentine, Slide Hampton, Junior Cook, Bobby Hutcherson, Frank Morgan, and Jackie McLean (sometimes with other bassists in place of Williams).

With bassist Ron Carter, Walton and Higgins recorded two live albums in 1991 at the Sweet Basil Jazz Club as the Sweet Basil Trio. A third Sweet Basil Trio record, this time with Williams on bass, was recorded in 1993.

Writing of The Magic Triangle's collaborations with Clifford Jordan, pianist and essayist Ethan Iverson wrote: "Taken as a collection, the Jordan–Walton canon from the seventies is some of the best jazz ever recorded....If I had to pick only one from that collaboration for a desert isle, it would be Jordan’s Night of the Mark VII."[11]

Discography[]

As leader/co-leader[]

With Eastern Rebellion

  • 1975: Eastern Rebellion (Timeless) with George Coleman, Sam Jones & Billy Higgins
  • 1977: Eastern Rebellion 2 (Timeless) with Bob Berg, Sam Jones & Billy Higgins
  • 1979: Eastern Rebellion 3 (Timeless) with Curtis Fuller, Bob Berg, Sam Jones & Billy Higgins
  • 1983: Eastern Rebellion 4 (Timeless) with Curtis Fuller, Bob Berg, Alfredo "Chocolate" Armenteros, David Williams & Billy Higgins
  • 1990: Mosaic (MusicMasters) with Ralph Moore, David Williams & Billy Higgins
  • 1992: Simple Pleasure (MusicMasters) with Ralph Moore, David Williams & Billy Higgins
  • 1994: Just One of Those... Nights at the Village Vanguard (MusicMasters) with Ralph Moore, David Williams & Billy Higgins

With the Timeless All Stars

  • 1982: It's Timeless (Timeless)
  • 1983: Timeless Heart (Timeless)
  • 1986: Essence (Delos)
  • 1991: Time for the Timeless All Stars (Early Bird)

As sideman[]

With Gene Ammons and Sonny Stitt

  • God Bless Jug and Sonny (Prestige, 1973 [2001])
  • Left Bank Encores (Prestige, 1973 [2001])

With Art Blakey

  • Mosaic (Blue Note, 1961)
  • Three Blind Mice (Blue Note, 1962)
  • Caravan (Riverside, 1963)
  • Ugetsu (Riverside, 1963)
  • Buhaina's Delight (Blue Note, 1963)
  • Free for All (Blue Note, 1964)
  • Kyoto (Riverside, 1964)
  • Indestructible (Blue Note, 1964)
  • Golden Boy (Colpix, 1964)
  • Buhaina (Prestige, 1973)
  • Anthenagin (Prestige, 1973)

With Ray Brown

  • Something for Lester (Contemporary, 1977)

With Kenny Burrell

  • Sunup to Sundown (Contemporary, 1991)

With Donald Byrd

  • Slow Drag (Blue Note, 1967)
  • Blackjack (Blue Note, 1968)

With Benny Carter

  • Elegy in Blue (MusicMasters, 1994)

With Joe Chambers

  • The Almoravid (Muse, 1974)

With Junior Cook

With Ornette Coleman

  • Broken Shadows (Columbia, 1972 [1982])

With Johnny Coles

With John Coltrane

  • Giant Steps (Atlantic, 1959) [alternate takes]

With Larry Coryell

  • Cedars of Avalon (HighNote, 2002)

With Sonny Criss

  • Up, Up and Away (Prestige, 1967)
  • The Beat Goes On! (Prestige, 1968)

With Kenny Dorham

With Teddy Edwards

With Art Farmer

  • The Time and the Place (Columbia, 1967)
  • The Art Farmer Quintet Plays the Great Jazz Hits (Columbia, 1967)
  • Homecoming (Mainstream, 1971)
  • Yesterday's Thoughts (East Wind, 1975)
  • To Duke with Love (East Wind, 1975)
  • The Summer Knows (East Wind, 1976)
  • Art Farmer Quintet at Boomers (East Wind, 1976)

