Demetrios Stavrakis

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Demetrios Stavrakis
The Profit Jonas.png
The Prophet Jonah
Born1735-1740
Zakynthos, Greece
Died1801 (1802)
Zakynthos, Greece
NationalityGreek
Known forIconography and hagiography
MovementHeptanese School
Greek Rococo
Neoclassicism

Demetrios Stavrakis (Greek: Δημήτριος Σταυράκης, 1735/40 – 1801), also known as the so-called Romanos (Greek: ο λεγόμενος Ρωμανός) was a Greek painter of the Heptanese School. His uncles were famous painters Andreas Stavrakis and Stylianos Stavrakis, active on the island of Zakynthos. Demetrios influenced both Greek and Italian artists. According to the Institute of Neohellenic Research, fifteen of his works survived. His most notable work was the Prophet Jonah.[1][2][3][4]

History[]

He was born on the island of Zakynthos. He was a member of an elite family of painters. His uncles were Andreas Stavrakis and Stylianos Stavrakis. His uncle Andreas died in 1785. They were his teachers. Demetrios’s nickname was Romanos. His work was the traditional Greek mannerism prevalent on the Ionian Islands. His earliest known work was dated around 1755. According to records from the demolished church of Faneromeni, he painted the Holy Table inside of the alter on August 28, 1785. Demetrios was paid forty kurush.[2]

His painting of Jonah and the Whale was uncommon to the prevalent style. The spatial orientation and the use of blue were unique attributes. The nude figure in the painting expressed humanistic realism. The whale releases the profit on the shore. The whale and the naked figure can also have their roots in Ancient Greek mythology the figure has a Poseidon-like character. Another painting that brilliantly used the shade of blue was the Miracle of Saint Spyridon. His signature was χειρ Δημητρίου Σταυράκη.[2]

References[]

  1. ^ Eugenia Drakopoulou (October 14, 2021). "Stavrakis (the so-called Romanos) Dimitrios". Institute for Neohellenic Research. Retrieved October 14, 2021.
  2. ^ a b c Hatzidakis, Manolis; Drakopoulou, Evgenia (1997). Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος [Greek Painters after the Fall of Constantinople (1450-1830). Volume 2: Kavallaros - Psathopoulos]. Athens: Center for Modern Greek Studies, National Research Foundation. pp. 375–376. ISBN 960-7916-00-X.
  3. ^ Stavrou, Theofanis G. (1998). Modern Greek Studies Yearbook Volumes 11-12. Minnesota, MI: University of Minnesota Modern Greek Studies Program. p. 99.
  4. ^ Georgopoulou Verra, Myrto (1999). Holy Passion, Sacred Images, The Interaction of Byzantine and Western Art in Icon Painting. Athens: S.U.N.Y. The University of Binghamton. p. 33-34. ISBN 9789602142578.
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