Diamonds in the Coal

This article reads like a review rather than an encyclopedic description of the subject. Please help to make it neutral in tone and meet Wikipedia's quality standards. (November 2010)

Diamonds in the Coal
Studio album by The Badlees
Released	January 14, 1992
Recorded	Waterfront Recording Hoboken, NJ Susquehanna Sound Northumberland, PA
Length	47:20
Label	Rite-Off Records
Producer	Bret Alexander and The Badlees
The Badlees chronology
It Ain't for You (1990) Diamonds in the Coal (1992) The Unfortunate Result of Spare Time (1993)

Diamonds in the Coal is The Badlees first full-length album, recorded in late 1991 and released in January 1992. It is the first to feature Paul Smith on bass. The album is an entertaining and thoughtful album that split the difference between accessible pop songs and deeper message-oriented folk and roots rock.

Background[]

With the addition of Smith on bass, the Badlees quintet that would drive through their most productive years was now intact. The Badlees were now ready to start work on their first full-length album. Dedicated to performing original music, it was now time to expand their library and this would be accomplished in 1991 through the prolific songwriting of Bret Alexander, Mike Naydock, and to a smaller extent, Jeff Feltenberger.

The result is Diamonds in the Coal which, thematically, is nearly sliced in half by the light intermission of "Badlee Rap", performed by rapper Loose Bruce, while doing a session at Waterfront Studios in Hoboken, New Jersey. Songs previous to this on the album are mainly pop-oriented with strong hooks such as on the opener "Like a Rembrandt", which The Album Network picked up for its latest compilation. There’s also the crisp rocker "Just One Moment", the mellow ballad "The Real Thing", and the most infectious tune on the album, "Back Where We Came From" (commonly referred to as "The Na Na Song"). This latter song was the band's first single from the album and was added to the regular rotation of several Pennsylvania rock-formatted radio stations. It features a comical monologue in the bridge section by Mike Naydock, his only appearance on a Badlees record as a performer; the monologue is actually a quote from the Minutemen song "#1 Hit Song" from Double Nickels on the Dime.

The second "half" of the album contains songs that, while still very pop-sensible and accessible, explored deeper subject matter and richer musical structure. The upbeat "Dirty Neon Times" includes some fantastic vocal harmonies by Jeff Feltenberger, while "Spending My Inheritance" is a well composed "people’s anthem" that includes harmonica by Bret Alexander and some fiddle-playing by guest performer David Rose. Perhaps the most unusual song on the album is the smooth, atmospheric "Sister Shirley", which includes a picturesque lyrical narrative by Naydock and some sweet, jazzy lead guitar by Alexander.

But the true masterpiece of Diamonds in the Coal is the closing song of the same name, which brings the listener into the dark, forgotten patch towns of Pennsylvania's Anthracite Region. The imagery in this song's lyric is so vivid that you can almost feel the coal dust flying, while the music sets the perfect scene with a methodic, marching rhythm by Ron Simasek on the bottom end and some authentic, ethnic instrumentation up above.

"There are few things easier than to live badly and die well"

This quote by Oscar Wilde was placed inner sleeve of Diamonds in the Coal, obviously because of the play on the band's name, but this was not the only quote on the album. Each song on the lyrics page contained its own special quote from philosophers and artists ranging from Aristotle to Andy Warhol. These extra features show the T-L-C and attention to detail the Badlees put into the creation of the "album" – their very first. Simasek also located the pictures that were used for the cover and within the packaging, authentic early 20th century miner photos, from the Tamaqua (PA) Historical Society. These images would also be used in band promotions around the time of the album's release in January 1992.

Track listing[]

Personnel[]

The Badlees

• Pete Palladino – Lead vocals
• Bret Alexander – Electric guitar, harmonica, mandolin, vocals
• Jeff Feltenberger – Acoustic guitar, vocals
• Paul Smith – Bass, keyboards, vocals
• Ron Simasek – Drums, percussion

Additional musicians

• Doug Kennedy - Guitar solo on "The Next Big Thing"
• David Rose - Violin on "Spending My Inheritance" and "Diamonds in the Coal"
• Loose Bruce - Vocals on "Badlee Rap"
• Mike Naydock - Monolog on "Back Where We Come From"

Production

• Bret Alexander – Producer, engineer
• Anthony & JoAnn Palladino - Executive producer
• Doug Conroy, Greg DiGesu, and Jeff Mauriello - Engineers at Waterfront Recording
• Paul Smith & Scott Berger - Engineers at Susquehanna Sound
• Donna Glass - Layout and design
• Terry Selders - Management
• Mark Mattocks, Al Skiles, and J.D. Dumas - Live Sound

References[]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations. (November 2010) (Learn how and when to remove this template message)

• Modern Rock Review Badlees Profile, October 10, 2010
• The Badlees Archives by Alan K. Stout
• "Diamonds in the Coal", Pennsylvania Musician Vol.XI #1 (p. 11), January 1992
• "PA Releases Reviews" by Bryan G. Woleslagle, Pennsylvania Musician Vol.XI #3 (p. 20), March 1992
• "Badlees are Branching Out" by David Donati, Wilkes-Barre Times Leader (p. 8B), May 5, 1992