Gabriela Ortiz

Gabriela Ortiz (born 1964) is a Mexican music educator and composer.

Biography[]

Gabriela Ortiz Torres was born in Mexico City of parents who were folk musicians. She learned folk music at home, and then studied in Paris at the Ecole Normale de Musique. She returned to Mexico City due to the illness of her mother, and studied composition there with Mario Lavista at the National Conservatory of Music. She continued her studies at the Guildhall School with Robert Saxton, and with Simon Emmerson at the University of London where she received a PhD in 1996. After completing her studies, she took a position at the National School of Music at the National Autonomous University in Mexico City. She also taught at Indiana University in the United States.^[1][2]

Music[]

Ortiz incorporates conventional notation techniques in her compositions, which have contemporary, rock, African and Afro-Cuban influences. She has also composed pieces that incorporate experimental electro-acoustic elements.^[3]

Honors and awards[]

• Civitella Ranieri Artistic Residency
• John Simon Guggenheim Memorial Foundation Fellowship
• Fulbright Fellowship
• Distincion Universidad Nacional
• First prize of the Silvestre Revueltas National Chamber Music Competition
• First Prize at the Alicia Urreta Composition Competition
• Composers Award Mexican Council for the Arts and Culture
• National Artists System Fellowship from the Mexican Council for the Arts and Culture
• Banff Center for the Arts Residency
• Inroads Commission, a Program of Arts International with funds from the Ford Foundation
• Rockefeller Foundation
• Mozart Medal Award for Mexican Theatre and Music as the best composer of 1997
• The Fundacion Cultural Bancomer Award^[4]

Selected works[]

Dance scores

• Hacia La Deriva, 1989
• Eve and All the Rest, 1991
• Errant maneuvers, 1993

Orchestral

• Patios, 1989
• Concierta candela, solo percussion and orchestra, 1993
• Altar de Neón, percussion quartet, chamber orchestra, 1995
• Zocalo-Bastilla, violin, percussion and orchestra, 1996
• Altar de Piedra, percussion and orchestra, 2003
• Zocalo Tropical, flute, percussion and orchestra
• 100 Watts, clarinet, bassoon, piano
• Seis piezas a Violeta for string quartet and piano
• Baalkah for string quartet^[5]
• Corporea, chamber ensemble, 2015, commissioned by San Francisco Contemporary Music Players

Opera

• Unicamente La Verdad, opera 2010 libretto by Ruben Ortiz

Electro-acoustic

• Magna Sin, steel drum and tape, 1992
• 5 Micro Etudes, tape, 1992
• Things Like That Happened, cello, tape, 1994
• El Trompo, vibraphone, tape, 1994
• Altar de Muertos, string quartet, tape, 1996

Other works

Her compositions have been recorded and issued on CD including:

• Denibée by Gabriela Ortiz, Alejandro Escuer (Audio CD - 2014)
• Aroma Foliando by Gabriela Ortiz, Southwest Chamber Music (Audio CD - 2013)
• Altar de Muertos by Gabriela Ortiz, Arturo Nieto-Dorantes, and Sarah Leonard (Audio CD - 2006)
• Tear by Ruth Crawford Seeger, Gabriela Ortiz, Silvestre Revueltas, Adriana Isabel Figueroa Mañas, and Alberto Ginastera (Audio CD - 2003)
• Visiones Panamericanas by Tania Leon, Eugenio Toussaint, Gabriela Ortiz, Roberto Sierra, and Richard Felciano (Audio CD - 2002)
• Mi Chelada by Alejandro Cardona, Gabriel Ruiz, Astor Piazzolla, Miguel del Aguila, and Enrico Chapela (Audio CD - 2000)
• Ritmicas by Minoru Miki, Santiago Ojeda, Gabriela Ortiz, Amadeo Roldan, and Eugenio Toussaint (Audio CD - 1997)
• Musica Sinfonica Mexicana by Silvestre Revueltas, Federico Ibarra, Gabriela Ortiz, Manuel Enriquez, and Jose Pablo Moncayo Garcia (Audio CD - 1997)

References[]

External links[]

• Official composer page
• Composer bio and recording of Corporea San Francisco Contemporary Music Players