Hildegard Reinhardt

Hildegard Reinhardt (born 14 December 1942) is a German translator and art historian.

Life[]

Born in Hagen, Reinhardt was a graduate translator at the University of Mainz from 1969-2006. She completed her studies of art history and Romance studies at the Rheinische Friedrich-Wilhelms-Universität Bonn with the rank Magister Artium in 1974. She received her doctorate in 1987 with the dissertation Gustav Wunderwald (1882–1945) – Untersuchungen zum bildkünstlerischen Gesamtwerk.^[1]

In addition to her freelance work as a curator, she writes articles for exhibition catalogues and specialist and popular science publications, especially on women visual artists of the Expressionism and the Social realism (among others Lea Grundig, , Marta Hegemann, Grethe Jürgens, Victoria, Princess Royal, Elfriede Lohse-Wächtler, , Jeanne Mammen, Olga Oppenheimer, , , , Elisabeth Epstein, Elisabeth Erdmann-Macke and the dancer Tatjana Barbakoff).

Publications[]

• Published with Margarethe Jochimsen: Elisabeth Erdmann-Macke: Begegnungen. Bielefeld 2009.
• „…das oft aufsteigende Gefühl des Verlassenseins“, Arbeiten der Malerin Elfriede Lohse-Wächtler in den Psychiatrien von Hamburg-Friedrichsberg (1929) und Arnsdorf (1932–1940). ISBN 978-3865724779 Dresden 2000.
• Jeanne Mammen, Das symbolistische Frühwerk 1908–1914.,^[2] Berlin 2002.
• Gustav Wunderwald und Wilhelm Schmidtbonn, Dokumente einer Freundschaft 1908–1929.^[3] Bonn 1980 (Publications of the Stadtarchiv Bonn, vol. 24).
• Gustav Wunderwald (1882–1945) – Untersuchungen zum bildkünstlerischen Gesamtwerk.^[4] Hildesheim, Zürich, New York 1988.
• Die Abstraktion ist kein Anfang, sondern ein mögliches Ziel, in Ab nach München. Künstlerinnen um 1900, Munich 2014 (Auss. Kat. des Stadtmuseums Museum).

References[]

External links[]

• Literature by and about Hildegard Reinhardt in the German National Library catalogue