Hatfield and the North (album)
Hatfield and the North | ||||
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Studio album by | ||||
Released | February 1974 | |||
Recorded | October 1973 – January 1974 | |||
Genre | Progressive rock, Canterbury scene | |||
Label | Virgin | |||
Producer | Hatfield and the North Tom Newman | |||
Hatfield and the North chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Hatfield and the North is the first album by the English Canterbury scene rock band Hatfield and the North, released in February 1974.
In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #34 in its list of "40 Cosmic Rock Albums".[2]
Track listing[]
A-side
- "The Stubbs Effect" (Pip Pyle) – 0:22
- "Big Jobs (Poo Poo Extract)" (Richard Sinclair, Pyle) – 0:36
- "Going Up To People and Tinkling" (Dave Stewart) – 2:25
- "Calyx" (Phil Miller) – 2:45
- "Son of 'There's No Place Like Homerton'" (Stewart) – 10:10
- "Aigrette" (Miller) – 1:37
- "Rifferama" (Sinclair; arranged by Hatfield and the North) – 2:56
B-side
- "Fol de Rol" (Sinclair, Robert Wyatt) – 3:07
- "Shaving Is Boring" (Pyle) – 8:45
- "Licks for the Ladies" (Sinclair, Pyle) – 2:37
- "Bossa Nochance" (Sinclair) – 0:40
- "Big Jobs No. 2 (By Poo and the Wee Wees)" (Sinclair, Pyle) – 2:14
- "Lobster in Cleavage Probe" (Stewart) – 3:57
- "Gigantic Land Crabs in Earth Takeover Bid" (Stewart) – 3:21
- "The Other Stubbs Effect" (Pyle) – 0:38
The 1987 CD re-release of the album added two bonus tracks, the A- and B-sides of a 1974 single, previously available on the 1980 compilation Afters:
- "Let's Eat (Real Soon)" (Sinclair, Pyle) – 3:16
- "Fitter Stoke Has a Bath" (Pyle) – 4:35
The 2009 Esoteric Recordings reissue (ECLEC2139) also included the above, along with a further bonus track:
- "Your Majesty Is Like a Cream Donut Incorporating Oh What a Lonely Lifetime" – 6:08
Taken from the Virgin Records Sampler (VD 2502) from January 1975.
Personnel[]
- Phil Miller – electric guitar (tracks 2–14), acoustic guitars (track 6)
- Dave Stewart – Fender Rhodes electric piano (tracks 1–8, 10–15), Hammond organ (tracks 3–5, 7–9, 12–14), Hohner Pianet (tracks 1, 5, 7, 9, 13–15), piano (tracks 2–5, 8, 9), tone generator (tracks 5, 7–9, 12), Minimoog (track 9)
- Richard Sinclair – bass guitar (tracks 2–14), vocals (tracks 2, 4, 6, 8, 10–12)
- Pip Pyle – drums (tracks 2–9, 11–14), percussion (tracks 4, 7, 9), sound effects (tracks 7–9, 11)
Guests[]
- Robert Wyatt – vocals (4, 12)
- Barbara Gaskin – vocals (5, 13)
- Amanda Parsons – vocals (5, 13)
- Ann Rosenthal – vocals (5, 13)
- Geoff Leigh – tenor saxophone (5), flute (5, 13)
- Didier Malherbe – tenor saxophone (7) (uncredited)
- Jeremy Baines – pixiephone (5), flute (13)
- Cyrille Ayers – vocals (8)
- Sam Ellidge – voice (7)
Album cover[]
The cover of the original vinyl release was designed by . The front and back outer cover is a panoramic photograph of Reykjavík, with the sky on the right merged with a transparency of a 15th-16th century fresco in Orvieto Cathedral by Luca Signorelli, "The Damned". The inside gatefold is a collage that includes photographs of the personnel and guests involved in the music, the cast of the TV show Bonanza, together with a cropped photograph by Jacques Henri Lartigue of a man throwing a dog.[3]
References[]
- ^ AllMusic review by Dave Thompson
- ^ Q Classic: Pink Floyd & The Story of Prog Rock, 2005.
- ^ calyx2016. "A closer look at the first Hatfield and the North album's cover". canterburyscene.wordpress.com. Retrieved 25 September 2019.
- 1974 debut albums
- Hatfield and the North albums
- Albums produced by Tom Newman (musician)
- Virgin Records albums