Clyde Taylor

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Clyde R. Taylor (born 1931) is an American writer and film scholar, who is an emeritus professor at New York University. His scholarship and commentary often focuses on black film.

Career[]

Taylor is a contributor to journals such as Black Film Review and Jump Cut.[1][2][3][4][5][6] He coined the term 'L.A. Rebellion' for the Los Angeles School of Black Filmmakers movement.[7][8] He wrote the documentary film, Midnight Ramble, and is the author of The Mask of Art: Breaking the Aesthetic Contract – Film and Literature (Indiana University Press, 1998).[9]

References[]

  1. ^ "MILES DAVIS; Backward Reasoning". Nytimes.com. 27 May 2001. Retrieved 3 September 2017.
  2. ^ "Africana Studies". africanastudies.as.nyu.edu. Retrieved 3 September 2017.
  3. ^ "Symposium Participants - UCLA Film & Television Archive". Cinema.ucla.edu. Retrieved 3 September 2017.
  4. ^ "Clyde Taylor, "One struggle, many fronts"". Jump Cut, no. 23. October 1980. pp. 10–11.
  5. ^ "Africana Studies". africanastudies.as.nyu.edu. Retrieved 3 September 2017.
  6. ^ "Humanism, Cinema and Engagement: Clyde Taylor and the L.A. Rebellion Symposium - UCLA Film & Television Archive". Cinema.ucla.edu. Retrieved 3 September 2017.
  7. ^ "What's in a Name? L.A. Rebellion - UCLA Film & Television Archive". Cinema.ucla.edu. Retrieved 3 September 2017.
  8. ^ Guerrero, Ed (20 June 2012). Framing Blackness: The African American Image in Film. Temple University Press. ISBN 9781439904138. Retrieved 3 September 2017 – via Google Books.
  9. ^ Taylor, Clyde (3 September 1998). The Mask of Art: Breaking the Aesthetic Contract--film and Literature. Indiana University Press. ISBN 0253211921. Retrieved 3 September 2017 – via Google Books.


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