F minor
Relative key | A-flat major |
---|---|
Parallel key | F major |
Dominant key | C minor |
Subdominant | B-flat minor |
Component pitches | |
F, G, A♭, B♭, C, D♭, E♭ |
F minor is a minor scale based on F, consisting of the pitches F, G, A♭, B♭, C, D♭, and E♭. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use.
The F natural minor scale is:
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are:
Music in F minor[]
Famous pieces in the key of F minor include Beethoven's Appassionata Sonata, Chopin's Piano Concerto No. 2, Haydn's Symphony No. 49, La Passione and Tchaikovsky’s Symphony No. 4.
Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliqueness."[1]
Hermann von Helmholtz once described F minor as harrowing and melancholy. Christian Schubart described this key as "Deep depression, funereal lament, groans of misery and longing for the grave".[2]
Notable compositions[]
- Antonio Vivaldi
- "Winter" from The Four Seasons, RV 297
- Johann Sebastian Bach
- Harpsichord Concerto No. 5
- "Ich ruf zu dir, Herr Jesu Christ", BWV 639
- Joseph Haydn
- Symphony No. 49, La Passione
- Variations in F minor
- Wolfgang Amadeus Mozart
- Aria "L'ho perduta, me meschina" from The Marriage of Figaro, act 4
- Adagio and Allegro in F minor for a mechanical organ, K. 594
- Ludwig van Beethoven
- Egmont Op. 84: Overture in F Minor
- Piano Sonata No. 1, Op. 2/1
- Piano Sonata No. 23 (Appassionata), Op. 57
- String Quartet No. 11 "Serioso", Op. 95
- Felix Mendelssohn
- Carl Maria von Weber
- Frédéric Chopin
- Charles-Valentin Alkan
- Prelude Op. 31, No. 2 (Assez lentement)
- Symphony for Solo Piano, 2nd movement: Marche funèbre
- Franz Liszt
- Franz Schubert
- Fantasia in F minor
- Impromptu No. 1, Op. 142
- Impromptu No. 4, Op. 142
- Johannes Brahms
- Piano Quintet Op. 34
- Piano Sonata No. 3 Op. 5
- Pyotr Ilyich Tchaikovsky
- Anton Bruckner
- Alexander Borodin
- Paul Dukas
- Dmitri Shostakovich
- Symphony No. 1
- String Quartet No. 11 Op. 122
E-sharp minor[]
Relative key | G-sharp major enharmonic: A-flat major |
---|---|
Parallel key | E-sharp major enharmonic: F major |
Dominant key | B-sharp minor enharmonic: C minor |
Subdominant | A-sharp minor enharmonic: B-flat minor |
Enharmonic | F minor |
Component pitches | |
E♯, F, G♯, A♯, B♯, C♯, D♯ |
E-sharp minor is a theoretical key based on the musical note E♯, consisting of the pitches E♯, F, G♯, A♯, B♯, C♯ and D♯. Its key signature has six sharps and one double sharp, (or eight sharps). Its relative major is G-sharp major, which is usually replaced by A-flat major. Its parallel major, E-sharp major, is usually replaced by F major, as E-sharp major’s four double-sharps make it impractical to use.
The E-sharp natural minor scale is:
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-sharp harmonic minor and melodic minor scales are:
Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.)
See also[]
Notes[]
- ^ Cathering Meng, Tonight's the Night (Apostrophe Books, 2007): 21
- ^ "Musical Key Characteristics".
External links[]
- Media related to F minor at Wikimedia Commons
- Musical keys
- Minor scales
- Compositions in F minor