Coverdale–Page
Coverdale–Page | ||||
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Studio album by | ||||
Released | 15 March 1993 (Europe) 16 March 1993 (North America) 18 March 1993 (Japan) | |||
Recorded | 1991–92 | |||
Studio |
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Length | 61:05 | |||
Label | EMI (Europe) Geffen (North America) Sony (Japan) | |||
Producer | David Coverdale, Jimmy Page, Mike Fraser | |||
David Coverdale chronology | ||||
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Jimmy Page chronology | ||||
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Coverdale–Page (styled as Coverdale • Page) is the only studio album by David Coverdale and Jimmy Page, released on 15 March 1993 by EMI in Europe, 16 March by Geffen Records in North America, and 18 March by Sony in Japan. It was co-produced by Coverdale, Page and Mike Fraser. Following the disbandment of Coverdale's band Whitesnake and a failed reunion attempt by Page's band Led Zeppelin, A&R executive John Kalodner proposed the idea of the two working together. After meeting each other, they began writing songs, which were then record over the course of 1991 and 1992.
The album charted in twelve countries. It reached number four in the UK and number five in the US, being certified silver and platinum, respectively. The album also went gold in Japan and platinum in Canada. Critical reception was generally mixed. Some music critics praised Coverdale and Page's partnership as a successful blend of both their respective bands, while others viewed it as a second-rate Led Zeppelin, with many drawing unfavourable comparisons between Coverdale and Led Zeppelin vocalist Robert Plant. Following a short Japanese tour in December 1993, Coverdale and Page parted ways. A reissue is tentatively scheduled for 2023, while Coverdale and Page have also discussed a potential reunion.
Background[]
After completing the Liquor & Poker World Tour in September 1990, vocalist David Coverdale elected to put his band Whitesnake on indefinite hold, wanting to take a break from the music industry.[3] Led Zeppelin guitarist Jimmy Page, meanwhile, had been working on the Led Zeppelin Remasters, which led to discussion with singer Robert Plant and bassist John Paul Jones about a potential reunion. Though initially interested, Plant eventually decided to back out, feeling that a reunion might "put his solo career at risk".[4] Wanting to work on new music, Page then began looking for a new collaborator.[5] As both he and Coverdale were signed to Geffen Records, A&R executive John Kalodner suggested bringing the two together.[6] The idea was submitted to Coverdale and Page in January 1991. While the two had met many times in passing, they weren't well acquainted with each other. Still, both parties were interested, thus a meeting was scheduled.[5][7]
Coverdale and Page met at the Ritz-Carlton Hotel in New York at the end of March 1991.[7][8] The two got along well with one another, and while on a walk in Manhattan, they reportedly stopped traffic with onlookers asking if they would be working together.[3][5][7] Coverdale and Page agreed to take the project slowly, first making sure they could actually write songs together. The two then met up for a writing session at Lake Tahoe, Coverdale's residence. Within the first day they had written "Absolution Blues" together. From there they continued writing, eventually relocating to Barbados at Page's suggestion.[5] The two were later joined by drummer Denny Carmassi and bassist Ricky Phillips to flesh out the songs. These rehearsals lasted for several months.[9][10] Coverdale and Page made their first public appearance together in May 1991, when they joined Poison onstage in Reno for a rendition of Led Zeppelin's "Rock and Roll".[8]
Production and composition[]
Aside from Coverdale and Page, the album features performances from drummer Denny Carmassi, bassist Ricky Phillips, keyboardist Lester Mendez and backing vocalist Johnne Sambataro, among others.[11] Recording began at Little Mountain Sound Studios in Vancouver, where all the rhythm tracks were recorded. From there, recording moved to Criteria Studios in Miami, where the vocals and overdubs were done.[12] Coverdale and Page also employed several local session musicians while in Miami.[5] Additional recording was also done at Abbey Road Studios in London, and Coverdale's home studio in Nevada.[11] The recording process lasted from late 1991 to early 1992.[8] According to Ricky Phillips, however, it took Page approximately a year to record his guitar parts.