Dylan Miner

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Dylan A. T. Miner

Ph.D.
Born1976
Michigan
NationalityAmerican
Alma materUniversity of New Mexico (Ph.D.)
Websitedylanminer.com

Dylan Miner is an American artist and assistant professor at Michigan State University.

Art[]

As an artist, Miner has exhibited widely, including the Institute of American Indian Arts, the United Nations Permanent Forum on Indigenous Issues, National Museum of Mexican Art, Native American Rights Fund, La Galería de la Raza, Nokomis Center and countless alternative and university galleries, community centers, union halls, and anarchist bookstores. His working-class comics are included in Studs Terkel’s Working: A Graphic Adaptation (New Press, 2009) and Wobblies: A Graphic History of the Industrial Workers of the World.[1] In 2005, as part of the centennial celebrations of the founding of the IWW, Miner’s two-person exhibition with Carlos Cortéz Koyokuikatl traveled throughout North America and the world. In 2010, he was awarded an Artist Leadership fellowship from the National Museum of the American Indian. From this award, he created the exhibition Anishinaabensag Biimskowebshkigewag (Native Kids Ride Bikes). In 2010 and 2011, Miner had nine solo exhibitions, Urban Shaman Gallery, in Winnipeg, Manitoba and various university galleries. In 2015 he exhibited at the Martha Street Studio,[2][3] in Winnipeg. In 2016 he did a residency in Regina, Saskatchewan in collaboration with the MacKenzie Art Gallery, and the Dunlop Art Gallery.[4]

Miner is a member of Justseeds Radical Artist Collective. He co-founded the Campesina/o Collective.

Controversies[]

Dr. Chris Andersen (Métis), professor and director of the Rupertsland Centre for Métis Research at the University of Alberta,[5] critiques Miner's use of Metis identity and iconography in his book "Métis": Race, Recognition, and the Struggle for Indigenous Peoplehood. Dr. Andersen criticized Miner's racialization of Métis identity to support arguments for a Metis presence in locales with little Red River–based iconography.[6]

Miner is a member of the Woodland Métis Tribe of Ontario, which is not affiliated with the Métis National Council or the Métis Nation of Ontario, as known as the Ontario Métis Aboriginal Association (OMAA). In 2005, Tony Belcourt (Métis) stated that he does not know who OMAA members are but they are not Métis.[7][8]

Selected articles[]

Notes[]

  1. ^ Buhle and Schulman, 6, 106, 212
  2. ^ "Archived copy". Archived from the original on 2018-11-08. Retrieved 2018-11-08.{{cite web}}: CS1 maint: archived copy as title (link)
  3. ^ http://michaeldirisio.ca/pdf/DiRisio_Breach.pdf
  4. ^ http://mackenzieartgallery.ca/engage/exhibitions/dylan-miner-residency-project-in-collaboration-with-dunlop-art-gallery
  5. ^ "Chris Andersen". UBC Press. Retrieved 4 February 2022.
  6. ^ Andersen, Chris (May 21, 2014). "Métis": Race, Recognition, and the Struggle for Indigenous Peoplehood. UBC Press. p. 56. ISBN 978-0774827218.
  7. ^ "Red (Pedal) Power: Natives, Bikes, and Anti-Colonial Art". Retrieved 6 February 2020. Miner is an artist, historian and critic from Michigan as well as being a member of the Woodland Métis Tribe of Ontario who currently finds himself in Albuquerque teaching at the University of New Mexico.
  8. ^ Young, George (2005). "OMAA names MNO in legal action against governments". Ontario Birchbark. 4 (5): 5. Retrieved 6 February 2020.

References[]

  • Buhle, Paul and Nicole Schulman. Wobblies!: A Graphic History of the Industrial Workers of the World. Verso, 2005. ISBN 978-1-84467-525-8.
  • McPhee, Josh and Erik Reuland. Realizing the Impossible: Art Against Authority. Oakland: AK Press, 2007. ISBN 978-1-904859-32-1.

External links[]

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