Eberhard W. Kornfeld

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Eberhard W. Kornfeld (born 23 September 1923 in Basel) is a Swiss auctioneer, gallerist, author, art dealer and collector in Bern.

Early life[]

Eberhard W. Kornfeld was born in Basel 1923.[1] After a commercial apprenticeship with a local architect he started to work in January 1945 for August Klipstein in Bern who headed the auction house Gutekunst und Klipstein dating back to 1864.

Art career[]

The sudden death of in 1951 was a chance for the young Kornfeld to take over the lead of the house. The name changed from Klipstein und Kornfeld, to Kornfeld und Klipstein and finally to Galerie Kornfeld.[2]

Distinctions[]

Controversies[]

Kornfeld has been involved in numerous controversies. In 1993 a lawsuit opposed him and David P. Tunick, a Manhattan dealer concerning the authenticity of a signature.[4] [5] In 2017, it was discovered that the son of Hitler's art dealer Hildebrand Gurlitt had been selling artworks from his secret stash in Munich through Kornfeld in Switzerland.[6] [7][8] Kornfeld denied selling Nazi looted art.[9] In 2019 a judge ordered that two Schiele's that Kornfeld had sold be restituted to the heirs of a Holocaust victim Fritz Grünbaum because they had been looted by Nazis.[10]

Literature[]

  • Christine Ekelhart, Klaus Albrecht Schröder: Wege der Moderne: Aus der Sammlung Eberhard W. Kornfeld. Brandstätter, Vienna/Munich 2008, ISBN 978-3-85033-264-4.
  • Eberhard W. Kornfeld: Ernst Ludwig Kirchner: Nachzeichnung seines Lebens. Katalog der Sammlung Kirchner-Haus Davos. Kornfeld Verlag, Bern 1979, ISBN 3-8577-3010-2.
  • Eberhard W. Kornfeld: Paul Klee: Verzeichnis des graphischen Werkes. Kornfeld Verlag, Bern 2005, ISBN 978-3-85773-046-7.

Exhibitions[]

  • 2009: Wege der Moderne: Aus der Sammlung Eberhard W. Kornfeld, Albertina, Vienna

References[]

  1. ^ Oberli, Matthias (2017-04-04). "Kornfeld, Eberhard W. in: Historical Dictionary of Switzerland (in German)". hls-dhs-dss.ch/index.php.
  2. ^ Fehlmann, Marc (2003). Hommage an "E.W.K.". Bern: Kunstmuseum Bern. p. 9. ISBN 3-906628-37-X.
  3. ^ Eberhard W. Kornfeld ist Berner Ehrenbürger, 8. September 2011, Basler Zeitung
  4. ^ Vogel, Carol (1993-02-12). "The Art Market". The New York Times. ISSN 0362-4331. Archived from the original on 2015-05-26. Retrieved 2021-04-10. Sixteen months after his purchase, and eight months after the Art Show, Mr. Tunick said experts who had seen the signature questioned its authenticity. Mr. Kornfeld, a Picasso expert himself, insists the work is genuine. He offered to exchange it for a copy of the same print in his private collection that had once belonged to Nelson Rockefeller and had for years been on loan to the Museum of Modern Art in New York. Mr. Tunick refused to make the swap.
  5. ^ "David Tunick, Inc. v. Kornfeld, 813 F. Supp. 988 (S.D.N.Y. 1993)". Justia Law. Retrieved 2021-04-10.
  6. ^ "Gurlitt's Swiss dealer breaks silence on his client". Expat Guide to Switzerland | Expatica. 2017-10-12. Archived from the original on 2017-10-12. Retrieved 2021-04-10. The art dealer and auctioneer, Eberhard Kornfeld, has spoken to the media for the first time about the reclusive Cornelius Gurlitt, revealing details about his trips to Switzerland to sell artworks, many stolen by the Nazis that he had inherited from his father. The 94-year-old Kornfeld said his client made regular trips to Zurich from his home in Munich to withdraw the proceeds of his art sales in cash from his account in order to pay his living costs. In his first interview about the reclusive Gurlitt – who died in 2014, a year after his secret trove of art first seized headlines - Kornfeld told Swiss Public Television, SRF, that he paid Gurlitt in cash or by cheque for the artworks he sold. Gurlitt, who had never had a job, needed the money to live on and to pay for medical treatment.
  7. ^ Hickley, Catherine. "Gurlitt's Swiss dealer breaks silence on his client". SWI swissinfo.ch. Archived from the original on 2017-10-12. Retrieved 2021-04-10.
  8. ^ "A Strange Bequest;The inside story of how a major World War II-era German collection ended up in an obscure Swiss museum". www.lootedart.com. Art and Antiques. Retrieved 2021-04-10. As Cornelius grew older, he became increasingly withdrawn, spending much of his time closeted with his collection in his Munich and Salzburg homes. To supplement what little income he had, he traveled to Switzerland to sell drawings that he could easily hide in his train baggage. One of his buyers was Eberhard Kornfeld, owner of Galerie Kornfeld in Bern, the most prominent auction house in Switzerland. Kornfeld admitted purchasing four German Expressionist drawings from Gurlitt in 1990, works that the auctioneer said were seized by the Nazis as “degenerate art” from German museums and thus not subject to restitution. Besides his towering stature as a dealer, “Ebi” Kornfeld has exercised great influence at the Kunstmuseum Bern as adviser on exhibitions, fund-raiser and lobbyist. This has led to speculation that he served as an intermediary for Gurlitt in arranging the transfer of the collection to the Bern museum. Asked whether he in fact played such a role, Kornfeld replied, cryptically, “I might have had something to do with it, yes.”
  9. ^ Artdaily. "Galerie Kornfeld denies 'Nazi-looted' art claims insisting it only bought legitimate works". artdaily.cc. Retrieved 2021-04-10.
  10. ^ "New York's Appellate Division Upholds Return of Artworks to Heirs of Fritz Grünbaum". National Law Review. Archived from the original on 2020-06-24. Retrieved 2021-04-10. Shortly after the inventory, Grünbaum’s entire art collection was deposited with a Nazi-controlled shipping company. Documentation as to its fate is sparse until in 1956, when several pieces from the collection, including the Artworks at issue, were put up for sale by Galerie Kornfeld, an art gallery in Switzerland.


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