[9] The album was recorded using analog equipment as opposed to digital, as Coverdale and Page felt analog suited their style of music better. Initially, Coverdale and Page were set to be credited as the sole producers, but they eventually decided to give recording and mixing engineer Mike Fraser a co-production credit for his extensive work on the album.[5] The record was mastered by George Marino at Sterling Sound, while the cover art was designed by Hugh Syme.[11] In 2020, Page stated in an Instagram post that the orchestrations on "Take Me for a Little While" were done by Clare Fischer, although he is uncredited in the album's liner notes.[13]
Music and lyrics[]
The opening riff of "Shake My Tree" dates back to Led Zeppelin's 1979 album In Through the Out Door. Page had played the riff during rehearsals, but it was left unused. He later presented it to Paul Rodgers while playing together in The Firm, but it was again rejected. When Page presented the riff to Coverdale, he "immediately latched on to it".[10] On "Waiting on You", Coverdale initially struggled coming up with a vocal melody for the pre-chorus. Eventually he came up with a line reminiscent of Motown. As a percaution, Page had also written a vocal melody for the part, but upon hearing Coverdale's idea, he fogoed his own.[5] The verse-chorus chord progression for "Take Me for a Little While" was written by Page at Lake Tahoe. Lyrically Coverdale described the song as a "reflective piece", inspired by personal tragedies both he and Page had gone though in their lives.[10]
The opening riff of "Pride and Joy" was written by Coverdale, which he then presented to Page while in Barbados. This led to the song's original working title "Barbados Boogie".[5] "Over Now" grew from another Page chord progression, which Coverdale described as sounding "dark" and "malevolent".[5] The song's lyrics were inspired by Coverdale's divorce from Tawny Kitaen.[4] "Feeling Hot" was described by Page as "one of those real fun rock 'n' roll numbers".[5] It was the second song Page and Coverdale wrote together, being partly inspired by 1940s swing music.[10] The lyrics to "Easy Does It" deal with celebrity and its effect on a relationship.[10] The chord progression for "Take a Look at Yourself" was written by Page at Lake Tahoe. The song was later finished in Barabados, when another section written by Coverdale was added and the tempo was changed.[5] "Don't Leave Me This Way" was singled out by Coverdale as a particular favourite from the album.[14] The introductory riff had been written by Coverdale many years earlier, but left unused until he presented it to Page.[10] The lyrics to "Whisper a Prayer for the Dying" deal with the Gulf War.[4]
Four songs remain officially unreleased from the Coverdale–Page sessions, including one titled "Saccharine".[2][15] Some of Coverdale's unused ideas were later reappropriated for the Whitesnake albums Restless Heart ("Woman Trouble Blues" and "Take Me Back Again") and Flesh & Blood ("Gonna Be Alright").[16][17]
Release and promotion[]
Before settling on Coverdale–Page, working titles for the record included Legends and North and South.[18][19] The album was released on 15 March 1993 in Europe by EMI,[19] 16 March in North America by Geffen,[20] and 18 March in Japan by Sony.[21] The album debuted at number four on the UK Albums Chart,[22] and by April, it had been certified silver by the British Phonographic Industry for sales of over 60 000 copies.[23] In the US, it reached number five on the Billboard 200,[24] and was certified gold by the Recording Industry Association of America in June for sales of over half a million copies. The album would eventually go platinum in 1995.[25] Coverdale–Page also cracked the top ten in Finland,[26] Canada,[27] Japan,[28] and Sweden.[29] It was certified platinum in Canada and gold in Japan.[30][21] Overall, the album charted in twelve countries. Five singles were released, all of which charted. The highest-charting singles were "Pride and Joy" and "Shake My Tree", which reached number one and three, respectively, on the Mainstream Rock Tracks Chart.[31][32] Music videos were produced for "Pride and Joy" and "Take Me for a Little While", both directed by Andy Morahan.[33][34] While "Pride and Joy" reportedly did well on MTV (also being featured on an episode of Beavis and Butt-Head[35]), "Take Me for a Little While" received minimal airplay according to Coverdale, as the video was deemed too "gothic" by MTV.[36]
