Chae Man-sik

Ch'ae Man-Sik (June 17, 1902 – June 11, 1950) was a Korean novelist known for his satirical bent.^[1]

Life[]

Ch'ae Man-Sik was born in Okgu, in present-day Gunsan, Jeollabuk-do, to a family of the Pyeonggang Chae clan. He graduated from  [ko] and attended Waseda University in Tokyo, Japan. He worked as a reporter for the Dong-a Ilbo, Chosun Ilbo, and .^[2] He also served as an editor for Gaebyeok Publishing Company's many magazines, including The Comet (Hyeseong) and Frontline (Je ilseon).^[3] In 1936 he moved to Gaeseong and devoted himself solely to creative writing. He entered the literary stage in 1924 with his short story entitled "Toward the Three Paths." He began to attract critical attention ten years later, with the publication of "A Ready-Made Life."

Work[]

Ch'ae Man-Sik's literary debut came in 1924 with the publication in Joseon Literary World (Joseon mundan) of the short story “Toward the Three Paths” (Segillo). His early stories and plays were written from a class-sensitive perspective, and with the publication in 1932 of “Ready-made Life” (Ledi maeideu insaeng), he began to focus his attention on the plight of intellectuals in an era of colonial oppression, a subject matter he continued to pursue in such works as “An Intellectual and Mung-bean Cake” (Interi wa bindaetteok) and My Innocent Uncle (Chisuk, 1938). Arrested by the colonial government in 1938 for his affiliations with the Society for Reading (Dokseohoe), Chae was released on the condition that he participate in the pro-Japanese literary organization, Korean Literary Society for Patriotism (Joseon munin bogukhoe), a stipulation to which he duly complied after his release. In December 1942, for example, Chae Mansik inspected the Japanese Army's Manchurian Front and wrote a celebratory account of what he had observed there.^[3] After Korea's liberation from the Japanese rule, however, he reproached the pro-Japanese actions of Korean intellectuals at the end of the colonial period, including his own, in such works as Transgressor of the Nation (Minjogui joein) and “Path of History” (Yeongno, 1946). Until his death on June 11, 1950, shortly before the outbreak of Korean War, Chae produced satires of contemporary society in post-Liberation Korea. “Constable Maeng” (Maeng sunsa, 1946) and “Story of a Rice Paddy” (Non iyagi) captures in an especially vivid manner the turbulence and confusion of a society embarked on the difficult process of rebuilding the nation. Chae Mansik's collected works were published by Changjak gwa bipyeongsa in 1989.^[3]

Works in Korean[]

• "Toward the Three Paths"
• The Muddy Current
• Peace Under Heaven
• Transgressor of the Nation
• Path of History
• Ready-made Life
• My Innocent Uncle

Works in Translation[]

• Sunset: A Ch'ae Manshik Reader
• Constable Maeng in Waxen Wings
• Peace Under Heaven
• My Innocent Uncle
• A Ready Made Life in A Ready-Made Life: Early Masters of Modern Korean Fiction
• Juvesenility

References[]