Guy Overfelt

Guy Overfelt (born 1977 in Baltimore) is a multi-disciplinary post-conceptual artist based in San Francisco and Bolinas, California.^[1] He works with various media including sculpture, performance, photography, video and drawing.^[2]

Overfelt received a B.F.A from the Maryland Institute College of Art and an M.F.A. from San Francisco Art Institute.

Best known for his burnout works made using a 1977 Pontiac Trans AM as an artist's utensil and subject matter, San Francisco-based Guy Overfelt’s projects are raucous explorations of the American Dream via car culture. His body of work presents a special mix of printmaking, performance and sculpture that investigates the modern industrial complex by expropriating the symbolic brands of automotive corporations.^[3]

Guy Overfelt’s work has been exhibited internationally in galleries and museums including the Oakland Museum of California; Guangzhou Triennial, China; St. Mary's University, Halifax, Canada; The Havana Biennial, Cuba; Ronald Feldman Fine Arts, New York; Jack Hanley Gallery, San Francisco, and White Columns, New York City. His work has been acquired by the Berkeley Museum Collection and the JPMorgan Chase Collection, as well as private collections. His work has been reviewed and featured in numerous publications, including the New Yorker, The New York Times, Art Net, Art Papers, Index Magazine, Paper Magazine, Time Out, Kobe Japan, Time Out, New York, Boing Boing, SF Guardian, Surface Magazine, and the San Francisco Chronicle, as well as other publications and catalogs. His work was featured in the documentary film ‘Burning Rubber’ which recently aired on Bravo.

Notable solo exhibitions[]

Four Real Walls, , SF, CA (1997)
Project Evidence, White Columns, White Room, NY, NY (1997)
SBMA, Bronwyn Keenan Gallery, NY, NY (1998)
Burn-Out Trial, San Francisco Hall of Justice, SF, CA (1998)
The World #54, The Poetry Project, Taser Project, Summer (repro). (1998)
Game Over, Bronwyn Keenan Gallery, NY, NY (1999)
Free Beer, , SF, CA (1999)
Cruzen USA, , SF, CA (2000)
Deluxe, , SF, CA (with Tony Labat and Mads Lynnerup) (2000)
Destroy, , Vienna, Austria (2000)
Sons of Liberty Tour, Charas/El Bohio, NY, NY (with Sabbra Cadabra / world's greatest Black Sabbath tribute band) (2001)
Bongzilla, , SF, CA (curated series Prime Time / Tony Labat) (2001)
PowerSlave, , Halifax, N.S., Canada (2002)
Nova G.O., , SF, CA (with Nils Nova) (2004)
Highway To Hell, , SF, CA (with Heather Sparks) (2008)
Freebird, Oakland Museum of California, Oakland, CA (2010)
Ever Wash, , SF, CA (2011)
"ASSED OUT AND THE MINI DRAMAS", , SF, CA (with Andrew McClintock) (2012)

Notable group exhibitions[]

Basel Art Fair, Kunsthalle, Basel, Switzerland (curator: Daniella Salvioni) (1998)
Achieving Failure: Gym Culture 2000, , NY, NY (curator: Bill Arning) (2000)
Wine, Women and Wheels, White Columns, NY, NY (curator: Paul Ha) (2000)
Action Jackson, , NY, NY (curator: David Hunt) (2001)
Marked, Hunter College, NY, NY (curator: Heidi Zuckerman Jacobson (2001)
American Dream: A Survey, , NY, NY (2003)
Performance Anxiety, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2004)
Burning Rubber, St. Mary's University, Halifax, Nova Scotia, Canada (2007)
A THIN SLICE, , SF, CA (2009)
Warhol Revisited?, , Oakland, CA (2009)
"Radical Light: That Little Red Dot", Artists' Television Access, SF, CA (2011)
(presented by and Berkeley Art Museum & Pacific Film Archive) (2011)
Who Dares Wins, , Detroit, MI (curator: Monica Bowman) (2011)
Spread - Conceptualism Then and Now, , SF, CA (2011)
"Water McBeer", , SF, CA (2011)
"I AM CRIME", , SF, CA (2012)

References[]

External links[]

• Smith, Roberta, Prop Fiction
• Guy Overfelt on Artadia.org
• Further information from Happenstand