In April 1993, auditions for Coverdale and Page's touring band were held in London.[4] Drummer Denny Carmassi was retained from the recording sessions, while bassist Guy Pratt and keyboardist Brett Tuggle were brought on board as new recruits.[37] A North American and European tour was planned, but eventually cancelled. Due to the popularity of grunge, promoters were reportedly "skeptical of [Coverdale and Page's] pulling power in a poor market for traditional heavy rock". Thus, a "financially viable" tour couldn't be put together.[38][39] This was backed up by Guy Pratt, who stated: "It was originally meant to be an American and European tour, but it was booked as arenas and the ticket sales just weren't there."[40] Conversely, Coverdale stated: "The whole arrangement for the Coverdale–Page project was to go directly to the theatres, to the stage, and nothing, not even a whisper, came from Jimmy's manager when the album was released."[36] Coverdale blamed Page's manager for the lack of touring, claiming he was unenthusiastic about the project and wouldn't commit to live dates.[6][36] Pratt, meanwhile, stated that Page was content with performing in theaters, while Coverdale considered it "downsizing".[40] Japanese dates for December 1993 were still tentatively booked, and according to Coverdale, it wasn't until he brought the matter directly to Page, that he agreed to do the shows.[36] These concerts marked the first time Page had played in the country since Led Zeppelin's 1972 Japanese Tour.[36] Aside from Coverdale–Page material, the seven shows also featured select songs from Whitesnake and Led Zeppelin.[8][41] Despite the lack of any further touring, both Coverdale and Page intended to continue working together.[8] However, according to Coverdale, Page's manager "insisted we call it a day", thus the collaboration came to an abrupt end.[14] While rehearsing for the live dates, Page had been contacted by Robert Plant's managament about performing with him on MTV Unplugged.[42] This eventually came to fruition with the Unledded project in 1994.[6]
Despite the project's short lifespan, both Coverdale and Page have reflected positively on the experience. Assessing the collaboration in retrospect, Page stated: "There was no BS in any respect or in how we executed. I wanted to show that I was still alive and kicking, and in that regard it was a total success."[43] In 2004, Page noted: "David was really good to work with. It was very short-lived, but I enjoyed working with him, believe it or not."[44] Coverdale commented in 2011: "If I got a call from [Page], asking if I'd work with him on a solo album or anything, I'd be there in a heartbeat."[6] In 2019, The New York Times Magazine listed Coverdale–Page among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[45] In 2021, Coverdale revealed plans for a tentative reissue in 2023 to celebrate the album's 30th anniversary. Having procured the rights to the record from his former label, Coverdale told SiriusXM's Eddie Trunk that the reissue will potentially feature remastered and remixed versions of the album, four unreleased tracks, live material, as well as other bonus content. He also stated that he and Page had discussed the possibility of writing and recording together again, though these plans have since been delayed due to the COVID-19 pandemic.[15][46]
Critical reception[]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | ![]() |
Classic Rock | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | D[50] |
Lincoln Journal Star | ![]() ![]() ![]() ![]() ![]() |
Los Angeles Times | ![]() ![]() ![]() ![]() ![]() |
Metal Hammer | 7/7[53] |
The Philadelphia Inquirer | ![]() ![]() ![]() ![]() ![]() |
Rock Hard | 9/10[55] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Contemporary reviews for Coverdale–Page were mixed. Music critic Robert Christgau rated the album a "Dud",[48] which his website describes as a "bad record whose details rarely merit further thought".[57] Entertainment Weekly's David Browne characterised the album as an "incredible, if pointless" Led Zeppelin imitation and ultimately gave it a grade of "D".[50] Conversely, Rolling Stone's J. D. Considine stated: "Coverdale–Page may not be the second coming of Led Zeppelin, but it's close enough that only the most curmudgeonly would deny the band its due." He gave cudos to Page's guitar playing and Coverdale's vocals, which he felt had "never been put to better use than against Page's guitar".[56] Jörg Staude of Metal Hammer also commended Coverdale for what he perceived was an improved performance compared to the previous two Whitesnake albums.