Gettin' In over My Head

Gettin' In over My Head
Studio album by Brian Wilson
Released	June 22, 2004
Recorded	1996, 2002–04
Genre	Rock
Length	53:08
Label	Brimel/Rhino
Producer	Brian Wilson
Brian Wilson chronology
Pet Sounds Live (2002) Gettin' In over My Head (2004) Brian Wilson Presents Smile (2004)

Gettin' In over My Head is the fourth studio album by American musician Brian Wilson, released June 2004 on Rhino Records. Many of the songs were reworked versions of tracks originally recorded for the scrapped album Sweet Insanity and the Andy Paley sessions from the 1990s. The record reached number 100 in the US, during a 1-week chart stay, and number 53 in the UK. Critical reaction was mixed.

The album features an assortment of celebrity guests such as Paul McCartney, Elton John, Eric Clapton and Carl Wilson (the latter appeared posthumously via "Soul Searchin'", a rejected Beach Boys song from the Paley sessions). Peter Blake created the cover art and assigned 2004 Brian Wilson Presents Smile artist Mark London to art direct the rest of the package.

Background[]

Most tracks from the album were not new material, but rather a collection of older, unreleased tracks and riffs from the past that have been polished up for release on the album. The tracks "Make a Wish", "Fairy Tale", "Rainbow Eyes" and "Don't Let Her Know She's an Angel" are re-recorded songs from Wilson's 1990/1991 sessions from the abandoned Sweet Insanity. The lyrics to "Rainbow Eyes" were slightly rewritten to change "sweet insanity" to "sweet conspiracy". The track "Desert Drive" is based around riffs over 40 years old. "Soul Searchin'" features a posthumous guest appearance by Carl Wilson, sourced from the Andy Paley recording sessions. Furthermore, with the concurrent live performances of the recently completed Smile album, and the announcement of its impending issue on CD, completely overshadowed Gettin' In Over My Head's release, with most attention going to the former. There was a limited edition set of prints created by artist Peter Blake in 2004.^{[citation needed]}

One songwriter who was reached for a collaboration was XTC's Andy Partridge who explains: "I rang up a lot of people ... and heard quite a few stories that would put off any sane person from getting involved in the Brian Wilson camp ... They said he would call me ... either he changed his mind, or the management changed his mind, or maybe he just forgot, because I've heard stories of people who've gone over to work with him, and he's not acknowledged them being in the room for days. ... he's definitely in the Wilsonverse, I don't think he's in the known universe. ... one of the few people you can actually call genius, I think, so hey, he can be as nutty as he wants."^[1]

Reception[]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	55/100[2]
Review scores
Source	Rating
AllMusic	[3]
Austin Chronicle	[4]
Blender	[5]
E! Online	C+[6]
The Guardian	[7]
The Independent	[8]
The Rolling Stone Album Guide	[9]
Stylus Magazine	D+[10]
Uncut	3/5[11]

At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, Gettin' In Over My Head received an average score of 55 based on 14 reviews, indicating "mixed or average reviews".^[2] Writing in The Rolling Stone Album Guide, reviewer Jackie Wilson wrote, "Wilson is still frighteningly detached from the moment. ... it's best to think of this one as a celebrity's children's record."^[9] Critic Robert Christgau said that the album's only improvement on Imagination was the absence of producer Joe Thomas.^[5]

John Bush of AllMusic highlighted "Soul Searchin'" and the title track in what was otherwise a collection of "weak songs" with "trite lyrics". He wrote, "Whether it's a solo composition or one written with a talented collaborator like Andy Paley, Wilson's songs are uniformly embarrassing".^[3] The Guardian's Alexis Petridis was disappointed with the record's "musical conservatism" – which be believed came out of Wilson's self-described desperation to be considered in league with Sting, Paul Simon, and Bruce Springsteen – and wrote, "The worst thing about Gettin' In Over My Head - far worse than the mediocre songs and the MOR guest appearances - is that it doesn't sound terribly happy."^[7]

Matthew Weiner of Stylus introduced his review by declaring, "It's time to face the facts: we’re never, never, ever getting another great record out of Brian Wilson again. It's over."^[10] He added that, given the involvement of the Wondermints and all the other musicians and songwriters Wilson could have potentially collaborated with, "it's impossible to conclude that the utter failure of Getting In Over My Head falls anywhere other than squarely on Wilson himself".^[10]

Conversely, Uncut's reviewer said the album was "the most consistent and sympathetically constructed solo album he's made."^[11] Billboard's review called it "An unexpected but dazzling return to the top form of the later Beach Boys years."^[12]

Track listing[]

• Tracks 8–9 and 11–13 were originally recorded for the scrapped Sweet Insanity album
• An iTunes bonus track of "Don't Worry Baby" was released with daughter Wendy Wilson on lead vocals.

Personnel[]

• Brian Wilson – keyboards, piano, producer, lead vocals

Guests

• Eric Clapton – lead guitar on "City Blues"
• Elton John – piano, vocals on "How Could We Still Be Dancin"
• Paul McCartney – acoustic guitar and vocals on "A Friend Like You"
• Carl Wilson – vocals on "Soul Searchin'"

The Brian Wilson Band

Additional musicians

References[]