Cotton Comes to Harlem

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For the original novel, see Cotton Comes to Harlem (novel).
Cotton Comes to Harlem
Cotton Comes to Harlem (1970) film poster.jpg
Theatrical release poster by Robert McGinnis
Directed byOssie Davis
Written byOssie Davis
Arnold Perl
Based onCotton Comes to Harlem
by Chester Himes
Produced bySamuel Goldwyn Jr.
StarringGodfrey Cambridge
Raymond St. Jacques
Calvin Lockhart
CinematographyGerald Hirschfeld
Edited byRobert Q. Lovett
Music byGalt MacDermot
Production
company
Distributed byUnited Artists
Release date
  • May 26, 1970 (1970-05-26)
Running time
97 minutes
CountryUnited States
LanguageEnglish
Budget$1.2 million
Box office$5.2 million (rentals)[1]

Cotton Comes to Harlem is a 1970 American neo-noir[2] action comedy film[3] co-written and directed by Ossie Davis and starring Godfrey Cambridge, Raymond St. Jacques, and Redd Foxx.[4] The film is based on Chester Himes' novel of the same name.[5] The opening theme, "Ain't Now But It's Gonna Be" was written by Ossie Davis and performed by Melba Moore. It was followed two years later by the sequel Come Back, Charleston Blue.

Plot[]

"Reverend" Deke O'Malley, a conman, is selling shares at a Harlem rally, for the purchase of a Back-to-Africa movement ship to be called The Black Beauty. During the rally, several masked gunmen jump out of a meat truck and steal $87,000 in donated cash from the back of an armored car. Two Harlem detectives, Gravedigger Jones and "Coffin" Ed Johnson chase the car, and a bale of cotton falls out of the vehicle, unremarked at the time. Uncle Budd, a scavenger, finds the bale of cotton and sells it for $25 to a junk dealer, but later buys it back for $30. There is a reward out for the $87,000, and Gravedigger and Coffin deduce that the money was probably hidden inside the bale which had fallen out of the getaway vehicle during the chase. After accusing Reverend O’Malley of stealing the money and taking him captive, Detectives Jones and Johnson are able to blackmail Tom, a mob leader, to give them $87,000 - to be restored to the original donors - after discovering that Uncle Budd has run off with the stolen money and emigrated to Ghana, to live in retirement with his ill-gotten gains.

Cast[]

Production[]

Filmed between May and June 1969,[7][8][9][10] Cotton Comes to Harlem employed many local residents as extras and crew in the Harlem neighborhood where it was filmed. This helped to put a positive spotlight on Harlem, which at the time was ravaged with crime.[11] Seeing that the film would be shot in Harlem, featuring large crowd scenes, such as riots and rallies, John Shabazz and the Black Citizens Patrol volunteered to control the scenes with their experience in keeping out unwanted spectators and policing traffic. The Black Citizens Patrol's purpose was to protect the black community from itself, so they made themselves available at all times, even operating as an escort service.[12]

The film saw the debut of Calvin Lockhart, Judy Pace, and Cleavon Little. Another debuted was Redd Foxx, already well known as a veteran night club comic, leading him to be considered for the TV Show Sanford and Son. Cambridge also starred as a white man who turns black in the motion picture comedy Watermelon Man, which opened the same day as Cotton Comes to Harlem.[11] The film's inspirational opening theme song, “Ain’t Now But It’s Gonna Be,” was written by Ossie Davis and performed by Melba Moore, who at the time, was also starring in the hit Broadway musical, Purlie![11] Purlie (based on Davis's 1961 play Purlie Victorious) starred Cleavon Little (Tony winner for Purlie) and Moore (Tony winner for Purlie.)

Themes[]

Cotton Comes to Harlem is hailed by many as the first blaxploitation film, although others felt that it was merely an action comedy film, and did not exploit blacks.[13] Detectives Gravedigger and Coffin Ed do not always follow the rules.[14] They are not necessarily fighting to protect the rule of law, but they try to protect their people from racist attitudes.

Cotton Comes to Harlem also demonstrates Black Power by depicting tools such as self-determination.[citation needed] The detectives work throughout the movie to prove that the black community was being taken advantage of, and by the end of the film, they gain the respect of white officers and are able to demand $87,000 from the white mafioso who runs the Harlem rackets, which they use to replace the money stolen at the beginning of the film.

Release[]

Cotton Comes to Harlem was released at the Woods Theatre in Chicago on May 26, 1970.[15][16] The following week it opened at the Palms Theatre in Detroit before expanding a week later in New York, Louisville, Milwaukee, Washington D.C. and a further theater in Detroit.[17][18]

Reception[]

Critical response[]

Film critic Vincent Canby of The New York Times wrote in his review: "'Balloons, fans, feathers—they're all out of style,' says the racially aware exotic dancer preparing her act for Harlem's Apollo Theater. 'They don't say a thing about my people!' [...] However, like the dancer's balloons, fans and feathers, the movie's stick-ups, shootouts, chases, murders and wisecracks say little about the Black Experience except that Ossie Davis, when given the opportunity, can turn out a ghetto comedy-melodrama that is almost as cold and witless as Gordon Douglas' Gold Coast fables, Tony Rome and Lady in Cement. It's strictly for people who don't care much about movies—or who persist in regarding movies as sociology."[19]

Box office[]

The film was one of the many black films that appeared in the 1970s and became an overnight hit. Davis parlayed both humor and drama together and got a film that worked. He also attracted a black audience, which helped make the film a cult classic. It inspired more black films during the '70s, including more action-packed numbers like Shaft and Super Fly.

