Edmund Lilly (painter)

From Wikipedia, the free encyclopedia

Edmund Lilly (also spelled Edmund Lilley[1] or Edmond Lilly;[2] fl. from c. 1695, died 1716) was an English painter, most notable for his portraits.

Originating from Norfolk, Lilly was known to have painted some history pieces and still lifes; no surviving works of such subjects are known, however. As a portraitist, he is known for being extensively patronized by Queen Anne, both before and after her accession in 1702. Anne, who apparently preferred Lilly's style to these of his more notable contemporaries Godfrey Kneller and Michael Dahl, commissioned full-length state portraits of herself and her family from him, reproduced for leading members of the nobility; the c. 1698 portrait in the Windsor Castle of the Queen's short-lived son, the Duke of Gloucester, is a signed example of these. The Queen sat for Lilly at least twice after her accession, with the full-length portrait in the Blenheim Palace, published as a mezzotint made by John Simon, being particularly notable;[3] whereas the 19th-century author Samuel Redgrave denoted it as an "indifferent work, weak in drawing and expression, cold and grey in colour,"[4] the Dictionary of Art co-author Richard Jeffree defined it as the "most grandiose" of Anne's state portraits, showing the influence of John Closterman.[5]

Other works by Lilly include the strongly characterized Edward Tyson of c. 1695, now in the Royal College of Physicians, and Jeremy Collier published as a mezzotint made by William Faithorne the Younger;[6] Lilly's last known works, both signed and dated 1707, are Sir Whitmore Acton and Lady Acton (sold at Christie's in April 1929), reminiscent of Johann Kerseboom's manner.[7] Lilly was buried at Richmond, Surrey, on 25 May 1716, and was survived by wife, Katherine Hindley. In his will, proved 11 July 1716, Lilly left his property to relatives, with several paintings bequeathed to his nephew; the will details both titles and dimensions of the bequeathed works, including portraits, religious and mythological subjects.[8]

Gallery[]

References[]

  1. ^ Whinney & Millar 1957, p. 192 n. 3; Waterhouse 1978, p. 144
  2. ^ Goodwin 1893, p. 257; Goodwin & Cooper Morgan 2004, p. 792.
  3. ^ Smith 1878–1884, pt. 3, p. 1064.
  4. ^ Redgrave 1878, p. 272.
  5. ^ Einberg 1987, p. 31; Jeffree 1996, p. 384; Goodwin & Cooper Morgan 2004, pp. 792–793; Bénézit 2006, p. 1049.
  6. ^ Smith 1878–1884, pt. 2, pp. 462–463; Waterhouse 1978, p. 144; Jeffree 1996, p. 384; Goodwin & Cooper Morgan 2004, p. 793.
  7. ^ Waterhouse 1978, p. 144; Jeffree 1996, p. 384.
  8. ^ Goodwin & Cooper Morgan 2004, p. 793.

Further reading[]

  • Adams, Charles Kingsley (1929). "Lelly (Lillei; Lilly), Edmund". In Vollmer, Hans (ed.). Allgemeines Lexikon der bildenden Künstler (in German). Vol. 23. Leipzig: E. A. Seemann. p. 10.
  • Bénézit, Emmanuel (2006) [first published in French in 1911–1923]. Benezit Dictionary of Artists. Vol. 8. Paris: Gründ. pp. 1049. ISBN 2-7000-3078-8 – via the Internet Archive.
  • Einberg, Elizabeth (1987). Manners & Morals: Hogarth and British Painting 1700-1760 (exhibition catalogue). London: Tate Gallery. pp. 30–31, 245; cat. no. 1. ISBN 0-946590-84-2. OCLC 1150291569 – via the Internet Archive.
  • Goodwin, Gordon (1893). "Lilly, Edmond" . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 33. London: Smith, Elder & Co. p. 257.
  • Goodwin, Gordon & Cooper Morgan, Susan (2004). "Lilly, Edmond". In Matthew, H. C. G. & Harrison, Brian (eds.). Oxford Dictionary of National Biography. Vol. 33. Oxford, New York: Oxford University Press. pp. 792–793. ISBN 0-19-861383-0. OCLC 1035759110 – via the Internet Archive.
  • Jeffree, Richard (1996). "Lilly, Edmund". In Turner, Jane (ed.). The Dictionary of Art. Vol. 19. New York: Grove's Dictionaries. p. 384. ISBN 1-884446-00-0. OCLC 1033643331 – via the Internet Archive.
  • Redgrave, Samuel (1878). A Dictionary of Artists of the English School (2nd ed.). London: George Bell. p. 272. OCLC 1043009709 – via the Internet Archive.
  • Smith, John Chaloner (1878–1884). British Mezzotinto Portraits. London: H. Sotheran – via the Internet Archive.
  • Waterhouse, Ellis K. (1978) [1953]. Painting in Britain, 1530 to 1790. The Pelican History of Art (4th ed.). Harmondsworth, England; New York: Penguin Books. ISBN 0-14-056101-3. OCLC 1245624144 – via the Internet Archive.
  • Whinney, Margaret; Millar, Oliver (1957). English Art, 1625–1714. Oxford History of English Art. Vol. 8. Oxford: Clarendon Press. OCLC 1150992276 – via the Internet Archive.
Retrieved from ""