Epiphany (Taylor Swift song)

"Epiphany" (stylized in all lowercase) is a song recorded by American singer-songwriter Taylor Swift. It is the thirteenth track on Swift's eighth studio album, Folklore, which was released on July 24, 2020, through Republic Records. Written by Swift and its producer Aaron Dessner, "Epiphany" honors the services provided by the frontliners of the COVID-19 pandemic, over an ambient-chamber pop composition consisting of a slow piano line, cinematic strings and howling brass.

Swift empathizes with doctors and nurses on "Epiphany", who serve the affected despite their harrowing work and the mental trauma they have to experience while handling loss of human lives, correlating the modern situation with the emotional anguish and physical exhaustion the soldiers of World War II endured, especially her veteran grandfather Dean. Upon release, "Epiphany" received mixed comments from music critics, many of whom praised the song's emotion, themes, lyrics, and Swift's vocal ability, while some found its slow-moving pace and production drowsy. The song reached the top 30 in Australia and Singapore, and top 50 in Canada. It reached number 57 on the US Billboard Hot 100 and number 11 on the Billboard Hot Rock and Alternative Songs chart.

Background and release[]

In "Epiphany", Swift mentions wounded and traumatized soldiers crawling up the beaches of Guadalcanal during the World War II.

Folklore was conceived by Swift as figments of mythopoeic visuals in her mind, a result of her imagination "running wild" while isolating herself during the COVID-19 pandemic. One such imagery was of her paternal grandfather Dean, who fought at the Battle of Guadalcanal, an American military campaign against Empire of Japan, fought between August 7, 1942, and February 9, 1943, in the World War II. Swift also mentioned another imagery that visualizes "hands held through plastic", in reference to the quarantine protocols that were followed in the pandemic. These two concepts formed the central theme of "Epiphany".^[1][2]

[Dean] never talked about it, not with his sons, not with his wife. Nobody got to hear about what happened there. So I tried to imagine what would happen in order to make you never be able to speak about something. I realized that there are people right now taking a 20-minute break between shifts at a hospital who are having this trauma happen to them that they will probably never want to speak about. I just thought, this is an opportunity to maybe tell those stories.

— Swift on the song's inspiration, Vogue^[3]

Swift penned "Epiphany", while Aaron Dessner composed its instrumentals and produced the song.^[4] On July 23, 2020, Swift announced Folklore and revealed its track listing where "Epiphany" placed at number 13. The album was released on July 24, 2020. As a reference to the song, a picture of Dean is also featured in the music video for the album's second track and lead single, "Cardigan".^[5]

Composition and lyrics[]

To me, it's like a nurse, doctor, or medical professional, where med school doesn't fully prepare you for seeing someone pass away or just the difficult emotional things that you'll encounter in your job. In the past, heroes were just soldiers. Now they're also medical professionals. To me, that's the underlying mission of the song. There are some things that you see that are hard to talk about. You can't talk about it. You just bear witness to them.

— Dessner on the lyricism of "Epiphany", Vulture^[4]

"Epiphany" is an ambient^[6] and chamber-pop tune^[7] set to a glacial piano,^[8] a howling brass^[9] and orchestrals.^[10] Dessner stated that he imagined "glacial, Icelandic sounds with distended chords and this almost classical feeling" when Swift described the idea of the sound she wanted for "Epiphany".^[11] Therefore, Dessner slowed down compositions from different instruments and reversed them to create a "giant stack of harmony", and added piano for a cinematic trope.^[4]

The song is a homage to healthcare workers and their selfless services during the COVID-19 pandemic.