It is perhaps[weasel words] the most commercially successful film Hollywood produced in the 1970s starring a predominantly black cast.[20] The film grossed $90,000 in its opening week, setting a house record at the Woods Theatre.[16][21] After its third week it had grossed $506,000 from 6 cities setting additional house records in New York and Detroit.[17] Produced on a budget of $1.2 million,[22] it earned $5.2 million in theatrical rentals during its North American release, making it the 22nd highest-grossing film of 1970.[1]

Home media[]

The film was released to DVD by 20th Century Fox Home Entertainment (acting as distributor for MGM Home Entertainment) January 9, 2001.[23] Cotton Comes to Harlem was released on Blu-ray by Kino Lorber (under license from MGM) on September 9, 2014.[24]

Sequel[]

Ossie Davis declined to direct a sequel to Cotton Comes to Harlem, due to strong artistic differences with Metro-Goldwyn-Mayer (MGM)[25] so the sequel Come Back, Charleston Blue, loosely based on The Heat's On, with much original material injected, ended up being directed by Mark Warren.

See also[]

References[]

Citations[]

  1. ^ Jump up to: a b ""Big Rental Films of 1970". Variety. 6 January 1971. p. 11.
  2. ^ Spicer, Andrew (2010). Historical Dictionary of Film Noir. Lanham, MD: Scarecrow Press. p. 427. ISBN 978-0-8108-5960-9.
  3. ^ https://variety.com/1969/film/reviews/cotton-comes-to-harlem-1200422254/
  4. ^ "Cotton Comes to Harlem". Turner Classic Movies. Atlanta: Turner Broadcasting System (Time Warner). Retrieved June 7, 2017.
  5. ^ Himes, Chester (1966). Cotton comes to Harlem. New York City: Dell Publishing. ASIN B0007EYQFO.
  6. ^ Vaughter, Michelle (19 April 1997). "Obituaries". Daily Press. Retrieved 27 March 2015.
  7. ^ Fun City (Pt. 2): Location Comedies / Two Sides of Sidney Lumet, You're a Big Boy Now, Cotton Comes to Harlem, Bye Bye Braverman, Serpico, by J. Hoberman posted August 6, 2013.Retrieved April 13, 2020.
  8. ^ SCREENING, Cotton Comes to Harlem, Part of Fun City: New York in the Movies 1967–75, Saturday, August 10, 2013, 5:00 p.m..Retrieved April 13, 2020.
  9. ^ Sidney Poitier: Man, Actor, Icon, By Aram Goudsouzian.Retrieved April 13, 2020.
  10. ^ Soul Searching: Black-Themed Cinema from the March on Washington to the Rise ..., By Christopher Sieving.Retrieved April 13, 2020.
  11. ^ Jump up to: a b c McMillan, Stephen (11 May 2015). "Classic Soul Cinema: 'Cotton Comes to Harlem'". Soul Train.
  12. ^ UA film 'cotton comes to harlem' in the ghetto. (1969, Nov 08). Chicago Daily Defender (Big Weekend Edition) (1966-1973)
  13. ^ "Classic Soul Cinema: 'Cotton Comes to Harlem'". Soul Train. 11 May 2015.
  14. ^ "Coffin Ed Johnson and Grave Digger Jones". www.thrillingdetective.com. Retrieved 2019-11-14.
  15. ^ Hannan 2016, p. 412.
  16. ^ Jump up to: a b "Holiday Ups Chi; 'Harlem' Peak 90G, 'Apes' Socko $75,000, 'Garden' Lush 10G, 'Grasshopper' Nifty $38,000, 2d". Variety. June 3, 1970. p. 11.
  17. ^ Jump up to: a b "This 'Cotton' Doesn't Shrink (advertisement)". Variety. June 17, 1970. p. 17.
  18. ^ "'Cotton' Is Rockin' At B.O.". Variety. June 17, 1970. p. 5.
  19. ^ Canby, Vincent (June 11, 1970). "Ossie Davis' 'Cotton Comes to Harlem'". The New York Times. New York City. Retrieved June 7, 2017.
  20. ^ Company, Johnson Publishing (February 25, 1971). Jet. Johnson Publishing Company. JET. p. 58. Retrieved May 4, 2016. Cotton Comes to Harlem.
  21. ^ "50 Top-Grossing Films". Variety. June 10, 1970. p. 13.
  22. ^ Box Office Information for Cotton Comes to Harlem. IMDb via Internet Archive. Retrieved May 3, 2014.[unreliable source?]
  23. ^ Cotton Comes to Harlem. 20th Century Fox Home Entertainment (DVD). Century City, Los Angeles: 21st Century Fox. January 9, 2001. Retrieved June 7, 2017.
  24. ^ Cotton Comes to Harlem. Kino Lorber (Blu-ray). New York City: Kino International. September 9, 2014. Retrieved June 7, 2017.
  25. ^ Company, Johnson Publishing (February 3, 1972). Jet. Johnson Publishing Company. p. 60. Retrieved April 16, 2016. Cotton Comes to Harlem.

Sources[]

External links[]

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