Chima (clothing)

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Chima
Hanbok kw1742905.jpg
A girl wearing a hanbok
Korean name
Hangul
치마
Revised Romanizationchima
McCune–Reischauerch'ima

Chima is a generic term for the skirt worn together with jeogori, or a short jacket in hanbok, Korean traditional clothing. It is also referred to as sang () or gun () in hanja in the Korean language.[1][2][3]

History[]

Basic forms of ancient Chima date back to the Goguryeo kingdom (37 BC–668 AD).[4] The chima is one element of hanbok. It is most commonly worn with the jeogori. While jeogori has evolved over time, the chima has remained relatively unchanged throughout time.[5] Later on in the Goguryeo Kingdom, the jeogori became shorter and shorter, showing off more of the chima.[6]

In Silla, China's Tang dynasty influenced the culture of Koreans;[7] several types of Tang dynasty's clothing was also introduced in Korea.[8] The qixiong ruqun (i.e. a form of high-waisted skirt worn over a short jacket) of the Tang dynasty was also introduced in Korea during the Silla period,[9][10][11] and was also introduced in Balhae.[12] This form of high-waisted skirt which ties to the chest can still be seen in the chima worn in present days Korean women's hanbok;[13][14] it is also likely that the current women's hanbok has been derived from the Tang dynasty's high-waisted skirt with a short ru (襦; i.e. jacket) or from a later revival of the Tang dynasty fashion.[15]

In Joseon, the clothing which was worn during the Silla period was progressively altered until it became what is now recognized as the traditional hanbok.[8] The Chinese court clothing which were worn in China's Tang dynasty appears to have largely influenced the design of the women's hanbok.[16]

Design and construction[]

Silhouette[]

The Chinese court clothing which were worn in China's Tang dynasty appears to have largely influenced the design of the women's hanbok.[16] The women's hanbok may have been derived from Tang dynasty's qixiong ruqun (i.e. a form of high-waisted skirt worn over a short jacket).[17]

Chima is a floor length wrap around skirt with a wide waistband positioned above the chest. With the high placement of the waistband it allows the skirt to have a more billowy look, which can give greater freedom of movement.[18] Traditionally, women needed to wear about five to seven layers of undergarments which consisted of pants and underskirts, this made the skirt look more voluminous and provide a more elegant look.[18] However, modern women usually wear one layer of undergarment typically pants.

There are different kinds of Chima: single-layered, double-layered, and quilted. Furthermore, Pul-chima refers to a chima with a separated back, whereas a tong-chima has a seamed back.[19] The upper class usually use Ramie as the fabric to make for summer chimas while plain and patterned silks are used throughout the remainder of the year.[20] By contrast, commoners were restricted to using cotton for their chimas.[20] Women in the upper class wore a long chima which falls down to the floor while women in the lower class wore a shorter chima which length reaches to the calf of the leg. Korean noblewomen wore full length chima to designate their social status.

Color[]

Different colours and lengths indicated important social distinctions such as: age, marital status, and class.

The use of primary colours in hanbok, and more specifically in chima[citation needed], was typically preferred by the ruling class and people who came from the upper, privileged, social class.[21][22] Korean commoners rarely wore primary coloured hanbok, and they were only allowed to wear it for special occasions, such as seasonal festivals, weddings, and for ceremonial events.[21][22] Nowadays, the hanbok worn by Korean is colourful due to the Western influences which Korean to become a free society where Koreans could choose what and what colours they want to wear.[22] Wearing colourful hanbok is however a clear contrast from the traditional use of white hanbok.[22]

Koreans has traditionally liked to be dressed in the colour white hanbok; the liking for white clothing can be traced backed thousand of years ago in Buyeo.[22] In Korean culture, white has traditionally been a symbol of nobility and innocence; and a result, Koreans would wear white during their lives from birth to death.[22] Moreover, the Korean commoners' clothing were mainly un-dyed and plain.[citation needed] Korean people often being nicknamed “the white clad [people]”.[22] In Goryeo and Joseon, the use of white clothing was banned by King Chung Yeol in the 13th century and by many Joseon kings which even included King Sejong, but this did not stop the tradition of wearing white clothing to continue until the early 20th century.[22] In Modern times, the use of white hanbok is often associated with resistance and is mostly worn for funerals.[22]

Girls and unmarried women usually wore red skirts, while married women and middle-aged women wore blue skirts and elderly women wore gray skirts.[citation needed] In addition, Goguryeo women also wore saekdong chima that is a colorfully striped skirt by patchworking, and a chima in form of gored skirt, made by sewing several pieces of fabric without gathering.[3]

