Double Jeopardy (1999 film)
Double Jeopardy | |
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![]() Theatrical release poster | |
Directed by | Bruce Beresford |
Written by | David Weisberg Douglas Cook |
Produced by | Leonard Goldberg |
Starring | |
Cinematography | Peter James |
Edited by | Mark Warner |
Music by | Normand Corbeil |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 105 minutes |
Country | United States[1] |
Language | English |
Budget | $70 million[2] |
Box office | $177.8 million[3] |
Double Jeopardy is a 1999 American crime thriller film directed by Bruce Beresford and starring Ashley Judd, Tommy Lee Jones, Bruce Greenwood, and Gillian Barber. The film is about a woman wrongfully imprisoned for murder who, while eluding her parole officer, tracks down her husband who had framed her. Released on September 24, the film received mixed reviews from critics and grossed $177 million.
Plot[]
Nick and Libby Parsons are wealthy residents of Whidbey Island, Washington. Libby's friend Angela Green offers to look after their four-year-old son Matty so they can spend a romantic weekend sailing. Libby awakens to find blood everywhere and her husband missing. The Coast Guard arrive and find Libby holding a bloody knife.
Although Nick's body is not found, Libby is arrested, tried, and convicted of murder. Her motive is assumed to be a $2 million life insurance policy and her alleged knowledge that Nick was under investigation for embezzlement. Not wanting Matty to become a ward of the state, she asks Angela to adopt him while she is in prison. At first, Angela regularly brings Matty to visit his mother, but when the visits cease, Libby tracks Angela to San Francisco and calls her. During their conversation, Nick enters and Matty yells, "Daddy!" Libby realizes that Nick faked his death and framed her. After failing to get investigative help, a fellow inmate and former lawyer tells Libby to get paroled for good behavior by falsely claiming remorse for "killing" Nick. Once free, Libby can kill Nick with impunity due to the Double Jeopardy Clause in the Fifth Amendment to the United States Constitution.
After six years in prison, Libby is paroled to a halfway house under the supervision of parole officer Travis Lehman, a former law professor whose wife and daughter left him due to his alcoholism. To search for Nick, Libby violates curfew and is caught breaking into Matty's old school on Whidbey Island to get Angela's records. As Lehman takes Libby back to prison via a car ferry, he handcuffs her to his car's door handle. Libby manages to start the car and rams another car into the water, but when Lehman tries to stop her, she drives his car off the ferry. As it sinks, he uncuffs her; she grabs his gun and swims away. She visits her mother who gives her cash and her truck.
Libby uses Angela's Social Security number to learn her address in Colorado. There she hears from Angela's former neighbor that Angela, under a different name, died three years earlier in a natural gas explosion. A picture in the paper reveals a painting by Wassily Kandinsky owned by Nick, which Libby is able to trace to New Orleans through an art gallery. At the gallery, Lehman almost catches her, but she rams his car and destroys it before driving away. She flies to New Orleans and finds Nick running a small luxury hotel under the alias Jonathan Devereaux.
Libby confronts Nick during a fund-raising auction at his hotel and demands he return Matty in exchange for her walking away. Nick claims that he faked his death to avoid prison and provide her and Matty with the insurance money, not believing she would be convicted, and that Angie's death was an accident. Libby scoffs at his lies. During their conversation she sees Lehman arrive at the hotel and walks out. Lehman tells "Jonathan" that Libby believes he is her dead ex-husband and informs the local police that she is in the area.
The next day Libby arranges to meet Nick at Lafayette Cemetery No. 3 (filmed at Lafayette Cemetery No. 1) to take Matty. Nick hires a boy to lure Libby to a mausoleum, where Nick knocks Libby out and locks her in a coffin with a corpse. She shoots the hinges off the coffin lid with Lehman's gun, pushes it off, and escapes. Meanwhile, Lehman is in the office of "Jonathan" and notices the Kandinsky artwork that Libby was searching for in the gallery. Now unsure of Libby's guilt, he tells his boss in Washington State to fax him the driver's license for "Nicholas Parsons".
Lehman intercepts Libby and she breaks down sobbing. He then goes to Nick's hotel, where he reveals to Nick that he knows his true identity. After Lehman agrees to take a bribe of $1 million, Nick admits to "murdering" Libby. Libby emerges with Lehman's gun and both she and Lehman tell Nick that she can kill him with impunity because of the double jeopardy rule. However, instead of shooting Nick, she puts a bullet through the Kandinsky. Nick tells her where Matty is, Lehman reveals that he has recorded Nick's confession, and Nick pulls a gun, shooting Lehman in the shoulder. In an ensuing struggle, Nick is about to shoot Lehman again, but Libby recovers her gun and shoots and kills Nick. Lehman insists they go back to Washington to win her pardon. They later find Matty at a boarding school in Georgia, where he immediately recognizes his mother.
