Frances Adler Elkins

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Frances Adler Elkins (7 November 1888 – 26 August 1953), was one of the twentieth century's most prominent interior designers.[1] According to one magazine editor, she was "the first great California decorator".[2] According to The New York Times, Elkins "pioneered vibrant interiors, in which solid historical references met effervescent modernist fantasy."[3] She was the sister of the architect David Adler.

Early life[]

Frances Adler Elkins, 1946

Frances Adler Elkins was born in Milwaukee on November 7, 1888.[2] Her father was a manufacturer and wholesaler of men’s garments.[4][5] Elkins was a younger sister of the renowned architect David Adler.[1]

Elkins did not go to college, but when Adler moved to Paris to study architecture at the Ecole des Beaux-Arts (from 1908 to 1911), Elkins often visited him.[1][2] While in Europe, she met the interior designer Jean-Michel Frank and the sculptor Alberto Giacometti.[1] She collaborated with both, making suggestions for some of Frank's leather furniture and Giacometti's handcrafted plaster lamps.[6]

On July 21, 1918 at San Mateo, California,[7] Elkins married Felton Broomall Elkins (1889-1944),[8] a playwright, painter, and polo player, who in 1911 had inherited (according to The New York Times) $2 million (the equivalent of $47 million in 2013) from his Philadelphia family.[9]In 1918, they bought a 19th-century adobe house in Monterey, California, which they restored with the help of David Adler, and named Casa Amesti.[10] They had one child: Katherine Felton Elkins (1920-2009; married 1947 to William Sprott Boyd Jr).[11] Frances Elkins filed for divorce in February 1923 on grounds of desertion, after which she continued to live in the Monterey house.[4][12]

Career[]

After she divorced, Elkins supported herself by decorating houses for friends and then hotels, clubs and stores.[4] Her first clients were Pebble Beach socialites.[1]

Among her earliest projects was Hester Griffin's colonial house in Monterey. The house was designed by George Washington Smith. In the living room, Elkins combined traditional elements such as Chippendale furniture, Queen Anne mirrors, and Ming screens with modern-day lamps by Jean-Michel Frank and Salvador Dalí. Griffin raved over the new living room.[6]

In 1930, Elkins designed the clubhouse of the Cypress Point Club in shades of beige, yellow and melon. The furniture included overstuffed sofas and a large French provincial antique table.[6]

By the early 1930s her reputation spread to San Francisco, where she was anointed the decorator of choice for the city's most prominent families.[1] In San Francisco, Elkins frequently collaborated with modernist architect Gardner Dailey.[1] In 1939, she designed an "Italian Gallery", which was shown at the Golden Gate International Exposition in San Francisco.[13] She also worked for wealthy clients Edward G. Robinson, the Marshall Fields, and others.[5]

Elkins collaborated with David Adler on about 15 houses in California, Illinois, and elsewhere.[2] Elkins always added an unexpected element or two into her brother’s formal interior architecture. Examples include steel inlaid into an ebonized oak floor or Steuben glass moldings around a mantle piece.[14]

Kersey Coates Reed House in Lake Forest, IL, 2014

One Adler/Elkins collaboration was the Kersey Coates Reed House in Lake Forest, IL.[15] Homeowner Helen Shedd Reed's one instruction was "Don't let us make this a stuffy house."[16] Elkins was the decorator on the project.[15] She collected parquet flooring for the home from a château owned by Comtesse duBarry, lined the library walls with goat skin leather; and covered the guest suite’s walls with Chinese silk.[17] Interior designer Mark Hampton described the library as "the most boldly stylish room I have ever seen in this country."[4] Reed had a high regard for Elkins's taste, living nearly fifty years in her house without altering it.[6] The Kersey Coates Reed House is listed in the National Register of Historic Places.[16]

Elkins was at one point, the sole US distributor for Jean-Michel Frank's Art Deco furniture.[6][9]

Furniture design[]