[53] Several other outlets, however, were highly critical of Coverdale, whose performance many considered a poor imitation of Led Zeppelin vocalist Robert Plant. Tom Moon, writing for The Philadelphia Inquirer, described Coverdale as a "raspy, bad-boy Robert Plant wannabe", who "lacks a shred individuality".[54] Robert Philpot of the Honolulu Star-Bulletin felt that "sometimes [Coverdale's] screams eerily recall Plant", while other times he ends up sounding hoarse. Philpot described the record as "either a Whitesnake album with a really good guitar player, or a Led Zeppelin album with a really heavy-handed vocalist".[58] L. Kent Wolgamott of the Lincoln Journal Star felt similarly, stating that the record "sounds like a good album from Whitesnake", but "Les Zeppelin it certainly is not".[51] Katharine Truman, writing for the Los Angeles Times, noted that while "not as bombastic as Whitesnake nor as excitingly diverse as Zeppelin, Coverdale–Page is nonetheless a rock-solid effort", awarding the record three stars out of five.[52] Q magazine declared the album "excellent", and that it "screams classic from start to finish",[2] while Rock Hard called it "a successful symbiosis" of Coverdale and Page's past works.[55]
Retrospective reviews have leaned slightly more positive. Music journalist Mick Wall declared the record "one of the best albums of both [Coverdale and Page's] respective careers",[59] while AllMusic's Stephen Thomas Erlewine concluded his review by stating: "Coverdale–Page boils down to a guilty pleasure at its best moments, but never quite rivals the bold experimentation of Led Zeppelin." Nevertheless, he awarded the album four stars out of five.[47] While Classic Rock gave the album three-and-a-half stars out five,[49] Neil Jeffries, in a separate Classic Rock piece, ranked Coverdale–Page thirteenth in Coverdale's overall studio discography, concluding that the singer sounds "unsure whether to impersonate Robert Plant or be himself". He also noted that while the album sold well, "the partnership didn't last and we should probably be grateful for that".[60]
The collaboration between Coverdale and Page also drew some negative comments from Robert Plant. In the past he had reportedly referred to Coverdale as "David Cover-version".[61] When asked about the Coverdale–Page project, Plant stated: "I found it difficult to understand [Page's] choice of bedfellow. I just could not get it."[62] Page called Plant's negative comments "short-sighted", while Coverdale described them as a "stab in the back", having considered Plant a friend in the past.[7] Regarding the negative comparisons to Led Zeppelin and Whitesnake, Coverdale stated: "Comparisons are inevitable. You have David Coverdale and Jimmy Page working together, then there are bound to be similarities to former works, because that's who we are."[63]
Track listing[]
All tracks are written by David Coverdale and Jimmy Page.
No. | Title | Length |
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1. | "Shake My Tree" | 4:54 |
2. | "Waiting on You" | 5:16 |
3. | "Take Me for a Little While" | 6:17 |
4. | "Pride and Joy" | 3:32 |
5. | "Over Now" | 5:24 |
6. | "Feeling Hot" | 4:11 |
7. | "Easy Does It" | 5:53 |
8. | "Take a Look at Yourself" | 5:02 |
9. | "Don't Leave Me This Way" | 7:53 |
10. | "Absolution Blues" | 6:00 |
11. | "Whisper a Prayer for the Dying" | 6:54 |
Personnel[]
Credits are adapted from the album's liner notes.[11][64]
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Charts[]
Album[]
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Singles[]
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Certifications[]
Country | Sales | Certification |
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Canada (CRIA) | 100,000 | Platinum[30] |
Japan (RIAJ) | 100,000 | Gold[21] |
United Kingdom (BPI) | 60,000 | Silver[23] |
United States (RIAA) | 1,000,000 | Platinum[25] |
References[]
Footnotes[]
- ^ Considine, J. D. (14 March 1993). "Coverdale/Page borrows moves from old Led Zep, but lacks unique Led zip". The Baltimore Sun. Retrieved 24 August 2021.
- ^ Jump up to: a b c Leonard, Michael (2 June 2011). "Coverdale/Page: Forgotten Masterpiece?". Gibson. Archived from the original on 15 November 2018. Retrieved 15 November 2018.
- ^ Jump up to: a b Chirazi, Steffan (March 2011). "David Coverdale Q&A". Classic Rock presents: Whitesnake - Forevermore (The Official Album Magazine). London, England: Future plc. pp. 10–24. Retrieved 16 August 2021.