Cast[]
- Ashley Judd as Elizabeth "Libby" Parsons
- Tommy Lee Jones as Travis Lehman
- Bruce Greenwood as Nicholas "Nick" Parsons/Simon Ryder/Jonathan Devereaux
- Annabeth Gish as Angie Green/Angie Ryder
- Roma Maffia as Margaret Skolowski
- Jay Brazeau as Bobby Long
- Michael Gaston as Cutter
- Daniel Lapaine as Handsome Internet Expert
- Dave Hager as Jim Mangold
- Benjamin Weir as Matty Parsons – age 4
- Spencer Treat Clark as Matty Parsons – age 11
- Davenia McFadden as Evelyn Lake
- Betsy Brantley as Prosecutor
- Babz Chula as Ruby
Production notes[]
After Michelle Pfeiffer, Meg Ryan and Brooke Shields all declined the role, Jodie Foster was attached to star in the film as Libby Parsons and Bruce Beresford met with her several times about the script:
She said to me once, when we were having . . .not an argument, we had different points of view over something, and she said, 'We'll have to do it my way, I'm afraid.' And I said, 'Why, Jodie?' And she said, 'Because I'm so intelligent. I'm such an intelligent person that there is no point in disagreeing with me because I'm always right.' I thought she was joking, but she wasn't! [laughs] She had this extraordinary opinion of her own IQ.[4]
Reception[]
On Rotten Tomatoes the film holds an approval rating of 27% based on 86 reviews and an average rating of 4.44/10. The site's critics consensus reads: "A talented cast fails to save this unremarkable thriller."[5] On Metacritic, it has a weighted average score of 40 out of 100 based on 30 critics, indicating "mixed or average reviews".[6] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[7]
Roger Ebert gave the film two and a half stars out of four, and said "This movie was made primarily in the hopes that it would gross millions and millions of dollars, which probably explains most of the things that are wrong with it."[8] Leonard Maltin gave the film 3 out of 4 stars, calling it "slick entertainment".[9] Mick LaSalle from the San Francisco Chronicle wrote that the film is a "well-acted diversion, directed by Bruce Beresford (Driving Miss Daisy) with an intelligent grasp of the moment-to-moment emotion".[10] For her performance in the film Ashley Judd won Favorite Actress at the 6th Blockbuster Entertainment Awards.[11]
Accolades[]
Award | Category | Subject | Result |
---|---|---|---|
MTV Movie Award | Best Female Performance | Ashley Judd | Nominated |
Blockbuster Entertainment Awards | Favorite Actress – Suspense | Won | |
Favorite Actor – Suspense | Tommy Lee Jones | Nominated | |
Favorite Supporting Actor – Suspense | Bruce Greenwood | Nominated |
Box office[]
The film spent three weeks as the No. 1 film. It grossed $116 million in the US and $61 million overseas.[3]
Misinterpretation of the concept of double jeopardy[]
The film incorrectly implies that the Double Jeopardy Clause of the Fifth Amendment gives someone a free pass to commit a subsequent crime if they are wrongfully convicted. As the newspaper column The Straight Dope pointed out: "a crime, for double jeopardy purposes, consists of a specific set of facts. Change the facts and you've got a new crime [...] no one would believe that a person convicted of beating Richard Roe to a pulp on December 8th could avoid another conviction for tracking down poor Rich in February and whaling on him again."[12]
References[]
- ^ "Double Jeopardy (EN)". Lumiere. Retrieved 27 June 2017.
- ^ "Double Jeopardy (1999) - Financial Information".
- ^ a b Double Jeopardy. Box Office Mojo.
- ^ Andrew L. Urban, BERESFORD, BRUCE : DOUBLE JEOPARDY, Urban Cinesfile accessed 11 November 2012
- ^ Double Jeopardy. Rotten Tomatoes.
- ^ "Double Jeopardy Reviews". Metacritic. Retrieved November 12, 2020.
- ^ "CinemaScore". cinemascore.com.
- ^ Ebert, Roger. Double Jeopardy. Sep. 24. 1999.
- ^ Leonard Maltin; Luke Sader; Mike Clark (2008). Leonard Maltin's 2009 Movie Guide. Penguin Group. p. 374. ISBN 978-0-452-28978-9.
- ^ LaSalle, Mick. Criminally Good. San Francisco Chronicle. September 24, 1999
- ^ "Blockbuster Entertainment Award winners". Variety. May 9, 2000. Retrieved May 20, 2013.
- ^ "What happens if you confess to a crime after being found not guilty?". The Straight Dope. 6 March 2007. Archived from the original on 2008-04-30. Retrieved 23 August 2021.
External links[]
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- 1999 films
- English-language films
- 1990s adventure films
- 1990s chase films
- 1999 crime thriller films
- 1990s legal films
- 1990s English-language films
- American films
- American films about revenge
- American adventure thriller films
- American chase films
- American crime thriller films
- American legal films
- Fictional portrayals of the New Orleans Police Department
- Films about dysfunctional families
- Films about miscarriage of justice
- Films directed by Bruce Beresford
- Films scored by Normand Corbeil
- Films set in San Francisco
- Films set in the San Francisco Bay Area
- Films set in Washington (state)
- Films shot in New Orleans
- Films shot in Vancouver
- Films shot in Washington (state)
- Films with screenplays by Douglas S. Cook
- Films with screenplays by David Weisberg
- Legal thriller films
- Paramount Pictures films
- Women in prison films