Christian Darnton

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Philip Christian Darnton (30 October 1905 – 14 April 1981), also known as Baron von Schunck,[1] was a British composer and author.

Early life and family[]

He was born in Leeds as Philip Christian von Schunck, the son of Mary Illingsworth and John Edward, Baron von Schunk (1869–1940), a landowner who renounced his title before the First World War.[2][3] Christian's paternal grandfather, Edward, Baron von Schunck, had been born in Leipzig, part of an old German family that had, since 1715, held a Barony in the Holy Roman Empire (Freiherr).[4] He settled in Britain and married Kate Lupton, who had been born into the progressive, land-owning and political Lupton family and educated at the school of her relative Rachel Martineau.[5] Edward died in 1889. Kate survived him until 1913, the eve of the First World War, and insisted in her will that their only son – John Edward, Baron von Schunck – change his surname to that of her father, Darnton Lupton, the former Mayor of Leeds. Thus he and his children acquired by Royal Licence the surname Darnton.[6][7]

Christian Darnton's father, John Edward, had two sisters; one of whom – Florence von Schunck – had married Albert Kitson, 2nd Baron Airedale of Gledhow Hall, near Leeds in 1890. Baroness von Schunck (née Kate Lupton, d. 1913), lived at the adjacent Gledhow Wood Estate which was where she hosted the wedding breakfast of her daughter and son-in-law.[8][9]

The family was extremely well-off and he was educated at home by a governess until he was nine, when he began composing; his musical talents being "obvious" by the time he went up to Gonville and Caius College, Cambridge in 1924.[10] Darnton's teachers included Charles Wood and Cyril Rootham at Cambridge, and Harry Farjeon at the Royal Academy of Music, where he became friendly with his fellow student Walter Leigh. In 1928 he also spent a year studying with Max Butting in Berlin.[11]

Career and composition[]

Darnton first came to the general public's attention as a composer on 30 March 1927 when his parents financed a whole evening of music for their 21-year-old son at the Grotrian Hall in London. Although he had been receiving other performances independently (including one of his Octet at the same hall four days earlier), the event had the unintended effect of straining his relationships with other composers and critics. Peter Warlock and Cecil Gray in particular went along to disrupt the proceedings, viewing it as an example of unmerited privilege.[2] The concert included his first string quartet, op 23, and the highly chromatic first piano sonata, op 33 (both composed in 1925). The project was widely criticised in the press - the critic in The Times wrote: "it does not amuse us to listen to his amateur modernisms, and we decline to take him seriously until he has shown that he has mastered the laws of music"[12] - and the criticism prompted Darnton's further course of study in Berlin with Max Butting from 1928.

The influence of Butting on Darnton is clear: Butting believed that "music is the expression of social perceptions" and (like Darnton in later life) his composition style showed a dualism of musical thought between austere uncompromising atonalism (as in the Symphony No 3 of 1928) and a more transparent, simplified style intended for mass consumption over the radio (as in the Sinfonietta, also 1928).[13]

After a short spell teaching at Stowe School, Darnton turned to journalism, while continuing to compose.[2] But he had to wait until the mid-1930s before his music started to gain performances and a greater level of interest. The BBC Symphony Orchestra played his Viola Concerto with soloist Bernard Shore (who commissioned the work) conducted by Iris Lemare, on 15 April 1936.[14] On 4 February 1938 the same orchestra played Swansong, five songs for soprano and orchestra, setting poems by Robert Nichols, with soloist May Blyth and Constant Lambert conducting.[15] 1939 saw his first real critical success with a performance of the forward-looking Five Orchestral Pieces at the International Society for Contemporary Music Festival in Warsaw.

In July 1940 Darnton's book You and Music was published as one of the new sixpenny Pelican series of mass-market non-fiction paperbacks aimed at general readers (it is No 68).[16] Reviews were generally positive until Percy Scholes (in a May 1941 Musical Times essay) catalogued so many serious and obvious errors (such as “Binary form may be represented by A.B.A.”) that he presented the work as an elaborate joke to trap unwary reviewers.[17] Perhaps the most interesting part of the book, beyond the non-technical explanations of music history, theory, form and orchestration, is the criticisms it contains of modern music. For instance, Darnton challenges the term "English Musical Renaissance", feeling England had produced no "composer of international consequence" in that period.[18]

Darnton joined the Communist Party of Great Britain in 1941.[19] His Communist views led to an abrupt simplification of his musical language as he searched for a more popular, accessible style, but his views may have later hurt his popularity and led to his becoming relatively obscure.[20] The BBC would not broadcast his 1942 cantata Ballad of Freedom (words by Randall Swingler) for reasons of national security.[21] But the overture Stalingrad chimed well enough with the country's sympathies at the time, and received its premiere at the Royal Albert Hall in March 1943.[22] For a few years towards the end of the war Darnton scored a series of patriotic documentary films for the war effort, such as A Harbour Goes to France, produced by the Ministry of Information in 1944, later the basis of the orchestral suite Atlantic.[23][24]