- ^ Jump up to: a b c d Gross, Martin (1993). "Gentlemen's Agreement". Metal Hammer. Vol. 10 no. 6. Berlin, Germany: ZAG Zeitschriften-Verlag. pp. 32–35.
- ^ Jump up to: a b c d e f g h i j k Preston, Neal (director) (1993). "Coverdale/Page Electronic Press Kit" (Press release). Geffen Records. Rainmaker Productions. Retrieved 16 August 2021 – via YouTube.
- ^ Jump up to: a b c d Wilkening, Matthew (16 March 2016). "When David Coverdale and Jimmy Page Made an Album Together". Ultimate Classic Rock. Retrieved 16 August 2021.
- ^ Jump up to: a b c d Coverdale, David; Page, Jimmy (1993). "An Interview with David Coverdale and Jimmy Page". Enemmän tätä (Interview). Interviewed by Heli Nevakare. Yle. Retrieved 16 August 2021 – via YouTube.
- ^ Jump up to: a b c d e Wall, Mick (1993). Coverdale–Page - Japan Tour 1993 (Booklet). England: Coverdale/Page.
- ^ Jump up to: a b Popoff 2015, pp. 200–201.
- ^ Jump up to: a b c d e f Coverdale, David; Page, Jimmy (1993). "Coverdale/Page Electronic Press Kit (unedited interview)". Rainmaker Productions (Interview). Retrieved 16 August 2021 – via YouTube.
- ^ Jump up to: a b c d Coverdale–Page (booklet). Coverdale–Page. Geffen Records. 1993. GEFD-24487.CS1 maint: others in cite AV media (notes) (link)
- ^ Tolinski 2012, p. 242.
- ^ Erel, Eray (16 March 2020). "Led Zeppelin's Jimmy Page Remembers The Rare-Known Album He Released With David Coverdale". MetalCastle. Retrieved 17 August 2021.
- ^ Jump up to: a b Barton, Geoff (24 October 2016). "David Coverdale: How We Made The Coverdale Page Album". Classic Rock. Retrieved 16 August 2021 – via Louder.
- ^ Jump up to: a b "David Coverdale Says Proposed Coverdale Page Reissue Will Likely Include New Music From Him And Jimmy Page". Blabbermouth.net. 24 February 2021. Retrieved 16 August 2021.
- ^ O'Neill, Eamon. "David Coverdale Whitesnake Eonmusic Interview October 2020 Part 1". Eonmusic. Retrieved 9 February 2021.
- ^ "Whitesnake - Flesh & Blood - Track by Track - Gonna Be Alright". Whitesnake TV. 21 March 2019. Retrieved 19 August 2021 – via YouTube.
- ^ "Legend-liaison!". Metal Hammer. Vol. 9 no. 1. Berlin, Germany: ZAG Zeitschriften-Verlag. 1992. p. 7.
- ^ Jump up to: a b "Dave 'n' Jim: Return of the Supergroup!". Kerrang!. No. 428. London, England: United Newspapers. 30 January 1993. p. 5.
- ^ Morris, Chris (6 March 1993). "New Mode Marching In; AD Unplugs; Duo Debuts". Billboard. New York City, United States: Billboard-Hollywood Reporter Media Group. p. 14.
- ^ Jump up to: a b c "ゴールドディスク認定". RIAJ. Retrieved 17 August 2021.
- ^ Jump up to: a b "Official Albums Chart Top 75: 21 March 1993 - 27 March 1993". Official Charts. Retrieved 16 August 2021.
- ^ Jump up to: a b "BPI - Award: Coverdale/Page". British Phonographic Industry. Retrieved 16 August 2021.
- ^ Jump up to: a b "Billboard 200 - The Week of April 3, 1993". Billboard. Retrieved 16 August 2021.
- ^ Jump up to: a b "RIAA - Gold & Platinum: Coverdale Page". Recording Industry Association of America. Retrieved 16 August 2021.
- ^ Jump up to: a b c Pennanen 2006.
- ^ Jump up to: a b "RPM Albums Chart – 3 April 1993". RPM. Archived from the original on 6 October 2012. Retrieved 17 January 2009.
