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Fiona Moore[1] is a Canadian academic, writer and critic based in London (UK).[2] She is best known for writing works of TV criticism, short fiction, stage and audio plays (being one of the original members of the Magic Bullet Productions writing team[3] and the coauthor of the "50 Things About..." column in Celestial Toyroom[4]), and academic texts on the anthropology of business and organisations.[5] Her research work has been described by Professor Roger Goodman at the University of Oxford's Nissan Institute as "engaging head-on with the growing and increasingly complex literature on transnationalism and globalisation and relating it constructively to key ideas in symbolic anthropology" [6] A graduate of the University of Toronto and the University of Oxford, she is Chair of Business Anthropology at Royal Holloway, University of London.[7] In 2020, she was shortlisted for the BSFA Award for Shorter Fiction.
"Skull Duggery," with Alan Stevens, Shelf Life, edited by Jay Eales et al., Factor Fiction Press, 2008
"Stone Roach", Asimov Magazine, (September 2011)
"The Kindly Race", British Fantasy Society Journal, Spring 2012 (reprinted in the 2014 World Fantasy Convention anthology Unconventional Fantasy, ed. Peggy Rae Sapienza)
"Rabbit Season", in Blood and Water, ed. Hayden Trenholm, Toronto: Bundoran Press, 2012. Aurora Award Winner (Best Related Work), 2013.
"Mouse Trap", Perihelion SF, July 2013
"The Egg Man", in Sanity Clause is Coming, London: Fringeworks Press, 2014.
"The Confession of Whistling Dixie", Unlikely Story 11, February 2015
"Leave Only Footprints", Story of the Month Club, March 2015 (reprinted in the 2016 volume A Bakers' Dozen of Magic, ed. Jessica Brawney)
