Horst Förster (conductor, 1920)

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Not to be confused with Horst Förster (conductor, 1933).

Horst Förster (13 March 1920 – 30 June 1986) was a German conductor, choirmaster, violinist and university teacher. In 1952, he was appointed the youngest General Music Director of the GDR in the  [de]. Afterwards, he was chief conductor of the Philharmonisches Staatsorchester Halle and the  [de] (1956–1964) as well as the Dresden Philharmonic (1964–1966).

Life[]

Förster was born in 1920 in Dresden, the son of Willibald Förster and his wife Martha Ziesche.[1] From 1936 to 1940, he underwent his musical training at the orchestral school of the Staatskapelle Dresden.[1] His teachers included among others Jan Dahmen (violin), Lothar Köhnke[2] (piano, theory and composition), Kurt Striegler (conducting) and Alfred Stier (choral conducting).[3] For a time he was a member of the Dresden Philharmonic under Paul van Kempen. After the Second World War, he was the second violinist of the same orchestra until 1950.[3] In 1947, he founded a chamber orchestra there,[1] which he conducted for three years.[4]

He then went to the Landestheater Eisenach in Thuringia.[5] On 1 January 1951, he succeeded Peter Schmitz Director of the  [de].[1] This was then subordinated to the theatre as a theatre and concert orchestra under the name Landeskapelle Eisenach.[6] In 1952, he was appointed as the youngest General Music Director of the GDR at the time.[1]

After initially being a guest conductor, he succeeded Werner Gößling as chief conductor of the Philharmonisches Staatsorchester Halle and the Singakademie Halle from 1956 to 1964.[7] He repeatedly took part in the Handel Festival, Halle.[8] According to Gilbert Stöck, he struck "a rather independent path in the programme conception" in the Saale city, which met with criticism in the  [de]. [7] In coordination with the Halle-Magdeburg  [de] (VDK), he founded the contemporary music series "Musica Viva" in the 1956/57 season, in which works by living composers from the region were to be performed.[9] Thus, as late as 1956, on the occasion of the Hallische Musiktage, which he had helped to initiate,[10] Walter Draeger's Violin Concerto. [9] Förster's refusal to join the VDK, however, resulted in a public controversy with Walther Siegmund-Schultze.[11] Afterwards, "[Förster] adapted to certain political guidelines", aiming at "ensuring quality in performances of contemporary music" without having sustainably promoted composers of the region, Stöck says. [10] In 1962, Förster premiered the Piano Concerto by Ernst Hermann Meyer with the Dresden Philharmonic Orchestra and Dieter Zechlin as soloist.[12] He also appeared with a Mozart-Beethoven-Schumann cycle as guest conductor with the Konzerthausorchester Berlin.[13] Repeatedly he was invited abroad, for example in 1963 he gave guest performances with the Riga Radio Symphony Orchestra and the Saint Petersburg Philharmonic in the Soviet Union.[14] A year later he conducted the National Philharmonic in Warsaw.[15]

From September 1964 to 1966, he was principal conductor of the Dresden Philharmonic Orchestra.[1] He opened the 1964/65 season with a concert with the US violinist Ruggiero Ricci.[16] After Förster had been criticised by the state in Halle for his too Western repertoire, he tried to serve more composers from Eastern Europe in Dresden. [17] Moreover, he continued the contemporary music cultivation of his predecessor Heinz Bongartz.[17] Thus he performed the Rhapsody for Orchestra by Johannes Paul Thilman,[18] the concerto for piano (with Annerose Schmidt)[19] and the Symphonic Concerto by Gerhard Rosenfeld as well as the cantatas Eros by Fidelio F. Finke and Schir Haschirim by Rudolf Wagner-Régeny[20] on the premiere.[21] Also during his years of office in Dresden it took him abroad as a guest conductor, as in 1965 to Chile.[22] Together with Bongartz, he undertook an extended orchestral concert tour to West Germany in the same year.[23] More and more, however, Förster's strength dwindled due to illness. [17] Until 1965 he was still supported by the second conductor Gerhard Rolf Baue], then by the guest conductors György Lehel, Klaus Tennstedt and Heinz Rögner as well as Dieter Härtwig.[17] Försters Nachfolger wurde Kurt Masur.

In 1957, he received a teaching assignment and in 1961 a professorship[24] at the Hochschule für Musik "Hanns Eisler".[1] Until his Dresden appointment, he led a conducting class there.[5] After his illness, he was again active as a university teacher.[3] Among his students were Peter Aderhold, Hans-Dieter Baum, Christian Ehwald, Helmut Gleim, Hartmut Haenchen, Christian Kluttig, Volker Rohde and Jörg-Peter Weigle. In Eisenach, he promoted the young Kapellmeister Rolf Reuter.