Inspired by 18th-century chairs once owned by the founder of the English magazine Country Life, Elkins designed what is today known as the Loop Chair.[18] Elkins made only eight Loop chairs.[18] Four went to the Wheeler family in Chicago and four went to Marshall Field's house on Long Island.[9] In her book In with the Old: Classic Decor from A to Z, Jennifer Boles called Loop chairs " One of the more popular conversational chairs..."[19] Reproductions are available today.[20][21]

Elkins also designed the Spider chair. The Spider chair combined Queen Anne-style legs with a Spanish-style shield back.[19] Reproductions of this chair are also available today.[22]

Style[]

Elkins combined traditional and contemporary styles.[2] She favored Steuben moldings around fireplaces, lacquered tables by Jean-Michel Frank, and sconces that Alberto Giacometti modeled after human hands.[4] She was also partial to French provincial furniture.[6]

Elkins often mixed whites, yellows, and blues in the rooms she designed,[9] but the only flowers she allowed were pink and red carnations.[4]

She was one of the first decorators to use all mirrored walls in bathrooms.[23]

Casa Amesti[]

Jose Amesti Casa, 516 Polk Street, Monterey, CA, 1958

Prior to the divorce, Elkins and her husband purchased Casa Amesti (also known as Jose Amesti Casa), a historic adobe house in Monterrey.[1] Casa Amesti was first built in 1833 as a one-story house. Over the next 20 years the house grew wider and taller as Jose Amesti's fortunes improved.[24] The house cost $5,000 in 1918.[1][9] Elkins welcomed the challenge of restoring the crumbling 1830s building.[1]

Casa Amesti was Elkins and Adler's first large scale collaboration.[14] Adler installed all of the modern convinces of the age and added details that would enhance the historic architecture.[8] Adler juxtaposed a newly added classical features such as dentil cornices and fluted door casings against the house's rustic adobe walls and wide-planked ceilings.[14]

Elkins filled the rooms with French and English antiques, American rugs, and chinoiserie.[9] Her eclectic taste included 18th century Spanish portraits, Italian landscapes, a Matisse drawing and a Parisian Walter Gay interior.[8] In 1924, House Beautiful called Casa Amesti "the finest of the restored old adobes."[8]

Elkins lived in Casa Amesti for the next thirty-five years and she continued to add antique and Moderne pieces.[8]

In 1954, Casa Amesti became part of the National Trust for Historic Properties.[23]

In 2010, Thomas Jayne included Casa Amesti in his book The Finest Rooms In America: 50 Influential Interiors from the 18th Century to the Present.[9]

Located at 516 Polk Street in Monterey, CA, Casa Amesti is currently a private men's club.[9][25] Many of the rooms remain exactly as Elkins left them.[26]

Later life[]

Elkins's last commission was a house for Irma and Albert Schlesinger, parents of Nan Kemper. The house as constructed in 1951 with architect Gardner Dailey.[1][11]

Elkins died at age 64 in San Francisco on August 26, 1953.[2]

Bibliography[]

  • The Great Lady Decorators: The Women Who Defined Interior Design, 1870-1955 by Adam Lewis (2010), Rizzoli, New York. ISBN 978-0-8478-3336-8
  • Frances Elkins by Stephen M Salny; Frances Elkins, New York Norton (2005), ISBN 978-0-3937-3146-0

References[]

