Happiness is a Warm Gun (film)

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Happiness Is a Warm Gun
Happiness is a Warm Gun film by Thomas Imbach.jpg
Directed byThomas Imbach
Screenplay byThomas Imbach
Jürg Hassler
Peter Purtschert
Produced byBachim Film
Thomas Imbach
CinematographyJürg Hassler
Thomas Imbach
Edited byJürg Hassler
Thomas Imbach
Music bySir Henry
Release date
2002
Running time
92 minutes
CountriesSwitzerland, Germany
LanguageGerman

Happiness Is a Warm Gun is a feature film by the Swiss director Thomas Imbach, who stages the life and death story of the lovers Petra Kelly and Gert Bastian. Between documentary-like scenes and fictional acting, as well as archive material, the narrative of a love story is created, rolled up from its end. Happiness Is a Warm Gun premiered at the International Locarno Film Festival in August 2001.[1] The film won the Zurich Film Prize 2001[2] and was nominated for the Swiss Film Prize for best feature film and best leading actress.

Plot[]

Happiness Is a Warm Gun is about the murder of the green pacifist Petra Kelly, who is shot in her sleep by her life partner Gert Bastian, ex-Bundeswehr-General, before he kills himself. The film begins where the lives of the real characters end. Petra and Gert find themselves in the transit area of a modern airport and settle down in this artificial in-between world, trying to pick up the thread of the past - their political activity - while in their conversations what happened is fragmentary.

Cast[]

  • Linda Olsansky: Petra
  • Herbert Fritsch: Gert

Background[]

"After leaving the Bundestag, Kelly lived with her partner Gert Bastian in seclusion in their house in the Tannenbusch district of Bonn. She was seriously ill and suffered from fear of threats (after having received threatening letters). She was on the police's list of endangered personalities, but refused personal protection. According to the police report, Kelly was killed in her sleep by Bastian with his Deringer-type pistol under circumstances that are not completely clear, and Bastian is said to have put an end to his life afterwards, whereby according to a report in Der Spiegel magazine, the gun was aimed from above at a spot just above the forehead. The bodies were found on October 19, 1992 - several weeks after the crime. The exact date could therefore no longer be determined with certainty; the time of death is assumed to be the night of October 1, 1992."[3][circular reference]

Reception[]

"'The bullet', says Petra Kelly of this film, 'managed to push everything away in a very short time with a very warm sensation, it made room in me and that was probably the moment when I briefly took off. This is roughly how the images of Thomas Imbach's film want to behave, in their ruthlessness to push everything aside, including what we know about this historical and mythical couple. This film observes death from within at work. In the long moment of death, this ego is astonished. Not about death, but about not being able to live. Not about futility, but about the fact that all this exhausting effort has not brought the world and this ego one millimeter closer. At this point, and not only in the documentary and memory fragments, Happiness Is A Warm Gun is as radically political as it is radically physical."[4]

"Imbach's film is certainly more clearly an interpretation, a variation on a true story, as he says himself in the opening credits. In return, an attitude becomes palpable. He is not afraid of the ugly sides of his character, but something else is more important. His film is also a declaration of love, the two protagonists, especially Petra, are beautiful. In the detail shots that are typical for him, which make the viewer perceive things that would otherwise be ignored, he admires Petra's lips, the little hollow on her neck. Her tenderness, when in one scene she wordlessly and carefully washes the exhausted Gert standing naked in front of her."[5]

"Imbach has staged a version of the tragedy that shows the human-all-too-human extras behind the main actors on the political stage."[6]

"In 'Happiness Is a Warm Gun', the Swiss artist experiments with unreal leaps in time between past and future, between this world and the next, as we know it from the thrillers of David Lynch. A captivating, intense chamber play with unusual perspectives, which hopefully will find a distributor."[7]

"In a brilliant montage, Imbach extends the lives of Kelly and Bastian to the present day, virtually bombarding his audience with images and sounds... Cinema in the best sense of the word, which teaches you to see and hear."[8]

"Their unconditional and at the same time constantly reflected play creates a new, unique dimension of reality for the film - fragmentation and reconstruction reconciling, as it were. But it is also astonishing how Thomas Imbach, in this, his first actual directorial work with actors, understood how to bring his actors to "controlled identification", according to the theses he formulated: "Tell your actor who he is, but not what he should do", and "Every emotional movement of the actor is that of the character. There are no breaks in shooting" Bold words, indeed."[9]

References[]

  1. ^ "Happiness is a Warm Gun".
  2. ^ https://www.srf.ch/kultur/film-serien/film-tipp-des-tages-zu-zweit-2937604536
  3. ^ de:Petra Kelly#cite note-1
  4. ^ Georg Seeßlen. In: epd-Film 10/2002
  5. ^ Mathias Heybrock. In: Tages-Anzeiger.12.11.2001
  6. ^ Sächsische Zeitung
  7. ^ Die Welt
  8. ^ SonntagsZeitung
  9. ^ Christoph Egger: Feature film means playing with film NZZ of November 9, 2001

External links[]

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