From 1943 he was married to Liesbeth Förster, née Schuriczek.[1]

Förster died in Dresden at the age of 66.[25]

Awards[]

  • 1962: Handel Prize of the district of Halle (for the State Symphony Orchestra).[26]Christoph Rink: Chronologie des Händelpreises. In Mitteilungen des Freundes- und Förderkreises des Händel-Hauses zu Halle e.V. 1/2012, pp. 20–25, here p. 23.
  • 1963: Patriotic Order of Merit in Bronze ("In recognition of outstanding services in the cultural field").[27]

Further reading[]

  • Susanne Baselt: Chronik des Philharmonischen Staatsorchesters Halle. Part I: 1946 bis 1964. Edited by the Direktion des Philharmonische Staatsorchesters Halle, Halle (Saale) 1999, pp. 82ff.
  • Dieter Härtwig Von Horst Förster zu Michel Plasson. Neue Musik bei der Dresdner Philharmonie (1964–1999). In Matthias Herrmann, Hanns-Werner Heister (ed.): Dresden und die avancierte Musik im 20. Jahrhundert. Bericht über das vom Dresdner Zentrum für Zeitgenössische Musik und vom Institut für Musikwissenschaft der Hochschule für Musik "Carl Maria von Weber" Dresden veranstaltete Kolloquium (Musik in Dresden. Vol. 6). Part 3: 1966–1999. Laaber, Laaber 2004, ISBN 3-89007-511-8, pp. 211–223.
  • Gilbert Stöck: Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Kompositionen, Politik, Institutionen.[28] Schröder, Leipzig 2008, ISBN 978-3-926196-50-7, pp. 242ff.
  • Stadt Eisenach, Urania Kultur- und Bildungsverein Gotha e.V. (ed.): Eisenacher Persönlichkeiten. Ein biografisches Lexikon. [Taschenlexikon. Ein Projekt des Urania Kultur- und Bildungsvereins Gotha e.V. und der Stadt Eisenach]. Rhino-Verlag, Weimar 2004, ISBN 3-932081-45-5, p. 45.
  •  [de], Hans Joachim Moser (ed.): Kürschners biographisches Theater-Handbuch. Schauspiel, Oper, Film, Rundfunk. Deutschland, Österreich, Schweiz. de Gruyter, Berlin 1956, p. 178.

References[]