Melodically, "Epiphany" is a hymn,^[12] displaying Swift's reverent and "angelic" vocals.^[8] A homage to healthcare workers during the COVID-19 pandemic, the song's lyrics describe the devastation caused by the pandemic, while deeming doctors and nurses as soldiers on beaches,^[13] correlating their emotional distress to that of her veteran grandfather Dean at the Battle of Guadalcanal.^[14] In the first verse, Swift sings of Dean on the 1942 battlefield, attending to a soldier bleeding out. In the second verse, she switches to a 2020 medical ward which has patients breathing with difficulty and nurses attending to faltering patients.^[15] Swift parallels the pressure both sets of workers endure as they help patients and serve their country while experiencing trauma and witnessing death, and having to reconcile with that to continue serving.^[14] The bridge and outro also mention how both workers get "only 20 minutes to sleep" and yet dream "of some epiphany".^[15]

Critical reception[]

Sarah Carson, reviewing for I, deemed "Epiphany" a "spectral" track that immortalizes the COVID-19 pandemic.^[16] Maura Johnston of Entertainment Weekly also called it spectral, writing that the song is driven by "Swift's exploration of others' inner worlds", which allows her to "take on new voices".^[17] The Atlantic writer Spencer Kornhaber dubbed Swift's vocals in the song a "translucent beam", with her syllables falling "slowly like ash". He added that a song like "Epiphany" should not work for "a woman of great privilege" like Swift, who connects two traumas that "aren't her own", but it does work because she "writes with a care and empathy that feel almost priestly".^[15] Writing for Slate, Carl Wilson summarized "Epiphany" as a "narratively striking", "topical song" that starts with the image of "an army storming a beach" and then shifts to a modern operating room, where "a woman's vital signs are crashing as someone holds her hand through plastic shielding"; Wilson added that Swift describes these scenes in "warm measured syllables" similar to Kate Bush's 1989 song "This Woman's Work".^[18] Annie Zaleski of The A. V. Club wrote that the composition of "Epiphany" echoes the "glacial piano work" by Canadian musician Sarah McLachlan,^[19] while the New York Times' Jon Caramanica compared it to works by Irish singer Enya.^[20]

Kitty Empire of The Observer favored the song's sombre lyricism but disliked the "pillowy" instrumentation. She stated that "Epiphany" incorporates "a medical subplot chiming gently with the suffering being wreaked by coronavirus", dotted with Swift's "emphatic yelps", but its music is a "miasma of gingerly fingered piano and consolatory tonalities", resulting in an unmemorable track.^[21] Insider reviewers Callie Ahlgrim and Courteney Larocca named "Epiphany" as their least favorite track on Folklore. Ahlgrim opined that the track contains intriguing vocals and lyrics, but is a "bit snoozy, and a bit too long", while Courteney Larocca complimented its "pretty background music", but downplayed it as "a war drama in song format". However, they agreed that "Epiphany" showcases the versatility in Swift's writing.^[22] Katie Moulton, writing for Consequence of Sound, said that "Epiphany" seems to try to "connect periods of global and American crisis, from World War II to COVID-19", but felt that the idea is "muddled". She, however, picked the lyric "Hold your hand through plastic now" as a standout.^[23] NME critic Hannah Mylrea found the song "sluggish".^[24]

Commercial performance[]

Upon the release of Folklore, "Epiphany" debuted at number 57 on the US Billboard Hot 100 chart,^[25] number 11 on the Hot Rock & Alternative Songs,^[26] and number 24 on the Rolling Stone Top 100.^[27] The song further reached the number 29 on Australia's ARIA Singles Chart,^[28] number 27 in Singapore's Singles chart,^[29] and number 44 on the Canadian Hot 100.

Credits and personnel[]

Credits adapted from Tidal and the album booklet.^[30][31]

• Taylor Swift – vocals, songwriting
• Aaron Dessner – songwriting, production, recording, piano, Mellotron, synthesizers and electric guitar
• Bryce Dessner – orchestration
• Dave Nelson – trombone, recording
• Benjamin Lainz – recording
• Yuki Numata Resnick – viola, violin
• Kyle Resnick – trumpet, recording
• Clarice Jensen – cello, recording
• JT Bates – drums, recording
• Jonathan Low – recording
• Laura Sisk – vocal recording
• Serben Ghenea – mixing
• Randy Merrill – mastering
• John Hanes – engineering

Charts[]

References[]

External links[]

• Live audio on YouTube
• Lyric video on YouTube