See also[]

References[]

  1. ^ 치마 (in Korean). Nate / Britannica. Retrieved 2013-10-17.
  2. ^ 치마 (in Korean). Nate / EncyKorea. Retrieved 2013-10-17.
  3. ^ 치마 (in Korean). Doosan Encyclopedia. Retrieved 2013-10-17.
  4. ^ Guide to Korean culture. Haeoe Hongbowŏn. Seoul, Republic of Korea. 2013. p. 90. ISBN 978-89-7375-571-4. OCLC 882879939.CS1 maint: others (link)
  5. ^ Ladner, Mimsie. "Hanbok: An Introduction to South Korea's National Dress". Culture Trip. Retrieved 2019-05-19.
  6. ^ Service (KOCIS), Korean Culture and Information. "Hanbok: Hidden stories in Hanbok history : Korea.net : The official website of the Republic of Korea". www.korea.net. Retrieved 2019-05-19.
  7. ^ Welters, Linda (2018). Fashion history : a global view. Abby Lillethun. London. UK. ISBN 978-1-4742-5364-2. OCLC 1008962491.
  8. ^ Jump up to: a b Encyclopedia of national dress : traditional clothing around the world. Jill Condra. Santa Barbara, Calif. 2013. p. 409. ISBN 978-0-313-37637-5. OCLC 843418851.CS1 maint: others (link)
  9. ^ "THE WAISTLINE OF WOMEN'S COSTUMES IN TANG DYNASTY AND ITS AESTHETIC EFFECTS--《中国纺织大学学报》1991年Z1期". en.cnki.com.cn. Retrieved 2021-05-14.
  10. ^ Ju-Ri, Yu; Jeong-Mee, Kim (2006). "A Study on Costume Culture Interchange Resulting from Political Factors". Journal of the Korean Society of Clothing and Textiles. 30 (3): 458–469. ISSN 1225-1151.
  11. ^ Korean Costumes through the Ages: Commemorating the Centennial of Korean Immigration to the United States. The National Folk Museum of Korea (South Korea). 길잡이미디어. 2004.CS1 maint: others (link)
  12. ^ "A Study on the Costumes of Two Women Statuettes Made with Three Colored Ceramic Parhae Dynasty, Excavated from a Tomb in Shiguo(석국)". Journal of the Korean Society of Costume. 50 (3): 43–58. 2000. ISSN 1229-6880.
  13. ^ Tibberts, Jennifer (2021-01-01). "Investigating How Qipao and Hanfu Dresses are Representative of China". Senior Honors Theses – via Liberty University.
  14. ^ Hua, Mei; 华梅 (2004). Zhongguo fu shi (Di 1 ban ed.). Beijing: Wu zhou chuan bo chu ban she. ISBN 7-5085-0540-9. OCLC 60568032.
  15. ^ Encyclopedia of clothing and fashion. Valerie Steele. Farmington Hills, MI: Charles Scribner's Sons. 2005. p. 84. ISBN 0-684-31394-4. OCLC 55085919.CS1 maint: others (link)
  16. ^ Jump up to: a b Clark, Donald N. (2000). Culture and customs of Korea. Westport, Conn.: Greenwood Press. p. 109. ISBN 0-313-00727-6. OCLC 51432263.
  17. ^ Encyclopedia of clothing and fashion. Valerie Steele. Farmington Hills, MI: Charles Scribner's Sons. 2005. p. 84. ISBN 0-684-31394-4. OCLC 55085919.CS1 maint: others (link)
  18. ^ Jump up to: a b Kalbi (2015-02-16). "Hanbok (Korean Traditional Clothing) – A familiar Korean culture symbol". Korean Culture Blog. Retrieved 2019-05-19.
  19. ^ "Korea Information". www.asia-planet.net. Retrieved 2019-05-19.
  20. ^ Jump up to: a b "jeogori / chima". British Museum. Retrieved 2019-05-19.
  21. ^ Jump up to: a b Lee, Samuel Songhoon (2013). Hanbok : Timeless fashion tradition. Han'guk Kukche Kyoryu Chaedan. Seoul, Korea. ISBN 978-1-62412-056-5. OCLC 944510449.
  22. ^ Jump up to: a b c d e f g h i Seo, Bong-Ha (2015). "White Hanbok as an Expression of Resistance in Modern Korea". Journal of the Korean Society of Clothing and Textiles. 39 (1): 121–132. doi:10.5850/JKSCT.2015.39.1.121. ISSN 1225-1151.
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