Clarence Barlow
Clarence Barlow (also Klarenz, born 27 December 1945) is a composer of classical and electroacoustic works.
Education[]
Barlow was born in Calcutta, India. Barlow is a member of the anglophone minority and of British and Portuguese descent. He studied at the Calcutta University, at the Trinity College of Music in London (Calcutta Centre), at the Hochschule für Musik Köln (Music University Cologne) and at the Institute of Sonology at Utrecht University.
Career[]
Barlow was one of the founders of Initiative Musik und Informatik Köln. In 1988 he was the director of music at the International Computer Music Conference in Cologne.[1] From 1990 to 1994, Barlow was the artistic director of the Institute of Sonology, at the Royal Conservatory of The Hague, where he also taught in the composition department.[2]
Barlow was the Corwin Endowed Chair and Head of Composition at University of California Santa Barbara’s Music Department from 2006 to 2019.[3]
His students have included Missy Mazzoli, Nick Norton, Georg Hajdu, , Marko Ciciliani, Juan María Solare, Juan Sebastián Lach Lau, Kristoffer Zegers, Patrick Saint-Denis, and Gabriel Pareyon. See: List of music students by teacher: A to B#Clarence Barlow.
Compositional style and techniques[]
Barlow prefers traditional instrumental timbres to electronically synthesized ones because "they sound so much more alive and exciting".[4] Although for this reason most of his works have been written for traditional instruments, he has frequently used the computer to generate the structures of his works. His comprehensive theory of tonality and metrics was first tested in the piano work Çoǧluotobüsişletmesi (1975–79). Spectral analysis and instrumental resynthesis of human speech has also played an important role in his compositions.[2]
References[]
- ^ Anon. 2014.
- ^ Jump up to: a b Wilson 2001.
- ^ Rothfarb and Barlow 2020.
- ^ Kaske 1985, 23.
Sources
- Anon. 2014 "Clarence Barlow". Sound and Music Computing Conference 2014 website.
- Kaske, Stephan (1985). "A Conversation with Clarence Barlow". Computer Music Journal. 9 (1): 19–28. JSTOR 4617919.
- Rothfarb, Lee, and Clarence Barlow. 2020. "Clarence Barlow | Department of Music – UC Santa Barbara". music.ucsb.edu website (accessed 13 March 2020).
- Wilson, Peter Niklas. 2001. "Barlow, Klarenz [Clarence]". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
Further reading[]
- Clarence Barlow, International Artist Database
- Clements, Dominy. 2009. "Clarence Barlow—Interview". MusicWeb International (9 February) (Accessed 22 January 2010).
- Manion, M[ichael]. 2004. "Gimik: Initiative Musik und Informatik Köln r. V.". Cologne: Gimik e. V. (Accessed 22 January 2010).
- Toop, Richard. 2008. "Kulturelle Dissidenten: Die Stockhausen-Klasse der Jahre 1973 und 1974". MusikTexte: Zeitschrift für neue Musik, no. 116 (February): 46–49.
External links[]
- Official website
- Clarence Barlow's Website at UCSB, Department of Music (archive from 17 December 2016, accessed 3 June 2020)
- AUTOBUSK – Barlow's "Pitch and Rhythm Generator" software
- Clarence Barlow, at P-ART
- Interview with Clarence Barlow by Bob Gilmore (2007) in Paris Transatlantic Magazine
- Interview with Musicweb International
- "Klarenz Barlow" details, feedback studio verlag (in German)
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- 1945 births
- Living people
- 21st-century classical composers
- 20th-century classical composers
- University of Calcutta alumni
- British classical composers
- British male classical composers
- British music educators
- Utrecht University alumni
- University of California, Santa Barbara faculty
- Royal Conservatory of The Hague faculty
- Pupils of Karlheinz Stockhausen
- 20th-century British composers
- Musicians from Kolkata
- 20th-century British male musicians
- 21st-century British male musicians