After the war, Darnton's works included the cantata Jet Pilot and the opera Fantasy Fair,[25] both examples of his more populist style. But disillusioned by his lack of recognition he turned his back on composition from the mid-1950s for two decades. Then came a remarkable renewal (and the return of his dissonant, avant garde style) including the Concerto for Orchestra (1970–73), the String Quartet No 4 (1973) and the Symphony No 4 (1975-8), which had its premiere in September 1981, six months after the composer's death.[26][27]

Very few recordings have been issued. Peter Donohoe is the soloist on the Piano Concerto in C major (1948), accompanied by the strings of the Northern Sinfonia.[28] Other than that there are private recordings of the radio broadcasts of the Concerto for Orchestra[29] and the Symphony No 4.[30]

Personal life[]

Christian Darnton met his first wife, the artist Joan Mary Bell (1905–2001), while he was in Germany. They married in November 1929 and had two sons. While working in civil defence during the war, he suffered a fall that some have interpreted as a suicide attempt,[2] after which his marriage failed. Darnton then had an affair with the writer Elisabeth Balchin (later Ayrton), the wife of novelist Nigel Balchin. Balchin responded by caricaturing Darnton in his 1945 novel Mine Own Executioner.[31] (In the novel the character Stephen is a self-centred poet described as “big and handsome and haunted and so like a creative artist that you wouldn’t have thought he’d have the nerve to go around looking like that.”)[32] He married his second wife, the dancer Vera Blanche Martin, in 1953. Jet Pilot was written to commemorate the death of her son, John Anstee Martin, in a flying accident.[33]

Selected works[]

  • Piano Sonata No 1, 1925
  • String Quartet No 1, 1925
  • Concertino for piano and chamber orchestra, 1926[34]
  • Octet, 1928
  • Symphony No 1, 1929–31
  • String Trio, 1930
  • Violin Concerto, 1930
  • Piano Concerto, 1933
  • String Quartet No 2 For Amateurs, 1933
  • Concerto for viola and strings, 1933–35
  • Concerto for harp and wind, 1934
  • String Quartet No 3, 1934
  • Swansong, five songs for soprano and orchestra (words, Robert Nichols), 1935[35]
  • Suite concertante for violin and chamber orchestra, 1936
  • Five Orchestral Pieces, 1938
  • Symphony No 2 Anagram, 1939–40
  • Ballad of Freedom, cantata, 1941–52
  • Stalingrad, overture, 1943
  • A Harbour Goes to France, documentary film score, 1944
  • Piano Sonata No 2, 1944
  • Symphony No 3, 1944–45, revised 1961
  • Concerto in C Major for piano and strings (1948)
  • Fantasy Fair, opera, 1949–51
  • Jet Pilot, cantata, 1952
  • Concerto for Orchestra, 1970–73[36]
  • String Quartet No 4, 1973[37]
  • 'Symphony No 4 Diabolus in musica, (aka 20 Minute Symphony), 1975–79[38][39]

References[]