With Curtis Fuller

  • Soul Trombone (Impulse!, 1961)
  • Smokin' (Mainstream, 1972)

With Benny Golson

  • Take a Number from 1 to 10 (Argo, 1961)
  • This Is for You, John (Timeless, 1983 [1987])

With Dexter Gordon

  • Tangerine (Prestige, 1972 [1975])
  • Generation (Prestige, 1972)
  • Gotham City (Columbia, 1980 [1981])

With Johnny Griffin

  • Bush Dance (Galaxy, 1978)

With Steve Grossman

  • Love Is the Thing (Red, 1985)
  • A Small Hotel (Dreyfus Jazz, 1993)

With Slide Hampton

  • Roots (Criss Cross, 1985)

With Eddie Harris

  • Cool Sax from Hollywood to Broadway (Columbia, 1964)
  • The In Sound (Atlantic, 1965)
  • Mean Greens (Atlantic, 1966)
  • The Tender Storm (Atlantic, 1966)
  • Excursions (Atlantic, 1966–73)
  • How Can You Live Like That? (Atlantic, 1976)

With Jimmy Heath

  • The Quota (Riverside, 1961)
  • Triple Threat (Riverside, 1962)

With Joe Henderson

  • Mode for Joe (Blue Note, 1966)

With Billy Higgins

With Freddie Hubbard

With Bobby Hutcherson

With Milt Jackson

  • Milt Jackson at the Museum of Modern Art (Limelight, 1965)
  • Born Free (Limelight, 1966)
  • Milt Jackson and the Hip String Quartet (Verve, 1968)
  • Goodbye (CTI, 1973)
  • Olinga (CTI, 1974)
  • Milt Jackson at the Kosei Nenkin (Pablo, 1976)
  • Bags' Bag (Pablo, 1979)
  • It Don't Mean a Thing If You Can't Tap Your Foot to It (Pablo, 1984)
  • Reverence and Compassion (Warner Bros., 1993)

With Etta James

  • Mystery Lady: Songs of Billie Holiday (RCA Victor, 1994)
  • Time After Time (RCA Victor, 1995)
  • 12 Songs of Christmas (Private Music, 1998)
  • Blue Gardenia (Private Music, 2001)

With The Jazztet (Art Farmer and Benny Golson)

  • Big City Sounds (Argo, 1960)
  • The Jazztet and John Lewis (Argo, 1961)
  • The Jazztet at Birdhouse (Argo, 1961)
  • Voices All (Eastworld, 1982)

With Bjorn Johansen

  • Take One (Odin, 1987)

With J. J. Johnson

With Etta Jones

With Philly Joe Jones

  • Advance! (Galaxy, 1978)
  • Drum Song (Galaxy, 1978 [1985])

With Sam Jones

  • Seven Minds (East Wind, 1974)
  • Something in Common (Muse, 1977)

With Clifford Jordan

  • Spellbound (Riverside, 1960)
  • Starting Time (Jazzland, 1961)
  • Bearcat (Jazzland, 1962)
  • These are My Roots: Clifford Jordan Plays Leadbelly (Atlantic, 1965)
  • Glass Bead Games (Strata-East, 1974)
  • Half Note (SteepleChase, 1974 [1985])
  • Night of the Mark VII (Muse, 1975)
  • On Stage Vol. 1 (SteepleChase, 1975 [1977])
  • On Stage Vol. 2 (SteepleChase, 1975 [1978])
  • On Stage Vol. 3 (SteepleChase, 1975 [1979])
  • Firm Roots (Steeplechase, 1975)
  • The Highest Mountain (Steeplechase, 1975)

With Kimiko Kasai

  • Kimiko Is Here (CBS/Sony, 1974)
  • Kimiko Kasai (Kittye, 1990)

With Eric Kloss

  • First Class Kloss! (Prestige, 1967)

