Dorothea Maetzel-Johannsen
Dorothea Maetzel-Johannsen | |
---|---|
Born | Dorothea Johannsen February 6, 1886 Lensahn, Germany |
Died | February 8, 1930 Hamburg, Germany | (aged 44)
Nationality | German |
Known for | Painting |
Movement | New Objectivity |
Spouse(s) | Emil Maetzel (m. 1910) |
Dorothea Maetzel-Johannsen (6 February 1886 – 8 February 1930) was a German avant-garde painter.
Biography[]
Dorothea Johannsen was born in Lensahn. She went to Hamburg trade school for girls. She was a teacher in Schleswig until 1910 when she married the Hamburg architect and painter de:Emil Maetzel. As a married woman, she was no longer allowed to work as a teacher in the Wilhelminian Empire and had to give up the job.
She gave birth to four children: Ruth 1911, Bogumil 1913, Peter 1915, and Monika 1917.[1]
Maetzel-Johannsen died in Hamburg on February 8, 1930 at the age of 44 years after an operation for heart weakness. A gravestone for Dorothea Maetzel-Johannsen and her husband is located in the Ohlsdorf cemetery, Planquadrat S 12 (near Chapel 1).
Career[]
Between 1911 and 1918 Maetzel-Johannsen traveled repeatedly to Berlin. During the First World War she took classes from Lovis Corinth. After the war, together with her husband, Maetzel-Johannsen was one of the co-founders of the Hamburg Secession.
In 1921, Maetzel-Johannsen moved into her own studio in Hamburg. Here works were made, in which she emphasized the surface effect of the paintings more strongly. At the same time she was concerned with the New Objectivity, which began to spread throughout Germany in the mid-1920s.
In 1923 she commissioned the painting for wall paintings in the Kunsthalle Hamburg. In 1925 she stayed in Paris and Chartres for six months. In France, she took a variety of new ideas for her work back to Germany, which should be used in the last five years of her work.
In 1930, Maetzel-Johannsen worked on a commissioned design for a ceiling painting in the Hamburg Planetarium, but she died before the design could be executed.
Exhibitions[]
- 1926 Joint exhibition with the sculptor Friedrich Wield, Hamburger Kunsthalle
- 1958 "Emil Maetzel - Dorothea Maetzel-Johannsen", Kunstverein Hamburg
- 2016 Community exhibition. Empathy and abstraction. The Modernity of Women in Germany; Bielefeld Arts Hall
Gallery[]
Sitzender weiblicher Akt, 1913
Drei Mädchen am Wasser, 1918
Zwei Weibliche Akte, 1919
Das kranke Mädchen, 1919
Knabe mit rotem Ball, 1919
Schwertlilien und Kultgefäß, 1919
Annemarie, 1920
Zwei Mädchen mit Tulpe, 1921
Dachfenster, 1922
Maetzeljohannsen, 1922
Näherin, 1923
Vier Studien für Wandbilder, 1923
Interieur mit weiblichen Akten, 1925
Paris, Pont Neuf, 1925
Sommerstrauß, 1927
Visby – Gelbe Bäume, 1929
See also[]
References[]
Wikimedia Commons has media related to Dorothea Maetzel-Johannsen. |
- ^ "Dorothea Maetzel-Johannsen". Kuenstlerhaus Maetzel. Retrieved 21 September 2015.
- http://www.blouinartinfo.com/artists/dorothea-maetzel-johannsen-114621
- Some content is translated from the existing German Wikipedia article at de:Dorothea Maetzel-Johannsen; see its history for attribution.
- 1886 births
- 1930 deaths
- 19th-century German women artists
- 20th-century German women artists
- 20th-century German painters
- 19th-century German painters
- German women painters
- German painter stubs