Chōyaku Hyakunin isshu: Uta Koi

Narihira becomes infatuated with Takaiko, a daughter of the Fujiwara clan, and attempts to woo her. Takaiko initially refuses, as she is to become imperial consort, however eventually engages in an affair with Narihira. The two eventually part, Takaiko becomes a consort of the emperor, and Narihira becomes a respectable general, who then watches over Takaiko and her son until his death. Narihira composes a poem about it (ちはやぶる・・・).

Yasuhide is assigned to Mikawa, and prior to departing sends Komachi a letter of his situation. Narihira, Yasuhide and Komachi spend a night together having a moon gazing session, and Komachi writes a poem (花の色は・・・) about her regrets and how old she is getting. Upon suggestion by Narihira, the three decide to travel eastward towards Mount Tsukuba.

A plotless filler episode involving the personas of the Hyakunin Isshu and the shenanigans that occur between them, many of them significantly anachronistic: a grand prix race around the Heian capital (using oxen and carts instead of racecars), a television interview (Teika's Room), and a trading card battle:

G1 Grand Prix in Heian-kyō: Teika and Yoritsuna comment on the first ox-cart race in the Heian capital. During one of the segments, sake was drunk to one of the bulls and the entire "pit stop" is in a mess. At the end, the only cart that escaped the fighting was Munesada's, but his ox and cart fell to the Kamogawa after the wooden bridge broke down.

Teika's Room (定家の部屋, Teika no heya): A television interview, featuring poets of the Hyakunin Isshu and their personas and histories.

Yoshitaka is courting a woman of the Minamoto clan, however does not meet her in person and merely writes letters, much to her dismay. Upon almost being killed in a prank, Yoshitaka realises the value of his life, and meets with his lover to elope with her. Yoshitaka writes a poem (君がため・・・　ながくもがなと・・・) about his feelings.

Before she became Sei Shōnagon, Nagiko's father is ready to move to the capital with her and her brother Munenobu, who is in love by someone named Suenomatsuyama. Later after the two lovers parted, Suenomatsuyama married another man, and Munenobu was heartbroken. The father tries to calm his feelings down by writing a letter, but he does not want to show her feelings. As witness, Nagiko reads her father's poem (契りきな・・・) about relationships.

Yukinari has never smiled after his father's death. Then, he was called to the residence of Empress consort Teishi and was to meet the famous poet Sei Shōnagon. He also notices Sanekata, who was Shōnagon's former lover.

Kintō sends Sei Shonagaon the second part of a coming-of-spring poem. She has some problems with it, but is able to write the first part of the poem, completing it. Amazed, a Fujiwara poet recommends a title by the Emperor. The poem is revealed to be based on a work by the Chinese poet Bai Juyi. Kintō mentions Sanekata's visit in episode 8 and his fate, a waterfall blocked by rocks, and the Emperor's protection of Teishi. Concerning the waterfall, Kintō recites a poem to Yukinari (滝の音は・・・), remembering as to forgetting people. Meanwhile, the Emperor has two wives, Teishi and Shōshi, the latter becomes the new Empress. Shonagon decides to protect Teishi. Later, news of Teishi died after giving birth to a son spreads to the Fujiwara poets. Shonagon draws a tear to her hand as the other court ladies circle the court empress.

Michimasa, descended from a house with no future, dreams of a thriving family. As he passes through the capital, he is called by a princess, Masako, who was daughter of the Emperor Sanjō and an incoming High Priestess. Masako wants to see the palace where she was born, despite her elder servant always go with her. Michimasa accepts and takes her to a good view of the palace, introduces the houses and brings simple gifts from the capital: flower, grass, meat, and dirt. Later, the reigning emperor Sanjō resigns, Masako's term as High Priestess ended. Masako receives a letter from Michimasa and the latter enters the Palace. There, they meet again but pressure builds as she wants to be with him, breaking tradition, as Michimasa thinks about what others are going to react. He decides to become worthy of her. By tradition, Masako cannot marry a man of a lower rank. As he was training his swordsmanship, it was too late, as Masako's father knows of their secret love and discharged the elder servant, who tells what happened to Michimasa. He runs to the palace gates but does not knock. Instead, he ties a poem (今はただ・・・) to a branch near the walls, who hopes that someone can bring it to Masako.

Teika (who has been on minor appearances in all episodes of the anime, informing us about the Hyakunin Isshu) refuses to follow his father's footsteps of being a poet. The father is worried. A passing monk named Saigyō makes Teika a different kind of poet. Meanwhile, Teika's father teaches poetry to Noriko. His plan is to force Teika into being a poet in his favor. Teika was invited to Noriko's household and began to exchange poetry with the princess, despite their love poems are to be assumed make-believe. Meanwhile, Teika's father looks at one of Noriko's poems (玉のをよ・・・), but Teika disrupts his investigation. His father advises Teika to marry another woman. As Teika enters the princess's house, Teika begins to build up pressure as Noriko accepts Teika following his father's advice. On the other hand, Noriko's interests were only poetry, and poetry is her only form of expression. In anger, Teika confesses, but Noriko becomes angry as well. But because Noriko wants Teika to listen to his poems, Teika comes close to her.