Huracán Ramírez y la monjita negra

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Huracán Ramírez y la monjita negra
Directed byJoselito Rodríguez
Screenplay byJoselito Rodríguez
Story byMario Duncan
Produced by (credited as Ing. Juan Rodriguez Mas)
Starring


Queta Carrasco

Teresa Velázquez
Cinematography
Edited byCarlos Savage
Music bySergio Guerrero
Distributed byCinematográfica Roma
Release date
  • 4 July 1973 (1973-07-04) (Mexico)
Running time
97 minutes
CountryMexico
LanguageSpanish

Huracán Ramírez y la monjita negra (in English, "Huracán Ramírez and the Little Black Nun") is a 1973 Mexican lucha libre film written and directed by Joselito Rodríguez, and starring , and Teresa Velázquez. The film is part of a series of films centered on the character of Mexican masked luchador Huracán Ramírez, which began with Huracán Ramírez (1952).

Plot[]

A mute orphan who lives in a convent establishes a friendship with a black novice (Titina Romay) newcomer to the convent, and helps her obtain the money necessary save the convent by moonlighning as the masked luchador Huracán Ramírez. Meanwhile, a rich woman (Teresa Velázquez), who uses the nun as an unwitting pawn to perpetrate her crimes as a con artist, tries to seduce him.

Cast[]

  • as José
  • as Sor María de la Divina Concepción
  • as Sansón Pérez "el Elegante"
  • Queta Carrasco as Mother Superior Brígida
  • as René Ancira
  • as Sor Rita
  • as Doctor (as Carlos Bravo Carlhillos)
  • Luis Del Río
  • as Said Slim
  • as Padre Bernabé
  • as Hotel Clerk (as Carlos Rincon G.)
  • Ethel Medina
  • (as Martita Rangel)
  • Guillermo García
  • Xavier Alcaraz
  • Teresa Velázquez as Deborah de Iturbide (as Tere Velázquez)
  • as Ring Announcer (uncredited)

Wrestlers[]

Production[]

The film is part of a series of wrestling films centered around the fictitious Huracán Ramírez character, created by director Joselito Rodríguez and his son Juan Rodríguez Más, that began with Huracán Ramírez (1952).[1] Although actor David Silva portrayed in previous films the role of Fernando Torres, the man who in-story dons the Huracán Ramírez mask, Silva does not appear in this film,[1][2] and instead a new mute character is introduced donning the mask.[3] Silva would likewise not appear in the next and final theatrical Huracán Ramírez film, De sangre chicana.[1][2]

Reception[]

Several reviews of the film have considered it as the worst film of the Huracán Ramírez film series. In David Silva: un campeón de mil rostros by Rafael Aviña, Aviña describes the film series as "a series of films which would degenerate in an aberrant way in Huracán Ramírez y la monjita negra."[1] The book ¡Quiero ver sangre!: Historia ilustrada del cine de luchadores speculated that the reason David Silva did not participate in this film and De sangre chicana (and the later direct-to-video film Huracán Ramírez vs. los terroristas) was "not because of the money, but because the plots were just slimy."[2] Nelson Carro's El cine de luchadores echoed a sentiment similar to Aviña's, stating that the series would "end up totally degenerating" in this film.[3] The magazine Dosfilos described the film series stating that after the character's first appearance in its namesake film, "there would be other less fortunate, although funny ones, such as El misterio de Huracán Ramírez, and the frankly horrendous and forgettable ones, like Huracán Ramírez y la monjita negra."[4] In El cine que el viento se llevó, Miguel Carrara singled out Titina Romay's performance and the fact that she wore blackface to play the title role of the "black nun", sarcastically describing the film as the one "in which Titina Romay remembered that she was the chocolate girl in Angelitos negros", referencing that Romay also wore blackface in that film, where she portrayed a dark-skinned child.[5] David E. Wilt in The Mexican Film Bulletin was more benevolent, however, saying, "Huracán Ramírez y la monjita negra isn't a bad film, and—to be fair—was advertised as a comedy rather than a lucha action picture. The acting is broad but within acceptable limits, and the production values are satisfactory."[6]

References[]

  1. ^ a b c d Aviña, Rafael (2007). David Silva: un campeón de mil rostros (in Spanish). UNAM. pp. 124–125. ISBN 978-970-32-3129-4. El personaje de Huracán Ramírez, creado por Joselito Rodríguez y Juan Rodríguez Mas —su hijo— […] …El Huracán Rodríguez y la monjita negra y De sangre chicana —en estas dos últimas, David [Silva] ya no participó—. […] …una saga de películas más, que degenerarían de manera aberrante en El Huracán Ramírez y la monjita negra, por ejemplo. ["The character of Huracán Ramírez, created by Joselito Rodríguez and Juan Rodríguez Mas —his son— […] …El Huracán Rodríguez y la monjita negra y De sangre chicana —in the latter two, David [Silva] no longer participated—. […] …a series of films, which would degenerate in an aberrant way in El Huracán Ramírez y la monjita negra, for example."]
  2. ^ a b c Criollo, Raúl; Návar, José Xavier; Aviña, Rafael (2018). ¡Quiero ver sangre!: Historia ilustrada del cine de luchadores (in Spanish). UNAM, Dirección General de Publicaciones y Fomento Editorial. p. 35. ISBN 978-607-02-4917-4. En estas tres últimas [películas] David Silva ya no participó, y no por la lana, sino porque los argumentos eran de a tiro babosos. ["In these last three [films] David Silva no longer participated, and not because of the money, but because the plots were slimy."]
  3. ^ a b Carro, Nelson (1984). El cine de luchadores (in Spanish). Filmoteca de la UNAM. p. 27. …para terminar degenerando totalmente en Huracán Ramírez y la monjita negra (1972), donde Huracán Ramírez era la personalidad secreta de el mudo José… ["…to end up totally degenerating into Huracán Ramírez y la monjita negra (1972), where Huracán Ramírez was the secret personality of the mute José…"]
  4. ^ Dosfilos, Temas 76-77 (in Spanish). Editorial Seremos. 1999. p. 52. Después de esa primera aparición de Huracán vendrían otras menos afortunadas, aunque divertidas, como El misterio de Huracán Ramírez y las francamente horrendas y olvidables, como Huracán Ramírez y la monjita negra. ["After that first appearance of Huracán, there would be other less fortunate, although funny ones, such as El misterio de Huracán Ramírez and the frankly horrendous and forgettable ones, like Huracán Ramírez y la monjita negra."]
  5. ^ Carrara, Miguel (2010). El cine que el viento se llevó (in Spanish). Editorial Los Reyes. p. 183. ISBN 978-968-52-3721-5. …Huracán Ramírez y la monjita negra (1972), en la que Titina Romay se acordó que fue la niña chocolateada en Angelitos negros (1948)… ["…Huracán Ramírez y la monjita negra (1972), in which Titina Romay remembered that she was the chocolate girl in Angelitos negros (1948)…"]
  6. ^ Wilt, David E. (December 2006). "The Mexican Film Bulletin" (PDF). 12 (8): 7. {{cite journal}}: Cite journal requires |journal= (help)

External links[]

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