  1. ^ Jump up to: a b c d e f g h i j k Boyd, Stephen M. Salny,Katherine E. "Design Legends: Frances Elkins | Architectural Digest". Architectural Digest. Retrieved 2016-11-22.
  2. ^ Jump up to: a b c d e f "Frances Adler Elkins Collection". www.oac.cdlib.org. Retrieved 2016-11-22.
  3. ^ Owens, Mitchell (2005-10-09). "The Rebel Wore Pearls". The New York Times. ISSN 0362-4331. Retrieved 2016-11-22.
  4. ^ Jump up to: a b c d e f Kahn, Eve M. (2005-06-02). "A 28-Year Love Affair With a Pair of Stylish Siblings". The New York Times. ISSN 0362-4331. Retrieved 2016-11-22.
  5. ^ Jump up to: a b Women designers in the USA, 1900-2000 : diversity and difference : Jacqueline M. Atkins [and others]. Kirkham, Pat., Bard Graduate Center for Studies in the Decorative Arts. New Haven, CT: Yale University Press. 2000. ISBN 9780300087345. OCLC 45486311.CS1 maint: others (link)
  6. ^ Jump up to: a b c d e f Salny, Stephen M. "Design Legends: Frances Elkins | Architectural Digest". Architectural Digest. Retrieved 2016-11-22.
  7. ^ US Passport Application, November 4, 1921.
  8. ^ Jump up to: a b c d e Adler, David; Thorne, Martha; Chicago, Art Institute of; Architecture, Kisho Kurokawa Gallery of (2002-01-01). David Adler, Architect: The Elements of Style. Yale University Press. ISBN 0300097026.
  9. ^ Jump up to: a b c d e f g h "Cultured Magazine - Summer 2013". www.cultureddigital.com. Retrieved 2016-11-22.
  10. ^ Richard Guy Wilson et. al., David Adler, Architect: The Elements of Style (New Haven, CT: Yale University Press, 2002), pages 36–39.
  11. ^ Jump up to: a b "PCAD - Frances Adler Elkins". pcad.lib.washington.edu. Retrieved 2016-11-22.
  12. ^ San Francisco Examiner, February 17, 1923, page 15.
  13. ^ Women designers in the USA, 1900-2000 : diversity and difference : Jacqueline M. Atkins [and others]. Kirkham, Pat., Bard Graduate Center for Studies in the Decorative Arts. New Haven, CT: Yale University Press. 2000. ISBN 9780300087345. OCLC 45486311.CS1 maint: others (link)
  14. ^ Jump up to: a b c "Decorators to Know: Frances Elkins". 1stdibs. 2016-06-01. Retrieved 2016-11-22.
  15. ^ Jump up to: a b Moonan, Wendy (2003-06-06). "ANTIQUES; Discovering The Rarities Of the 1900s". The New York Times. ISSN 0362-4331. Retrieved 2016-11-22.
  16. ^ Jump up to: a b Klatt, Mary Beth. "Quite a Place They Got Here". Chicago Reader. Retrieved 2016-11-22.
  17. ^ "The $11-Million Bargain". Chicago magazine. Retrieved 2016-11-22.
  18. ^ Jump up to: a b Green, Penelope (2009-04-08). "Four Elkins Loop Chairs Up for Bid". The New York Times. ISSN 0362-4331. Retrieved 2016-11-22.
  19. ^ Jump up to: a b Boles, Jennifer (2013-01-01). In with the Old: Classic Decor from A to Z. Crown Publishing Group. ISBN 9780385345163.
  20. ^ "Frances Elkins Style Loop Chair - Contemporary - Dining Chairs - Miami - by C.Bell". Houzz. Retrieved 2016-11-22.
  21. ^ "Greta Hollywood Regency Hand Rubbed Black Wood Side Chair - Pair". Kathy Kuo Home. Retrieved 2016-11-22.
  22. ^ "Leather Spider Chair - Mecox Gardens". Mecox. Retrieved 2016-11-22.
  23. ^ Jump up to: a b Elmo, John S. (2015-06-18). Designing Women, Dialogues with Pioneering Women Designers (1850-1950). FriesenPress. ISBN 9781460267875.
  24. ^ Masson, Kathryn (2011-01-01). The California House: Adobe, Craftsman, Victorian, Spanish Colonial Revival. Random House Incorporated. ISBN 9780847835850.
  25. ^ "Monterey County Historical Society, Local History Pages--Casa Amesti Adobe and Garden". mchsmuseum.com. Retrieved 2016-11-22.
  26. ^ "California's Original Interior Designer | California Home + Design". www.californiahomedesign.com. Retrieved 2016-11-22.

External links[]

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