Félix Pérez Cardozo

hideThis article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article needs additional citations for verification. Please help by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources:  –  ·  ·  · scholar · JSTOR (April 2011) (Learn how and when to remove this template message) This article's lead section may be too short to adequately summarize the key points. Please consider expanding the lead to provide an accessible overview of all important aspects of the article. (April 2011) This article provides insufficient context for those unfamiliar with the subject. Please help by providing more context for the reader. (April 2011) (Learn how and when to remove this template message) This article may require cleanup to meet Wikipedia's quality standards. No cleanup reason has been specified. Please help if you can. (April 2011) (Learn how and when to remove this template message) This article needs attention from an expert in Music. Please add a reason or a talk parameter to this template to explain the issue with the article. WikiProject Music may be able to help recruit an expert. (January 2018) (Learn how and when to remove this template message)

Félix Pérez Cardozo (20 November 1908 – 9 June 1952) was a Paraguayan harpist.

Pérez Cardozo died on June 9, 1952 in Buenos Aires, Argentina.

Beginnings[]

Cardozo was born to Teodoro Pérez and Cándida Rosa Cardozo in the small town of Hyaty in the state of Guairá.^{[citation needed][1]}

As is common amongst musicians of the Paraguayan countryside, Cardozo learned the basics of playing from other harpists, without seeking tutelage from any one master.

He was part of a paradigmatic trio consisting of one harp and two guitars, along with and . He received support from the poet , with whom he traveled to the Paraguayan capital city Asunción in 1928. During this time they would play at folk music festivals organized in the "Teatro Granados" by Aristóbulo "Nonón" Domínguez, as well as in night clubs.

In 1931 he and his band left for Buenos Aires, Argentina, where most of his artistic career took place. They were the first of a long list of Paraguayan musicians that would consequently succeed in the Argentine capital for more than half a century.^{[citation needed]}

Career[]

In a short period of time, the individualistic style of Cardozo's interpretations of various compositions quickly gained him wide public recognition. He was a member of several bands until in 1945 he formed his own group. He enjoyed huge fame in Buenos Aires and throughout all the Río de la Plata area.^{[citation needed]} His success was such that a street in Mendoza was named after him.^{[citation needed][2]}

Family[]

He married the Argentinian Victoria Sanchez - with whom he had three children: Angela Rosa, Bienbenida and Victor.

Works[]

Among his greatest harp compositions are found:

• "Guyra campana"
• "Carreta guýpe", (debajo de la carreta)
• "Jataity"
• "Llegada"
• "Mi despedida"
• "Angela Rosa"
• "Che vallemi Hyaty"
• "Che vallemi Yaguarón"
• "En tí hallé consuelo"
• "Tren lechero"
• "El sueño de Angelita"

He wrote music for various verses of distinguished poets such as ("Tetagua sapukái", a true anthem in which "grito del pueblo" (the shout of the people) claims better days for Paraguay) Antonio Ortiz Mayans ("Burrerita", "Pasionaria", "Puntanita", "Asunceña" y "Taperé"),  [es] ("Rosa"), Rigoberto Fontao Meza ("El arriero"), ("Mariposa mi"), the Argentine ("Los sesenta granaderos", known throughout Argentina as a very popular Anthem.), also the most important poet of Paraguayan history Emiliano R. Fernández, whose piece is seen as a pillar of Paraguayan epic music due to the rhythmic power, melodic beauty and patriotic content of the following texts ("1º de Marzo", "Che la reina (Ahama che china)", and the lovable song ("Oda pasional", "Oñondiveminte"), ("Desde la selva" y "Primavera").Likewise "Caaguy ryakua", "Isla Pukú", the recompilation of "Jaha che ndive", "Lui ryevu", "Misiones".

Later years[]

The great "mitá guazú" (big boy) died suddenly in Buenos Aires, Argentina, on 9 June 1952. , a fundamental icon of inspirational folk music and poetry in this century in Argentina, sang "Canción del arpa dormida" in his honor (set to music by Herminio Giménez)

"...En ese misterio de sol y de selva / de agreste romance de india y mensú / llegaron tus manos a mi tierra gaucha / tejiendo armonías, ¡oh! mita guazu./ Acunando ensueños se nos va la vida / y el viajero parte para no volver. / Hoy el arpa india se quedó dormida / como una guarania que no pudo ser"

.

References[]

• Centro Cultural de la República El Cabildo
• Diccionario Biográfico "FORJADORES DEL PARAGUAY", Primera Edición Enero de 2000. Distribuidora Quevedo de Ediciones. Buenos Aires, Argentina.
• Lorenzo Manlio Paris (2008) "Félix Perez Cardozo, su vida y su música" Editorial ServiLibro, Asunción, Paraguay ISBN 9789995301002
• Luis Szaran (2007) Diccionario de la Música Paraguaya" Edicción de la Jesuitenmission, Nuremberg, Germany

External links[]

• Melodías Paraguayas
• Staff
• Musicas Paraguayas