Christopher Robe

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Christopher Robé is a professor in film and media studies. He has published Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture.,[1] which resituates such well-known auteurs like Sergei Eisenstein and Jean Renoir in an American political context.[2][circular reference],.[3] It also argues that the 1930s proved a vital moment in time regarding the emergence of Left Film Theory,.[4][5][6]

His most recent book, Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas.,[7] addresses the rise of video activism and the new anarchism from the 1970s to the present.[8][9][10] Robé can be seen discussing the book in the following interview.[11] He is currently researching video activism, state repression, and counter-surveillance in relation to copwatching, counter-summit protesting, animal rights activism, and Muslim-American self-determination. He has published an article on counter-summit protesting, video activism, and surveillance in the journal *Framework*:.[12] He is also conducting archival-based research for a book on Raymond Williams that historically situates some of his key theoretical ideas in developing grassroots media with present-day concerns over the democratization of digital media. His collection co-edited with Stephen Charbonneau, "InsUrgent Media from the Front: A Media Activism Reader" was published in Fall 2020 by Indiana University Press.[13]

He frequently writes occasionally[clarification needed] for Pop Matters and Cineaste:

: Disruptive Film and Political Turmoil

: Adjusting the Focus on Somali-Americans: 'First Person Plural' and 'Muslim Youth Voices'

: Bill Gunn's 'Personal Problems' and a History of the Video Revolution

: Documenting the Little Abuses: Copwatching, Community Organizing, and Video Activism

: FieldofVision.pdf

: ExpandOurField.pdf

: 'The Watermelon Woman', or, Whatever Happened to New Queer Cinema?

: 'Disruptive Film' Creates a Constellation Where the Past and Present Meet

: Pathological Visions: Desire and Alienation in the Films of the Quay Brothers

Two Days, One Night: The Dardennes' Laboring Body in 'Two Days, One Night'

Boyhood: 'Boyhood' and the Transcendence of the Everyday

: Jean-Luc Godard: A Montage of Attractions

References[]

  1. ^ "Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture By Chris Robé". June 5, 2010 – via utpress.utexas.edu.
  2. ^ Sergei Eisenstein
  3. ^ Gemünden, Gerd (February 18, 2014). Continental Strangers: German Exile Cinema, 1933-1951. ISBN 9780231166782.
  4. ^ Neve, Brian (September 1, 2011). "Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture". Journal of American History. 98 (2): 565–566. doi:10.1093/jahist/jar232 – via academic.oup.com.
  5. ^ Mosley, Philip (2013). "Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Cultureby Chris Robé. Austin: University of Texas Press, 2010". Quarterly Review of Film and Video. 30 (2): 198–203. doi:10.1080/10509208.2011.575666. S2CID 191469021.
  6. ^ Schenker, Andrew (2011). "Reviewed work: Left of Hollywood: Cinema, Modernism and the Emergence of U.S. Radical Film Culture, Chris Robé". Cinéaste. 36 (3): 63–65. JSTOR 41691048.
  7. ^ "Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas". www.pmpress.org.
  8. ^ "Book Review: Breaking the Spell – A History of Anarchist Filmmakers". Freedom News. January 19, 2018.
  9. ^ "Review of Chris Robé's "Breaking the Spell" by Patricia R. Zimmerman, p. 1". May 2, 2018. Archived from the original on 2018-05-02.
  10. ^ "Review" (PDF). www.interfacejournal.net. 2017. Retrieved 2020-03-23.
  11. ^ Bayless, Jason. "The New Architects: Breaking the Spell | Zombie Popcorn".
  12. ^ Robé, Chris (2016). "Criminalizing Dissent: Western State Repression, Video Activism, and Counter-Summit Protests". Framework: The Journal of Cinema and Media. 57 (2): 161. doi:10.13110/framework.57.2.0161. S2CID 151978118 – via www.academia.edu.
  13. ^ "InsUrgent Media from the Front" (PDF).

External links[]

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