- ^ Jump up to: a b "1993.3.29付 アルバムTOP20". Archived from the original on 4 September 2016. Retrieved 16 August 2021. Cite magazine requires
|magazine=
(help) - ^ Jump up to: a b "Veckolista Album, vecka 14, 1993". Sverigetopplistan (in Swedish). Retrieved 17 August 2021.
- ^ Jump up to: a b "Gold/Platinum - Sear: Coverdale Page". Music Canada. Retrieved 17 August 2021.
- ^ Jump up to: a b "Mainstream Rock Airplay - The Week of March 6, 1993". Billboard. Retrieved 16 August 2021.
- ^ Jump up to: a b "Mainstream Rock Airplay - The Week of May 8, 1993". Billboard. Retrieved 16 August 2021.
- ^ Morahan, Andy (director) (1993). Pride and Joy (Music video). Geffen Records.
- ^ Morahan, Andy (director) (1993). Take Me for a Little While (Music video). Geffen Records.
- ^ "Temporary Insanity". Beavis and Butt-Head. Season 5. Episode 8. 10 December 1994. MTV.
- ^ Jump up to: a b c d e Dunn, David (August 2011). "Going in Through the Out Door with Jimmy Page". Jam Magazine. Retrieved 18 August 2021.
- ^ "Coverdale/Page - Tokyo Yoyogi Plympic Pool (Saturday December 18, 1993)". Kerrang!. No. 476. London, England: United Newspapers. 8 January 1994.
- ^ Joule, Stephen (July 1997). Whitesnake - Restless Heart World Tour (Booklet). London, England: Whitesnake Tours Inc.
- ^ Power 2016, p. 553.
- ^ Jump up to: a b Salewicz 2019, p. 394.
- ^ Power 2016, p. 554.
- ^ Power 2016, p. 556.
- ^ Tolinski 2012, p. 244.
- ^ Murray, Charles Shaar (August 2004). "The Guv'nors". Mojo. No. 129. p. 75.
- ^ Rosen, Jody (25 June 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved 28 June 2019.
- ^ Graff, Gary (1 March 2021). "Unreleased 'Coverdale–Page' Songs May Be Coming for 30th Anniversary". Billboard. Retrieved 16 August 2021.
- ^ Jump up to: a b Erlewine, Stephen Thomas. "Coverdale/Page / David Coverdale / Jimmy Page - Coverdale/Page". AllMusic. Retrieved 13 November 2019.
- ^ Jump up to: a b Christgau, Robert. "Coverdale/Page". Robert Christgau. Retrieved 15 August 2021.
- ^ Jump up to: a b "Coverdale/Page - Coverdale/Page Album Of The Week Club review". Classic Rock. 2 November 2020. Retrieved 9 December 2020 – via Louder.
- ^ Jump up to: a b Browne, David (2 April 1993). "Coverdale/Page". Entertainment Weekly. Retrieved 15 August 2021.
- ^ Jump up to: a b Wolgamott, L. Kent (4 April 1993). "'Coverdale/Page' no Led Zeppelin". Lincoln Journal Star. Lincoln, Nebraska.
- ^ Jump up to: a b Truman, Katharine (14 March 1993). "Coverdale/Page". Los Angeles Times. Retrieved 15 August 2021.
- ^ Jump up to: a b Staude, Jörg (1993). "Coverdale/Page - Coverdale/Page (EMI)". Metal Hammer. Vol. 10 no. 4. Berlin, Germany: ZAG Zeitschriften-Verlag. p. 51.
- ^ Jump up to: a b Moon, Tom (21 March 1993). "Coverdale/Page - Coverdale/Page (Geffen)". The Philadelphia Inquirer. Philadelphia, Pennsylvania. p. 158.
- ^ Jump up to: a b "Coverdale/Page". Rock Hard. Retrieved 15 August 2021.
- ^ Jump up to: a b Considine, J. D. (15 April 1993). "Album Reviews: Coverdale/Page". Rolling Stone. Archived from the original on 7 August 2008. Retrieved 15 August 2021.
- ^ Christgau, Robert. "Grades 1990-". Robert Christgau. Retrieved 18 August 2021.
- ^ Philpot, Robert. "Coverdale plus Page equals Led 'Snake?". Honolulu Star-Bulletin. Honolulu, Hawaii.
