Deadline at Dawn
Deadline at Dawn | |
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Theatrical release poster | |
Directed by | Harold Clurman |
Screenplay by | Clifford Odets |
Based on | Deadline at Dawn 1944 novel by Cornell Woolrich |
Produced by | Adrian Scott |
Starring | Susan Hayward Paul Lukas Bill Williams |
Cinematography | Nicholas Musuraca |
Edited by | Roland Gross |
Music by | Hanns Eisler C. Bakaleinikoff |
Distributed by | RKO Pictures |
Release date |
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Running time | 83 minutes |
Country | United States |
Language | English |
Deadline at Dawn is a 1946 film noir, the only film directed by stage director Harold Clurman. It was written by Clifford Odets and based on a novel of the same name by Cornell Woolrich (as William Irish). The RKO Pictures film release was the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Odets. The director of photography was RKO regular Nicholas Musuraca. The musical score was by German refugee composer Hanns Eisler.[1]
Plot[]
U.S. Navy sailor Alex Winkley (Bill Williams) wakes up from a night of drinking in New York City and finds he has a wad of cash. His memory is hazy, but he knows he got it from a woman he had visited earlier in the evening, Edna Bartelli (Lola Lane).
With the help of dance-hall girl June Goffe (Susan Hayward), he attempts to return the money, only to find out that the woman is dead. The sailor is not sure if he is the killer or not. Alex and June, along with a philosophical cabbie (Paul Lukas), stay up all night, attempting to solve the murder mystery before the sailor has to catch a bus to the naval base in Norfolk, Virginia, in the morning. Their deadline is at dawn.
During the film, the many false leads and red herrings involve a blind piano player named Sleepy Parsons (Marvin Miller) and a young couple.
Bartelli had been blackmailing men with whom she had had affairs, thus many suspects are possible. The woman's brother Val (Joseph Calleia) adds a touch of menace to the plot. The surprise ending resolves all issues, including the relationship between Alex and June.
Cast[]
- Susan Hayward as June Goffe
- Paul Lukas as Gus Hoffman
- Bill Williams as Alex Winkley
- Joseph Calleia as Val Bartelli
- Osa Massen as Helen Robinson
- Lola Lane as Edna Bartelli
- Jerome Cowan as Lester Brady
- Marvin Miller as Sleepy Parsons
- Roman Bohnen as Frantic Man with Injured Cat
- Steven Geray as Edward Hornick
- Joe Sawyer as Babe Dooley
- Constance Worth as Mrs. Nan Raymond
- Joseph Crehan as Lt. Kane
- Byron Foulger as Night Attendant (uncredited)
- Eugene Pallette as Man In Crowd (uncredited)
- Jason Robards Sr. as Policeman (uncredited)
Production[]
Richard Fleischer says that Sid Rogell, head of RKO's B Picture unit, bullied Harold Clurman during production meetings, saying he would "kick the director right in the balls". He says Clurman accepted it without complaint.[2]
The dialogue contains Odets' trademark New York wisecracks. For example, while dancing at club early in the movie, the Hayward character likens the dance hall to a post office, filled with second-class matter. Edna Bartelli greets her ex-husband by saying, "Aren't you dead yet?"
There are many "slice of life" characterizations of big city people in small roles, such as a tired banana salesman, an angry building superintendent, a refugee with a skin condition who has a crush on June, and a wisecracking sidewalk pitchman.
Odets' Group Theatre colleague Roman Bohnen appears in a bit part, as a grief-stricken man with a dying cat.
Reception[]
Critical response[]
Film critic Dennis Schwartz somewhat liked the film, writing, "Broadway's Harold Clurman takes his only stab at film directing, after the breakup of his Group Theatre, in this odd psychological thriller noted for its flowery dialogue and muddled story line ... It's penned by playwright Clifford Odets from a story by Cornell Woolrich. Though enjoyable by virtue of its distorted mise-en-scène, affection for NYC characters and its misplaced chatter, this is not art but run-of-the-mill film noir. Set in Manhattan, yet Deadline used no location shots but was filmed entirely in the studio's back lots. Cinematographer Nick Musuraca does a fine job creating an atmospheric scene of NYC's downtrodden and unhappy souls roaming the dark streets."[3]
DVD release[]
Warner Bros. released the film on DVD on July 13, 2010, in its Film Noir Classic Collection, Vol. 5.[4]
References[]
- ^ Deadline at Dawn at IMDb.
- ^ Fleischer, Richard (1993). Just Tell Me When to Cry. Carrol and Graf. p. 18.
- ^ Schwartz, Dennis Archived 2013-12-24 at the Wayback Machine. Ozus' World Movie Reviews, film review, November 11, 2004. Accessed: July 11, 2013.
- ^ Abrams, Simon. "Film Noir Classic Collection: Volume 5." SlantMagazine.com. July 20, 2010. Accessed 2011-11-19.
External links[]
- 1946 films
- English-language films
- 1940s mystery thriller films
- 1940s psychological thriller films
- American mystery thriller films
- American films
- American black-and-white films
- Film noir
- Films based on American novels
- Films set in New York City
- RKO Pictures films
- Films based on works by Cornell Woolrich
- 1946 directorial debut films