Iqbal Geoffrey

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Iqbal Geoffrey, (Mohammed Jawaid Iqbal Jafree; born 1939, Chiniot, Pakistan) is a Lahore-based artist and barrister. He graduated in accountancy and law from Government College and the University of Punjab in Lahore before moving to London in 1960 to begin his artistic career. Geoffrey relocated to the United States in 1962, where he continued to work as an artist and lawyer, completing an LLM from Harvard University in 1966. Geoffrey has participated in numerous solo and group exhibitions around the world, most notably the 1965 Paris Biennale where he won the Laureate Award, the Sao Paulo Biennial, and The Other Story, curated by Rasheed Araeen at the Hayward Gallery in 1989.

Career[]

Geoffrey's early abstract paintings were influenced by Urdu and Arabic calligraphy, Informel and Art Brut painting, and Zen ink painters including Sesshū Tōyō.[1] Geoffrey was one of many artists from Britain's former colonies to move to London during the postwar period.[2][3] He exhibited frequently in the city and his painting Epitaph (1958) became one of the first works by an Asian artist to enter the Tate Collection.[4] In 1962 Geoffrey moved to the United States to become an artist in residence at the Huntington Hartford Foundation in California and later the MacDowell Colony in Connecticut.[5][6]

During the early 1960s, Geoffrey's work began to include found objects and collage elements including personal items, Xerox pages, and Letraset transfers. He also undertook various conceptual performances and happenings, including burning his paintings.[7] Geoffrey again exhibited widely in the United States during the 1960s and early 1970s, including at the Grand Central Moderns Gallery, New York; Warde Nasse Gallery, Boston; and the Herbert F. Johnson Museum of Art, Ithaca. He also worked for a time as a Human Rights Officer at the United Nations and taught painting at universities including St. Mary's College of Maryland, Notre Dame University, and Central Washington State College.[8][9] Between 1973 and 1985, Geoffrey worked as an Assistant Attorney General and later an independent lawyer in Chicago.

Geoffrey currently lives in Lahore, Pakistan, where he works as an artist and a barrister in the Lahore High Court. In 2015, Geoffrey filed a petition for the return of the 105 carat Koh-I-Noor diamond, (part of the Crown Jewels), to Pakistan on the basis that the diamond was removed "forcibly and under duress" during British colonial rule.[10]

Collections[]

The Tate Gallery Museum of Fine Arts, Boston

References[]

  1. ^ Rasheed, Khalid (September 1965). "Iqbal Geoffrey". Metro. Italy. 10.
  2. ^ Chambers, Eddie (2014). Black Artists in British Art: A History Since the 1950s. I.B. Tauris.
  3. ^ Fisher, Jean (Autumn 2009). "The Other Story and the Past Imperfect". Tate Papers. London.
  4. ^ "Epitaph 1958". Tate. Retrieved 19 January 2021.
  5. ^ Monte, James. "Iqbal Geoffrey, Lewis and Vidal Gallery". Artforum. Retrieved 19 January 2021.
  6. ^ "Artists: Iqbal Geoffrey". Macdowell Colony.
  7. ^ "Oral history interview with Walter Askin, 1992 March 4-6". Archives of American Art. Retrieved 19 January 2021.
  8. ^ "Central Washington University Faculty Papers, J. Iqbal Geoffrey, circa 1960s-1970s". Central Washington State College. Retrieved 11 January 2021.
  9. ^ Johnson, E.W. (1969). Geoffrey: Power and the Image. Western Illinois University Monograph Series.
  10. ^ "Pakistan lawyer files for return of Koh-i-Noor diamond". BBC News. 4 December 2015. Retrieved 19 January 2021.
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