With Abbey Lincoln

  • Abbey Is Blue (Riverside, 1959)

With Pat Martino

  • Strings! (Prestige, 1967)

With Christian McBride

  • (Chesky, 2006)

With Charles McPherson

  • From This Moment On! (Prestige, 1968)
  • Horizons (Prestige, 1968)

With Blue Mitchell

  • The Cup Bearers (Riverside, 1962)
  • Boss Horn (Blue Note, 1966)
  • Stratosonic Nuances (RCA, 1975)
  • Summer Soft (Impulse!, 1977)

With Frank Morgan

  • Easy Living (Contemporary, 1985)
  • Lament (Contemporary, 1986)
  • Bebop Lives! (Contemporary, 1987)
  • Love, Lost & Found (Telarc, 1995)

With Lee Morgan

  • Caramba! (Blue Note, 1968)
  • The Sixth Sense (Blue Note, 1968)
  • Sonic Boom (Blue Note, 1967)

With David "Fathead" Newman

  • Resurgence! (Muse, 1981)
  • Davey Blue (HighNote, 2002)
  • Diamondhead (HighNote, 1988)

With Houston Person

  • Chocomotive (Prestige, 1967)
  • Trust in Me (Prestige, 1967)
  • Blue Odyssey (Prestige, 1968)
  • Broken Windows, Empty Hallways (Prestige, 1972)
  • The Big Horn (Muse, 1976 [1979])
  • Very PERSONal (Muse, 1980)
  • Naturally (HighNote, 2012)

With Dave Pike

With Sonny Red

  • The Mode (Jazzland, 1961)
  • Sonny Red (Mainstream, 1971)

With Woody Shaw

  • Setting Standards (Muse, 1983)

With Archie Shepp

  • For Losers (Impulse!, 1969)
  • Kwanza (Impulse!, 1969)

With James Spaulding

  • James Spaulding Plays the Legacy of Duke Ellington (Storyville, 1977)

With Idrees Sulieman

With Jay Thomas

  • Easy Does It (Discovery, 1985)

With Lucky Thompson

  • Goodbye Yesterday (Groove Merchant, 1973)
  • Concert: Friday the 13th - Cook County Jail (Groove Merchant, 1973)
  • I Offer You (Groove Merchant, 1973)

With Stanley Turrentine

  • Another Story (Blue Note, 1969)
  • More Than a Mood (MusicMasters, 1992)

With David Williams

  • Up Front (Timeless, 1987)

References[]

  1. ^ William Yardley, "Cedar Walton, Pianist and Composer, Dies at 79", The New York Times, August 20, 2013.
  2. ^ Jump up to: a b "Pianist-Composer Cedar Walton Dies at Age 79" Archived 2013-12-15 at the Wayback Machine, DownBeat, August 20, 2013.
  3. ^ John Fordham, "Cedar Walton obituary", Guardian, August 23, 2013.
  4. ^ Deardra Shuler, "Cedar Walton and Barry Harris to play Jazz at Lincoln Center" Archived 2013-06-24 at archive.today, New York Amsterdam News, June 20, 2013.
  5. ^ "Cedar Walton" (obituary), The Telegraph, August 20, 2013.
  6. ^ Appelbaum, L., Before and After: Cedar Walton, JazzTimes, November 5, 2004
  7. ^ Bailey, Phil (1985), Volume 35 - Cedar Walton, Jamey Aebersold, 1985.
  8. ^ Lifetime Honors, National Endowment for the Arts Jazz Masters. Archived 2013-09-21 at the Wayback Machine
  9. ^ Mark Memmott, "Jazz Pianist Cedar Walton Dies", NPR, August 19, 2013.
  10. ^ Goldsby, John (2002). The Jazz Bass Book: Technique and Tradition. San Francisco: Backbeat Books. p. 81. ISBN 0879307161.
  11. ^ Iverson, Ethan. "Cedar's Blues". ethaniverson.com. Retrieved May 12, 2020.

External links[]

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