Ed Bereal

From Wikipedia, the free encyclopedia

Ed Bereal (born 1937) is an American artist best known for his work in assemblage and for his participation in exhibitions and performances that addressed political issues and racial stereotypes from the 1960s onward. In 1961, his work was included in the controversial exhibition War Babies at the Huysman Gallery in Los Angeles, along with work by Larry Bell, Joe Goode, and Ron Miyashiro.[1][2]

Bereal was a founding member of the 1960s radical street theater group . In 2012, the group was featured in the Getty Center's Performance and Public Art Festival as part of "Pacific Standard Time: Art in L.A., 1945-1980".[1] This event was part of a series entitled "Talks about Acts," organized by Malik and Alexandro Segade.[3]

Education[]

Recent exhibitions[]

  • 2004 Elizabeth Leach Gallery, Portland OR
  • 2006 Centre Georges Pompidou, Paris
  • 2006 Roberts & Tilton, New York
  • 2009 Moderna Museet, Stockholm[4]
  • 2016 Harmony Murphy Gallery, LA
  • 2019 The Whatcom Museum, Bellingham WA

Notes[]

  1. ^ Jump up to: a b "The Bodacious Buggerilla: A Reprise Performance and Conversation". Pacific Standard Time Festival 2012. Getty Center and LAXART. Archived from the original on 2015-06-12. Retrieved 25 October 2014.
  2. ^ Jones, Kellie; and contributors (2011). Now dig this! : art & Black Los Angeles, 1960-1980 (1st ed.). Los Angeles: Hammer Museum. p. 329. ISBN 978-3-7913-5136-0.
  3. ^ "The Bodacious Buggerrilla: A Reprise Performance and Conversation". The Getty Institute. The Getty Research. 2012-01-18.
  4. ^ Jump up to: a b "Ed Bereal". Time & Place Los Angeles Biographies. Moderna Museet. Retrieved 25 October 2014.


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