Hallett & Rawson

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Hallett & Rawson was an architectural partnership in Iowa. George E. Hallett and Harry Rawson were partners.[1] Brooks, Borg & Skiles is the continuing, successor firm; its archives hold plans of the original Hallett & Rawson firm.[1][2] Works by the individual architects and the firm include a number that are listed on the National Register of Historic Places.[3] [4]

Around the turn of the 20th century George E. Hallett designed a number of small houses in the former North Des Moines area which employed elements of / American Craftsman architecture. His were nicer than most small houses for the quality of their design and their interior amenities. His included a fireplace, in particular, which was rare in small houses. National Register of Historic Places' documentation of one of the homes describes an 1897 newspaper feature article which "documented Hallett's role as a real estate developer and included an architectural drawing of the buildings signed 'Geo. E. Hallett architect' This article also contains a brief description of the interior of these homes:

The average cost of each home will be about $2,500. The houses will all be finished in the most modern style, with beamed ceilings and large, brick fire places. The designs and interiors are original with Mr. Hallett (Des Moines Leader 1897:19)[5]

These include:

  • Julius Scheibe Cottage, 815 College Avenue, Des Moines, Iowa, (1898) NRHP-listed[4]
  • N. S. Wales House, 1814 West 9th Street, Des Moines
  • House at 1530 West 9th Street, Des Moines
  • House at 1534 West 9th Street, Des Moines
  • House at 1532 West 9th Street, Des Moines (no longer extant).
  • House at 1530 West 9th Street, Des Moines, Hallett's own house (no longer extant) (c. 1897).[5]
  • Iowa State Senator House (c. 1896), in Boone, Iowa, "modern colonial"[5]: 8 

The above cut shows a residence that is soon to be built in Boone, by [Iowa State] Senator C. J. A. Ericson. In style it will be modern colonial, or an adaptation of the best of the old and the best of the new styles and arrangement. It is to have a large hall through the middle of the house, with ten rooms in all; a comfortable old-fashioned fireplace in the sitting room, and other fireplaces in other rooms, imposing stationary book cases, an elaborate sideboard at the end of the dining room, beautiful art windows, and other features that will make it one of the finest residences of moderate cost in Iowa. That cost will be about $8,000. Mr. Geo. E. Hallett, of this city, is the designer and architect. ( 1896:1)[5]: 12–13 

Other works include (with attribution):

See also[]

References[]

  1. ^ a b Hallett & Rawson: A Selected Overview
  2. ^ W. C. Page (December 20, 1988). "National Register of Historic Places Registration: Rumely-Des Moines Drug Company Building / Rumely Bldg; Federal Machine Corp Bldg; Security File Warehouse Building" (PDF).
  3. ^ Towards a Greater Des Moines MPS
  4. ^ a b c d e f g h i "National Register Information System". National Register of Historic Places. National Park Service. July 9, 2010.
  5. ^ a b c d William C. Page and Joanne R. Walroth (January 15, 1997). "National Register of Historic Places Registration: Julius Scheibe Cottage". National Park Service. Retrieved 2016-06-27. with two photos
  6. ^ W.C. Page. "Grinnell Historic Commercial District". National Park Service. Retrieved 2016-04-16.
  7. ^ Jan Olive Full; Jennifer A. Price. "Waterloo East Commercial Historic District". National Archives. Retrieved 2018-07-03.
  8. ^ stated in an online discussion forum, "The September 11, 1909, issue of the trade journal Domestic Engineering ran an item about the plumbing, heating, and ventilation system of the new Princess Theatre, then under construction in Des Moines. The Princess Theatre was designed by the firm of Hallett & Rawson (George E. Hallett and Henry D. Rawson.) The item said that the roof of the building would be on by the middle of September, so construction was most likely completed before the end of 1909. Hallett & Rawson was a leading Des Moines firm in the late 19th and early 20th century, but I’ve been unable to find any theaters other than the Princess attributed to them."
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