- ^ Wall, Mick (March 2011). "Coverdale Page (Geffen)". Classic Rock presents Whitesnake - Forevermore (The Official Album Magazine). London, England: Future plc. p. 123.
- ^ Jeffries, Neil (1 October 2020). "Every David Coverdale album, ranked from worst to best". Classic Rock. Retrieved 16 August 2021 – via Louder.
- ^ Coverdale, David; Page, Jimmy (1993). "An Interview with David Coverdale and Jimmy Page". FAX (Interview). Interviewed by Jana Lynne White. MuchMusic. Retrieved 16 August 2021 – via YouTube.
- ^ Power 2016, p. 552.
- ^ Coverdale, David; Page, Jimmy (1993). "An Interview with David Coverdale and Jimmy Page". The NewMusic (Interview). Interviewed by Jana Lynne White. MuchMusic. Retrieved 16 August 2021 – via YouTube.
- ^ Coverdale–Page (booklet). Coverdale–Page. Sony Music Entertainment Japan. 1993. SRCS 6662.CS1 maint: others in cite AV media (notes) (link)
- ^ "Coverdale–Page – Coverdale–Page". Australian-charts.com. Media Control Charts. Retrieved 17 August 2021.
- ^ "Coverdale–Page – Coverdale–Page". Austriancharts.at (in German). Media Control Charts. Retrieved 17 August 2021.
- ^ "Coverdale–Page – Coverdale–Page". Dutchcharts.nl (in Dutch). Media Control Charts. Retrieved 17 August 2021.
- ^ "Coverdale–Page – Coverdale–Page". Die Offizielle Deutsche Charts (in German). Retrieved 17 August 2021.
- ^ "Topp 40 Album – 1993 – Uke 12". VG-lista (in Norwegian). Retrieved 17 August 2021.
- ^ "Coverdale–Page – Coverdale–Page". Die Offizielle Schweizer Hitparade (in German). Retrieved 17 August 2021.
- ^ "RPM Singles Chart – 10 April 1993". RPM. Archived from the original on 6 October 2012. Retrieved 19 January 2009.
- ^ "RPM Singles Chart – 5 June 1993". RPM. Archived from the original on 6 October 2012. Retrieved 19 January 2009.
- ^ "Official Singles Chart Top 75: 27 June 1993 - 03 July 1993". Official Charts. Retrieved 17 August 2021.
- ^ "Mainstream Rock Airplay - The Week of July 17, 1993". Billboard. Retrieved 16 August 2021.
- ^ "Bubbling Under Hot 100 - The Week of August 7, 1993". Billboard. Retrieved 16 August 2021.
- ^ "RPM Singles Chart – 31 July 1993". RPM. Archived from the original on 6 October 2012. Retrieved 19 January 2009.
- ^ "Mainstream Rock Airplay - The Week of September 11, 1993". Billboard. Retrieved 16 August 2021.
- ^ "Official Singles Chart Top 75: 17 October 1993 - 23 October 1993". Official Charts. Retrieved 17 August 2021.
Book sources[]
- Pennanen, Timo (2006). Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki, Finland: Kustannusosakeyhtiö Otava. ISBN 978-9-5112-1053-5.
- Popoff, Martin (2015). Sail Away: Whitesnake's Fantastic Voyage. Soundcheck Books LLP. ISBN 978-0-9575-7008-5.
- Power, Martin (2016). No Quarter: The Three Lives of Jimmy Page. London, England: Omnibus Press. ISBN 978-1-4683-1214-0.
- Salewicz, Chris (2019). Jimmy Page: The Definitive Biography. HarperCollins. ISBN 978-0-3068-4538-3.
- Tolinski, Brad (2012). Light and Shade: Conversations with Jimmy Page. Crown Publishers. ISBN 978-0-3079-8571-2.
External links[]
- Coverdale • Page at Discogs (list of releases)
- 1993 debut albums
- Albums produced by Jimmy Page
- Albums produced by Mike Fraser
- Coverdale and Page albums
- David Coverdale albums
- Jimmy Page albums
- EMI Records albums
- Geffen Records albums
- Sony Music albums