  1. ^ Jump up to: a b c d e f g h Stadt Eisenach, Urania Kultur- und Bildungsverein Gotha e.V.. (ed.): Eisenacher Persönlichkeiten. A biographical encyclopaedia. [Pocket encyclopaedia. A project of the Urania Kultur- und Bildungsverein Gotha e.V. and the city of Eisenach]. Rhino-Verlag, Weimar 2004, ISBN 3-932081-45-5, p. 45.
  2. ^ Susanne Baselt: Chronik des Philharmonischen Staatsorchesters Halle. Part I: 1946 to 1964. Edited by the Directorate of the Halle Philharmonic State Orchestra, Halle (Saale) 1999, p. 82.
  3. ^ Jump up to: a b c Dieter Härtwig: 125 Jahre Dresdner Philharmonie. In Ders. (ed.): 125 Jahre Dresdner Philharmonie. 1870–1995. DZA Verlag für Kultur und Wissenschaft, Altenburg 1995, ISBN 3-9804226-5-8, pp. 22–103, here p. 62.
  4. ^ Wir über uns, philharmonischeskammerorchesterdresden.de, retrieved 24 January 2021.
  5. ^ Jump up to: a b Horst Förster, Eckart Schwinger: Musikalische Schönheit als Leitmotiv. Interview with the chief conductor of the Dresden Philharmonic Orchestra, Prof. Horst Förster. In Neue Zeit, 28 April 1965, Vol. 20, Issue 98, p. 8.
  6. ^ : Eisenach. In Ludwig Finscher (ed.): Die Musik in Geschichte und Gegenwart. Second edition, subject part, volume 2 (Bolero - Encyclopedie). Bärenreiter/Metzler, Kassel et al. 1995, ISBN 3-7618-1103-9 (Online-Edition, Subscription required for full access)
  7. ^ Jump up to: a b Gilbert Stöck: Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Compositions, Politics, Institutions. Schröder, Leipzig 2008, ISBN 978-3-926196-50-7, p. 242.
  8. ^ Hansjürgen Schaefer: Kunst des Lichts und der Freude. For the seventh time: Handel Festival in Halle. In Berliner Zeitung, 14 June 1958, vol. 14, issue 135, p. 3; Heino Lüdicke: Händels musikalisches Vermächtnis. Guests from all over the world at the celebrations in honour of the great composer in Halle. In Neue Zeit, 14 April 1959, vol. 15, issue 86, p. 4.
  9. ^ Jump up to: a b Gilbert Stöck: Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Compositions, Politics, Institutions. Schröder, Leipzig 2008, ISBN 978-3-926196-50-7, pp. 242f.
  10. ^ Jump up to: a b Gilbert Stöck: Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Compositions, Politics, Institutions. Schröder, Leipzig 2008, ISBN 978-3-926196-50-7, p. 246.
  11. ^ Gilbert Stöck: Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Compositions, Politics, Institutions. Schröder, Leipzig 2008, ISBN 978-3-926196-50-7, pp. 243ff.
  12. ^ E.Sr.: Ereignis im neuen Musikschaffen. Piano concerto by Ernst Hermann Meyer premiered in Dresden. In Neue Zeit, 12 January 1962, Vol. 18, Issue 10, p. 4.
  13. ^ H.L.: Klarinette, Klavier und Geige. Orchestral and chamber music in Berlin concert halls. In Neue Zeit, 7 February 1961, Vol. 17, Issue 32, p. 4.
  14. ^ Prof. Förster conducted in Leningrad and Riga. In Neues Deutschland, 7 March 1963, Vol. 18, Issue 66, p. 5.
  15. ^ Festliche Haydn-Aufführung. In Neues Deutschland, 28 January 1964, Jg. 19, Ausgabe 28, p. 4.
  16. ^ Sr.: Neue Dresdner Chefdirigenten. First concerts by Kurt Sonderling and Horst Förster. In Neue Zeit, 17 September 1964, Vol. 20, Issue 218, p. 4.
  17. ^ Jump up to: a b c d Dieter Härtwig: Von Horst Förster zu Michel Plasson. New Music at the Dresden Philharmonic (1964-1999). In Matthias Herrmann, Hanns-Werner Heister (ed.): Dresden and advanced music in the 20th century. Report on the conference organised by the Dresden Centre for Contemporary Music and the Institute for Musicology of the Dresden University of Music. "Carl Maria von Weber" Dresden veranstaltete Kolloquium (Musik in Dresden. Vol. 6). Part 3: 1966–1999. Laaber, Laaber 2004, ISBN 3-89007-511-8, pp. 211–223, here p. 211.
  18. ^ Karl Laux: Thilman-Uraufführung. In Neues Deutschland, 20 January 1966, Jg. 21, Ausgabe 20, p. 4.
  19. ^ Hans Böhm: Von der "Pantomime" zum Piano. The development of the Leipzig composer Siegfried Thiele. In Neue Zeit, 15 February 1966, Vol. 20, Issue 38, {{p.|4}.
  20. ^ es: Liebeslieder nicht nur für die Jugend. World premiere by Fidelio F. Finke and Rudolf Wagner-Regeny in Dresden. In Neue Zeit, 18 May 1966, Vol. 20, Issue 115, p. 4.
  21. ^ Dieter Härtwig: Dresdner Philharmonie. World premieres and selected first performances 1964-1999. In Matthias Herrmann, Hanns-Werner Heister (eds.): Dresden and Advanced Music in the 20th Century. Report on the colloquium organised by the Dresden Centre for Contemporary Music and the Institute for Musicology of the Hochschule für Musik "Carl Maria von Weber" Dresden (Music in Dresden. Vol. 6). Part 3: 1966-1999. Laaber, Laaber 2004, ISBN 3-89007-511-8, pp. 224ff.
  22. ^ J.M.: Concert success in Santiago. Professor Horst Förster conducted in Chile. In Neue Zeit, 5 September 1965, Vol. 20, Issue 208, p. 10.
  23. ^ A master concert. Enthusiasm for Dresden Philharmonic in West Germany. In Neue Zeit, 12 October 1965, Vol. 20, Issue 239, p. 4.
  24. ^ Aus Kultur und Wissenschaft. In Neues Deutschland, 12 September 1961, Vol. 16, Issue 252, p. 4.
  25. ^ [Obituary] in the Neues Deutschland, 11 July 1986, Jg. 41, Ausgabe 162, p. 7.
  26. ^ Christoph Rink: Chronologie des Händelpreises. In Mitteilungen des Freundes- und Förderkreises des Händel-Hauses zu Halle e.V. 1/2012, pp. 20–25, here p. 23.
  27. ^ Hohe Auszeichnungen. In Neues Deutschland, 6 October 1963, Jg. 18, Ausgabe 274, p. 8.
  28. ^ Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Kompositionen, Politik, Institutionen on WorldCat

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