  1. ^ Schaarwächter, Jürgen (27 February 2015). Two Centuries of British Symphonism: From the beginnings to 1945. A preliminary survey. With a foreword by Lewis Foreman. Volume 1. Georg Olms Verlag. p. 431. Chapter: Expansion of the 'academically feasible'. ISBN 9783487152271. Retrieved 15 November 2016. Christian Darnton (Baron von Schunck)...(nr. Leeds)... son of exceptionally wealthy parents, .....
  2. ^ Jump up to: a b c d "(Philip) Christian Darnton". Oxford DNB. Oxford University Press. Retrieved 15 May 2015.
  3. ^ "A Heritage of 20th Century British Music". Universal Music Publishing Classical. 2015. p. 12. Retrieved 15 November 2016. The son of the wealthy Baron von Schunck, who renounced his title prior to World War I,.....
  4. ^ Jährliches genealogisches Handbuch: In welchem der gegenwärtige Zustand von allen Häusern jetztregierender Europäischer Kayer und Könige. Gleditsch. 1749. p. 86. Retrieved 25 March 2017. Johann Nathanael Baron von Schunck....13 November 1716
  5. ^ Lupton, C.A. , The Lupton Family in Leeds, Wm. Harrison and Son 1965.
  6. ^ Rayner, Gordon (13 September 2013). "'Middle-class' Duchess of Cambridge's relative wore crown and attended George V's coronation". The Daily Telegraph. p. 7. Retrieved 15 May 2015. Baroness von Schunck, was also invited to the coronation of George V, though she died in 1913 and may have been too frail to attend the ceremony. She (Baroness von Schunck née Kate Lupton) was married to a German nobleman, but by the time of her death she had advised her children to drop the von Schunck name in favour of her family surname Darnton-Lupton.
  7. ^ "Gledhow Hall, Sir James Kitson". Leodis.net. Retrieved 24 August 2013.
  8. ^ Rayner, Gordon (13 September 2013). "'Middle-class' Duchess of Cambridge's relative wore crown and attended George V's coronation". The Daily Telegraph. p. 7. Retrieved 15 May 2015. Baroness Airedale (née Florence von Schunck) had gained her own title when she married Lord Airedale.......Baroness Airedale's mother, Baroness von Schunck, was also invited to the coronation of George V, though she died in 1913 and may have been too frail to attend the ceremony. She (Baroness von Schunck née Kate Lupton) was married to a German nobleman, but by the time of her death she had advised her children to drop the von Schunck name in favour of her family surname Darnton-Lupton.
  9. ^ Reed, Michael; Poole, David (2016). "Gledhow Hall". Houseandheritage.org. Retrieved 15 August 2016.
  10. ^ Mullenger, Len. "CHRISTIAN DARNTON 1905 – 1981". Musicweb-international.com. Classical Music on the Web. Retrieved 24 August 2013. However, it was not until going up to Gonville & Caius' College in 1924 that his talent became obvious.
  11. ^ Darnton, (Philip) Christian, by Andrew Plant, Grove Music Online, 2001
  12. ^ The Times, 1 April 1927, p 12
  13. ^ "Butting, Max". Grove Music Online. doi:10.1093/gmo/9781561592630.article.04468. Retrieved 25 July 2020.
  14. ^ Radio Times, Issue 654, 10 April 1936, p 42
  15. ^ Lloyd, Stephen. Constant Lambert: Beyond the Rio Grande, 2015
  16. ^ "Penguin First Editions :: Early First Edition Penguin Books". Penguinfirsteditions.com. Retrieved 25 July 2020.
  17. ^ Scholes, Percy A. (1941). "Our Humourless Reviewers". The Musical Times. 82 (1179): 176–177. doi:10.2307/921623. JSTOR 921623.
  18. ^ Hughes, Meirion; Stradling, Robert; Stradling, R. A. (7 December 2001). English Musical Renaissance, 1840-1940. Manchester University Press. ISBN 9780719058301. Retrieved 25 July 2020 – via Google Books.
  19. ^ "The Bulletin - Google News Archive Search". news.google.com. Retrieved 25 July 2020.
  20. ^ Blake, Andrew (25 July 1997). The Land Without Music: Music, Culture and Society in Twentieth-century Britain. Manchester University Press. ISBN 9780719042997. Retrieved 25 July 2020 – via Google Books.
  21. ^ Croft, Andy. Comrade Heart: A Life of Randall Swingler, 2003
  22. ^ "The Glasgow Herald - Google News Archive Search". News.google.com. Retrieved 25 July 2020.
  23. ^ "A HARBOUR GOES TO FRANCE [Main Title]". Imperial War Museums. Retrieved 25 July 2020.
  24. ^ Huntley, John (1 January 1972). British Film Music. Arno Press. p. 115. ISBN 9780405038976. Retrieved 25 July 2020 – via Google Books.
  25. ^ "Darnton Collection". Concertprogrammes.org.uk. Retrieved 25 July 2020.
  26. ^ Denis ApIvor: ‘Christian Darnton’, Composer, no.74 (1981–2), 13–19
  27. ^ Plant, Andrew. Christian Darnton, 1905-1981, MusicWeb International
  28. ^ Naxos 8.557290 (2005), reviewed at MusicWeb International
  29. ^ BBC Symphony Orchestra, conducted by Colin Davis, broadcast on BBC Radio 3, 3 December 1976
  30. ^ BBC Northern Symphony Orchestra, conductor Edward Downes, broadcast on BBC Radio 3, 23 September, 1981
  31. ^ Collett, Derek (2015). His Own Executioner: The Life of Nigel Balchin. SilverWood. ISBN 978-1-78132-391-5.
  32. ^ "Newsletter 12". Nigelmarlinbalchin.co.uk. Retrieved 25 July 2020.
  33. ^ Aviation Safety Network Wikibase
  34. ^ "FERGUSON / GERHARD / ROWLEY / DARNTON: Piano Concertos - 8.557290". Naxos.com. Retrieved 25 July 2020.
  35. ^ "Swan Song (The LiederNet Archive: Texts and Translations to Lieder, mélodies, canzoni, and other classical vocal music)". Lieder.net. Retrieved 25 July 2020.
  36. ^ "1974 performance conducted by Colin Davis". YouTube. Retrieved 25 July 2020.
  37. ^ "String Quartet no. 4". British Music Collection. 17 April 2009. Retrieved 25 July 2020.
  38. ^ "Two British Symphonies". 23 September 1981. p. 68. Retrieved 25 July 2020 – via BBC Genome.
  39. ^ "From BBC Broadcast, 23 September 1981". YouTube. Retrieved 25 July 2020.

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