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2001 greatest hits album by Lush
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Ciao! Best of Lush is a compilation album by the band Lush , released in March 2001 by 4AD . The essay in the booklet was written by Dominic Wills and included quotes from members Miki Berenyi and Emma Anderson . The best-of CD appeared almost five years after the band's dissolution and drummer Chris Acland 's suicide; the compilation was dedicated to his memory.[3]
Track listing [ ]
1. "Ladykillers " Miki Berenyi 3:13 2. "Single Girl" Emma Anderson 2:35 3. "Ciao! " (featuring Jarvis Cocker ) Berenyi 3:31 4. "500 (Shake Baby Shake)" (Single Remix) Anderson 3:21 5. "Light from a Dead Star" Berenyi 3:17 6. "Love at First Sight" Stuart Moxham 5:12 7. "Hypocrite" Berenyi 2:53 8. "Desire Lines" Anderson 7:39 9. "Lovelife" Anderson 3:56 10. "When I Die" Anderson 4:19 11. "Nothing Natural" Anderson 5:54 12. "Untogether" Berenyi 3:34 13. "For Love" Berenyi 3:30 14. "Monochrome" Anderson 5:06 15. "De-Luxe" Anderson 3:28 16. "Sweetness and Light" Anderson 5:17 17. "Thoughtforms" Anderson 2:44 18. "Etheriel" Anderson, Berenyi 3:24
Release history [ ]
Country
Date
Label
Format
Catalogue #
United Kingdom
19 March 2001
4AD
CD
GAD 2K22 CD
United States
5 June 2001
Worldwide
27 November 2015
2LP red vinyl[4]
GAD 2K22
Credits [ ]
Tracks 1, 2, 3 and 4 taken from Lovelife , March 1996
Tracks 5, 7, 8, 9 and 10 taken from Split , June 1994
Track 6 taken from the single "Hypocrite", May 1994
Produced by Mike Hedges and Lush
Tracks 11, 12, 13 and 14 taken from Spooky , January 1992
Track 15 taken from the EP Mad Love , February 1990
Produced by Robin Guthrie
Track 16 taken from the single "Sweetness and Light", October 1990
Tracks 17 and 18 taken from the mini-album Scar , October 1989
Ciao! credits[ ]
Remastered by John Dent at Loud Mastering.
Art direction by Vaughan Oliver at v23.
Design by Chris Bigg at v23.
Photography by Dominic Davies, from single artwork designed by v23.
Original photographs by Jim Friedman, Richard Caldicott and Ichiro Kono.
Portraits by Mike Diver (page 3), Michael Lavine (page 6), Suzie Gibbons (page 12) and Sheila Rock (pages 9–19).
References [ ]
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